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Architectural 4.


Architectural engravings


for William Kent + Houghton Hall click here





Architectural Studies 1667-8
Engraving by : Wilhelm Pfann (German)  from ' Seulen-Buch : oder, Gründlicher Bericht von den fünff Ordnungen der Architectur': Printed by Johann Christoph Drechsler (German, 1682–1691) Published by Johann Hoffmann in Nurnberg: Hoffmann 1667-88.  (German) Drawn by Georg Caspar Erasmus (German, 1666–1695) Erasmus was a cabinet-maker and designer of interior decor, and he created the present work by copying three treatises of the orders and adding his own designs for furniture andlobate (or 'auricular') ornament to the plates. Page size an odd one 30.5 x 20.5 x 1 cm but printed thinner image to the page  The book included engravings by Johann Georg and Georg Caspar Erasmus of Johann Lorenz Hönnig and Wilhelm Pfann, these are both by Pfann . These are stupidly rare normally residing in Museums untouched hence the toned look £285 pair inc delivery





The Stone Bridge Built along the River Lee at  Brocket Hall,
Engraved illustration in James Paine's 'Plans, elevations, and sections, of noblemen and gentlemen's houses, and also of stabling, bridges, public and private, temples, and other garden buildings; executed' ... By James Paine, ...  Illustrated by seventy-four large folio plates, in Volume 1 and similar in Volume II Published .1767 and 1783.  James Paine (1717–1789) was an English architect. A  Palladian, early in his career he was Clerk of Works at Nostell Priory,  working  on many  projects in the area including Heath House in . From the 1750s, he had his own practice,  designing  villas, usually consisting of a central building,  with a fine staircase, and two symmetrical wings. The most important house which he was involved with was Kedleston Hall, Derbyshire where he succeeded Matthew Brettingham from 1759 to 1760 and suggested the colonnaded hall, but he was himself displaced by Robert Adam, who altered his designs. At  the same time he designed the very grand stables at Chatsworth House . He was a favourite architect of the powerful Catholic families of the time. In the 1760s he was commissioned to rebuild Worksop Manor for the Duke of Norfolk as well as the new Thorndon Hall (1764–70) in Essex for Lord Petre and his house on Park Lane, London. From 1770 to 1776, he built New Wardour Castle in Wiltshire . CONDITION: All will have condition issues as Paine in his wisdom used paper so soft it is almost blotting paper. It suffers on some from surface abrasion, absorbs every stain known to man and crease from any moisture in the air causing mild rippling to the page.  Obviously a contributing factor to them being so rare  which with the initial private printing  was not condusive to making money .This one also suffers from an idiot who cut a chunk from the double folio page  £125




The Stone Bridge Built in the Park at Chillington in Stafford

Engraved illustration in James Paine's 'Plans, elevations, and sections, of noblemen and gentlemen's houses, and also of stabling, bridges, public and private, temples, and other garden buildings; executed' ... By James Paine, ...  Illustrated by seventy-four large folio plates, in Volume 1 and similar in Volume II Published .1767 and 1783.  James Paine (1717–1789) was an English architect. A  Palladian, early in his career he was Clerk of Works at Nostell Priory,  working  on many  projects in the area including Heath House in . From the 1750s, he had his own practice,  designing  villas, usually consisting of a central building,  with a fine staircase, and two symmetrical wings. The most important house which he was involved with was Kedleston Hall, Derbyshire where he succeeded Matthew Brettingham from 1759 to 1760 and suggested the colonnaded hall, but he was himself displaced by Robert Adam, who altered his designs. At  the same time he designed the very grand stables at Chatsworth House . He was a favourite architect of the powerful Catholic families of the time. In the 1760s he was commissioned to rebuild Worksop Manor for the Duke of Norfolk as well as the new Thorndon Hall (1764–70) in Essex for Lord Petre and his house on Park Lane, London. From 1770 to 1776, he built New Wardour Castle in Wiltshire . CONDITION: All will have condition issues as Paine in his wisdom used paper so soft it is almost blotting paper. It suffers on some from surface abrasion, absorbs every stain known to man and crease from any moisture in the air causing mild rippling to the page.  Obviously a contributing factor to them being so rare  which with the initial private printing  was not condusive to making money .This one  is a single  folio page  £125



