Cettes Branches et Mords Tirent en Haut/ Horse Bits
By William Cavendish, duke of Newcastle, sold in the Uk as "A general system of horsemanship. Méthode et invention nouvelle de dresser les chevaux", A politician, soldier, and devoted Royalist, William Cavendish fought for Charles I during the English Civil War. He established a riding school in Antwerp with several Barbary horses obtained in Paris, and in 1657, published his revolutionary and influential work on equestrian training techniques, 'La Methode et Invention nouvelle de Dresser les Chevaux'. The engravings are made after designs by Abraham van Diepenbeeck, by seven different printmakers (Cornelis van Caukercken, Peter Clouet, Pieter de Jode II, Theodoor van Kessel, Peeter van Lisebetten, Adriaen Lommelin and Lucas Vorsterman the Younger). Vorsterman made fourteen plates. The work was originally published in French, in Antwerp in 1658 under the title Methode et Invention nouvelle de dresser les Chevaux . ** These are from the first German edition of the book on horsemanship this had text in two columns, in German and French. Titles also in German and French Published