The  Bridge Built  at the Entrance into Weston Park at Chillington in Stafford

Engraved illustration in James Paine's 'Plans, elevations, and sections, of noblemen and gentlemen's houses, and also of stabling, bridges, public and private, temples, and other garden buildings; executed' ... By James Paine, ...  Illustrated by seventy-four large folio plates, in Volume 1 and similar in Volume II Published .1767 and 1783.  James Paine (1717–1789) was an English architect. A  Palladian, early in his career he was Clerk of Works at Nostell Priory,  working  on many  projects in the area including Heath House in . From the 1750s, he had his own practice,  designing  villas, usually consisting of a central building,  with a fine staircase, and two symmetrical wings. The most important house which he was involved with was Kedleston Hall, Derbyshire where he succeeded Matthew Brettingham from 1759 to 1760 and suggested the colonnaded hall, but he was himself displaced by Robert Adam, who altered his designs. At  the same time he designed the very grand stables at Chatsworth House . He was a favourite architect of the powerful Catholic families of the time. In the 1760s he was commissioned to rebuild Worksop Manor for the Duke of Norfolk as well as the new Thorndon Hall (1764–70) in Essex for Lord Petre and his house on Park Lane, London. From 1770 to 1776, he built New Wardour Castle in Wiltshire . CONDITION: All will have condition issues as Paine in his wisdom used paper so soft it is almost blotting paper. It suffers on some from surface abrasion, absorbs every stain known to man and crease from any moisture in the air causing mild rippling to the page.  Obviously a contributing factor to them being so rare  which with the initial private printing  was not condusive to making money .This one  is a single  folio page  with more staining  £115




The Ceiling and Dome of the Great Staircase Wardour Castle

reserved to go home !







The North Front of Kedleston Derbyshire

Engraved illustration in James Paine's 'Plans, elevations, and sections, of noblemen and gentlemen's houses, and also of stabling, bridges, public and private, temples, and other garden buildings; executed' ... By James Paine, ...  Illustrated by seventy-four large folio plates, in Volume 1 and similar in Volume II Published .1767 and 1783.  James Paine (1717–1789) was an English architect. A  Palladian, early in his career he was Clerk of Works at Nostell Priory,  working  on many  projects in the area including Heath House in . From the 1750s, he had his own practice,  designing  villas, usually consisting of a central building,  with a fine staircase, and two symmetrical wings. The most important house which he was involved with was Kedleston Hall, Derbyshire where he succeeded Matthew Brettingham from 1759 to 1760 and suggested the colonnaded hall, but he was himself displaced by Robert Adam, who altered his designs. At  the same time he designed the very grand stables at Chatsworth House . He was a favourite architect of the powerful Catholic families of the time. In the 1760s he was commissioned to rebuild Worksop Manor for the Duke of Norfolk as well as the new Thorndon Hall (1764–70) in Essex for Lord Petre and his house on Park Lane, London. From 1770 to 1776, he built New Wardour Castle in Wiltshire . CONDITION: All will have condition issues as Paine in his wisdom used paper so soft it is almost blotting paper. It suffers on some from surface abrasion, absorbs every stain known to man and crease from any moisture in the air causing mild rippling to the page.  Obviously a contributing factor to them being so rare  which with the initial private printing  was not condusive to making money .This one  is a double   folio page  with more staining  to the page edge and conservation tape to verso  £165



The Ceiling in the Dining Room Brockett Hall

Engraved illustration in James Paine's 'Plans, elevations, and sections, of noblemen and gentlemen's houses, and also of stabling, bridges, public and private, temples, and other garden buildings; executed' ... By James Paine, ...  Illustrated by seventy-four large folio plates, in Volume 1 and similar in Volume II Published .1767 and 1783.  James Paine (1717–1789) was an English architect. A  Palladian, early in his career he was Clerk of Works at Nostell Priory,  working  on many  projects in the area including Heath House in . From the 1750s, he had his own practice,  designing  villas, usually consisting of a central building,  with a fine staircase, and two symmetrical wings. The most important house which he was involved with was Kedleston Hall, Derbyshire where he succeeded Matthew Brettingham from 1759 to 1760 and suggested the colonnaded hall, but he was himself displaced by Robert Adam, who altered his designs. At  the same time he designed the very grand stables at Chatsworth House . He was a favourite architect of the powerful Catholic families of the time. In the 1760s he was commissioned to rebuild Worksop Manor for the Duke of Norfolk as well as the new Thorndon Hall (1764–70) in Essex for Lord Petre and his house on Park Lane, London. From 1770 to 1776, he built New Wardour Castle in Wiltshire . CONDITION: All will have condition issues as Paine in his wisdom used paper so soft it is almost blotting paper. It suffers on some from surface abrasion, absorbs every stain known to man and crease from any moisture in the air causing mild rippling to the page.  Obviously a contributing factor to them being so rare  which with the initial private printing  was not condusive to making money .This one  is a single  folio page   £125



Section from East to West of Thorden Hall Essex

Engraved illustration in James Paine's 'Plans, elevations, and sections, of noblemen and gentlemen's houses, and also of stabling, bridges, public and private, temples, and other garden buildings; executed' ... By James Paine, ...  Illustrated by seventy-four large folio plates, in Volume 1 and similar in Volume II Published .1767 and 1783.  James Paine (1717–1789) was an English architect. A  Palladian, early in his career he was Clerk of Works at Nostell Priory,  working  on many  projects in the area including Heath House in . From the 1750s, he had his own practice,  designing  villas, usually consisting of a central building,  with a fine staircase, and two symmetrical wings. The most important house which he was involved with was Kedleston Hall, Derbyshire where he succeeded Matthew Brettingham from 1759 to 1760 and suggested the colonnaded hall, but he was himself displaced by Robert Adam, who altered his designs. At  the same time he designed the very grand stables at Chatsworth House . He was a favourite architect of the powerful Catholic families of the time. In the 1760s he was commissioned to rebuild Worksop Manor for the Duke of Norfolk as well as the new Thorndon Hall (1764–70) in Essex for Lord Petre and his house on Park Lane, London. From 1770 to 1776, he built New Wardour Castle in Wiltshire . CONDITION: All will have condition issues as Paine in his wisdom used paper so soft it is almost blotting paper. It suffers on some from surface abrasion, absorbs every stain known to man and crease from any moisture in the air causing mild rippling to the page.  Obviously a contributing factor to them being so rare  which with the initial private printing  was not condusive to making money .This one  is a double   folio page with some stains within the building engraving  £165

 

Sheraton bed design

Plate to: T. Sheraton, The cabinet-maker and upholsterer's drawing-book, Accompaniment, 1792 .Drawn by T. Sheraton, Engraved  J. Barlow, . ... 26.3 x 27.4 cm. from  the books published , 1751-1806 The cabinet-maker and upholsterers drawing-book, in three parts London : Printed for the author by T. Bensley, 1793 1792 £45 each framed inc delivery


Sheraton Library Steps/metamorphic furniture

Plate to: T. Sheraton, The cabinet-maker and upholsterer's drawing-book, Accompaniment, 1792 .Drawn by T. Sheraton, Engraved  J. Barlow, . ... 26.3 x 27.4 cm. from  the books published , 1751-1806 The cabinet-maker and upholsterers drawing-book, in three parts London : Printed for the author by T. Bensley, 1793 1792 £45 each framed

 Architectural Study of a doorframe + pediment

Line engraving from ‘Villas of the Ancients Illustrated’ by Robert Castell, published in 1728. Castell's work was dedicated to Lord Burlington, has Pliny's descriptions of villas at Tusculum and Laurentum, plus material by other authors on the siting of villas. The engravings inspired early 18th architects to build their own Neo-Classical villas.. Engraved by P. Fourdrinier after Giovanni Battista Borra,  Full page excellent condition £95 inc delivery

missing

 Architectural Study of a pillar 1

Line engraving from ‘Villas of the Ancients Illustrated’ by Robert Castell, published in 1728. Castell's work was dedicated to Lord Burlington, has Pliny's descriptions of villas at Tusculum and Laurentum, plus material by other authors on the siting of villas. The engravings inspired early 18th architects to build their own Neo-Classical villas.. Engraved by P. Fourdrinier after Giovanni Battista Borra,  Full page excellent condition £95 inc delivery

missing

 Architectural Study of a pillar 2

Line engraving from ‘Villas of the Ancients Illustrated’ by Robert Castell, published in 1728. Castell's work was dedicated to Lord Burlington, has Pliny's descriptions of villas at Tusculum and Laurentum, plus material by other authors on the siting of villas. The engravings inspired early 18th architects to build their own Neo-Classical villas.. Engraved by P. Fourdrinier after Giovanni Battista Borra,  Full page excellent condition £95 inc delivery

missing



 Architectural Study of a pillar 3

Line engraving from ‘Villas of the Ancients Illustrated’ by Robert Castell, published in 1728. Castell's work was dedicated to Lord Burlington, has Pliny's descriptions of villas at Tusculum and Laurentum, plus material by other authors on the siting of villas. The engravings inspired early 18th architects to build their own Neo-Classical villas.. Engraved by P. Fourdrinier after Giovanni Battista Borra,  Full page excellent condition £95 inc delivery

missing





Plan Et Elevation D un Portique Dorique Contenant...
Copper engraving from Recueil Élémentaire D'Architecture qui Représente Divers Exemples d'Églises et Chapelles; des Grands Bâtiments depuis 12 Toises de face jusqu'à 120 plusieurs Décorations d'Apartements et Salles de Spectacles Published in Paris in 1757-1768, Paris by Jean-Francois de Neufforge, Folio to laid paper . Architectural studies of facades, floor plans, doors, columns, vases, stairways, fireplaces, fences and other features of 18th-century French architecture £95 inc delivery


Decoration Propre pour une Seconde Antichambre
Copper engraving from Recueil Élémentaire D'Architecture qui Représente Divers Exemples d'Églises et Chapelles; des Grands Bâtiments depuis 12 Toises de face jusqu'à 120 plusieurs Décorations d'Apartements et Salles de Spectacles Published in Paris in 1757-1768, Paris by Jean-Francois de Neufforge, Folio to laid paper . Architectural studies of facades, floor plans, doors, columns, vases, stairways, fireplaces, fences and other features of 18th-century French architecture £95 inc delivery ink stain to margin


Decoration pour une Chambre a Coucher
Copper engraving from Recueil Élémentaire D'Architecture qui Représente Divers Exemples d'Églises et Chapelles; des Grands Bâtiments depuis 12 Toises de face jusqu'à 120 plusieurs Décorations d'Apartements et Salles de Spectacles Published in Paris in 1757-1768, Paris by Jean-Francois de Neufforge, Folio to laid paper . Architectural studies of facades, floor plans, doors, columns, vases, stairways, fireplaces, fences and other features of 18th-century French architecture £95 inc delivery


Decorations du lambris du cote des fenestres de l'antichambre de M Dodun executes sur les desseins de m de Chamblin
Copper engraving from ' a French design volume 'L'Architecture Française' by Jean Mariette on laid probable pre 1800 paper let into a window mount /re-margined in the past marking to top right £55 inc delivery Size Folio inc delivery


Decorations du lambris du cote des Portes du grand cabinet de M Dodun executes sur les desseins de m de Chamblin
Copper engraving from ' a French design volume 'L'Architecture Française' by Jean Mariette on laid probable pre 1800 paper let into a window mount /re-margined in the past marking to top right £55 inc delivery Size Folio inc delivery


Decorations du lambris du cote de la Cheminee de larriere cabinet du palais de Bourbon
Copper engraving from ' a French design volume 'L'Architecture Française' by Jean Mariette on laid probable pre 1800 paper let into a window mount /re-margined in the past £55 inc delivery Size Folio inc delivery


Decorations interieures des vestibules de l'Hôtel de Roquelaure (pl. 33)
Copper engraving from ' a French design volume 'L'Architecture Française' by Jean Mariette on laid probable pre 1800 paper let into a window mount /re-margined in the past marking to top right £55 inc delivery Size Folio inc delivery


Architectural Design 'by Andre Charles Boulle pl 29
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Architectural Design 'by J.A.Du Cercau from Vol.2
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Architectural Design 'by Andre Charles Boulle from Vol.2
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery





Architectural Design 'by Pierre le Pautre from Vol.2 pl 28
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Architectural Design 'by Abraham Brosse from Vol.2
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery some age staining


Architectural Design 'by Vredeman Vriese from Vol.2 pl 13
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Architectural Design 'by Vredeman Vriese from Vol.2 pl 15
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Architectural Design 'by Le Roux from Vol.2 pl 63
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Architectural Design 'by Vredeman Vriese from Vol.2 Joint stools
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Architectural Design 'by J.A.du Cercau pl 43
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Architectural Design 'by J.A.du Cercau pl 39
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Architectural Design 'by Pierre Callot
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Architectural Design 'by J.Barbet
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Architectural Design 'by Jean le pautre
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Architectural Design by J.Barbet pl 14
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Architectural Design 'by Daniel marot
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Architectural Design 'by ````A du Cerceau pl9
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Architectural Design 'by by J.A.du Cercau pl 2
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Architectural Design 'by Robert de Cotte from Vol.2 pl 62
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery .
 



Antiquities of Athens Architecture Detail 1
Original copper engraving by James Basire [1730-1802, name at lower right corner], from Chapter IIV - Of the Ionic Temple on the Ilissus of Antiquities of Athens, Volume I, published in London, 1762, engraving size 13-1/2" high x 9" across to the plate mark on sheet of heavy old, 18th-century paper 22" x 15", at upper right Chap. IV, Pl. IX, at lower right J. Basire sculpt. £135 inc delivery



Architectural Design 'by Jean Marot from Vol.2
Copper engraving from ' a French Rococco design volume by Daniel Marot . Nouveaux liure d'ornaments, pour l'utillitée des sculpteurs et orfeures inventé et gravé à La Haye par D. Marot. " printed by Rapilly quai Malaquais 5 published by F.Chardon aîné 30 von Hautefeuille ie from a later edition Size Folio £35 inc delivery


Compartimens pour des Plafonds
Copper engraving from Recueil Élémentaire D'Architecture qui Représente Divers Exemples d'Églises et Chapelles; des Grands Bâtiments depuis 12 Toises de face jusqu'à 120 plusieurs Décorations d'Apartements et Salles de Spectacles Published in Paris in 1757-1768, Paris by Jean-Francois de Neufforge, Folio to laid paper . Architectural studies of facades, floor plans, doors, columns, vases, stairways, fireplaces, fences and other features of 18th-century French architecture £95 inc delivery Size Folio


Compartimens a L'Usage des Plafonds
Copper engraving from Recueil Élémentaire D'Architecture qui Représente Divers Exemples d'Églises et Chapelles; des Grands Bâtiments depuis 12 Toises de face jusqu'à 120 plusieurs Décorations d'Apartements et Salles de Spectacles Published in Paris in 1757-1768, Paris by Jean-Francois de Neufforge, Folio to laid paper . Architectural studies of facades, floor plans, doors, columns, vases, stairways, fireplaces, fences and other features of 18th-century French architecture £95 inc delivery Size Folio
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Decorative Vignettes/ Cartouche pl 11
Copper engraving from ' a French design volume 'L'Architecture Française' by Jean Mariette on laid probable pre 1800 paper let into a window mount /re-margined in the past marking to top right £55 inc delivery Size Folio inc delivery


Architectual Pediments

Similar to the work of Salomon Kleiner (1703 - 1761), a topographical draughtsman and engraver, who lived and worked most of his career in Vienna. Between 1723-27 he was working at court in Mainz. He worked a lot with the engraver titled to page H. Roberts sculp. fl 1750's £55 inc delivery Size Folio inc delivery



Architectual Mouldings

Similar to the work of Salomon Kleiner (1703 - 1761), a topographical draughtsman and engraver, who lived and worked most of his career in Vienna. Between 1723-27 he was working at court in Mainz. He worked a lot with the engraver titled to page H. Roberts sculp. fl 1750's £55 inc delivery Size Folio inc delivery soft creasing would press out


Fireplace

A Treatise On Civil Architecture, In Which The Principles of that Art Are laid down, and Illustrated by A great Number of Plates, Accurately Designed, and Elegantly Engraved by the best Hands ... London, Printed for the Author, by J. Haberkorn. To be had at the Author's House in Poland-Street, near Broad-Street, Soho written by, Sir William Chambers (1723-1796).Published 1759 engraved by F.Patton, £95 post incl



Plan and elevation of the new screen or gateway, before the front of the Admiralty, Whitehall.

Artist Adam, Robert (1728-1792) Engraver Patton, F.Published by Robert Adam and , in1761 printed by Millar, The Strand London .Longest Dimension 64cms Looks to be not straight to right edge ie trimmed behind the mount in early plain oak frame The screen, which encloses the courtyard of the Admiralty on the street side, was erected, mainly to conceal the unprepossessing character of the building, in 1760, by Robert Adam, the foremost architect of the period, £225 post incl Condition: some age staining(foxing) easily removed, seems to have been in the frame a considerable time cheaper collected (135) will send to US unglazed but in frame and backboard. . . delivery is high due to size sorry




Tombeau Antique 1
Louis XVI Architecture

Copper etchings by Jean Charles De la Fosse (1734 - 1789), and others (Berthault, Daumont, Foin, Joly, Tardieu and Mademoiselle Thouvenin). De la Fosse war architect, ornamental designer and engraver.Charles de La Fosse began his training under Le Brun at Versailles, but he also learned to paint while in Italy. He was in the country from 1658 to 1663 and was strongly influenced by Baroque artist Pietro da Cortona and the northern Italian artists, Correggio and Veronese. La Fosse was in London from 1689 to 1692 where he was employed by the first Duke of Montagu to decorate the Montagu House. Following this project, he returned to France and decorated the dome and pendentives of the church of the Invalides. He published 3 important sets of engravings: 1. "Nouvelle Iconologie Historique ou Attributs Hiéroglyphiques". 2. "Décorations, Sculptures, Orfévreries et Ornements divers". 3. "Ameublement". The following copper etchings were published under the title "Décorations, Sculptures, Orfévreries et Ornements divers" in Paris in 1771 by Maillet . Page size: 42 x 29.5 cm ( 19.2 x 11.6 ") Cut to just out of plate area behind mount ,in a simple paper mount to preserve £55 inc



Tombeau Antique 1
Louis XVI Architecture

Copper etchings by Jean Charles De la Fosse (1734 - 1789), and others (Berthault, Daumont, Foin, Joly, Tardieu and Mademoiselle Thouvenin). De la Fosse war architect, ornamental designer and engraver. Charles de La Fosse began his training under Le Brun at Versailles, but he also learned to paint while in Italy. He was in the country from 1658 to 1663 and was strongly influenced by Baroque artist Pietro da Cortona and the northern Italian artists, Correggio and Veronese. La Fosse was in London from 1689 to 1692 where he was employed by the first Duke of Montagu to decorate the Montagu House. Following this project, he returned to France and decorated the dome and pendentives of the church of the Invalides. He published 3 important sets of engravings: 1. "Nouvelle Iconologie Historique ou Attributs Hiéroglyphiques". 2. "Décorations, Sculptures, Orfévreries et Ornements divers". 3. "Ameublement". The following copper etchings were published under the title "Décorations, Sculptures, Orfévreries et Ornements divers" in Paris in 1771 by Maillet . Page size: 42 x 29.5 cm ( 19.2 x 11.6 ") Cut to just out of plate area behind mount ,in a simple paper mount to preserve £55 inc






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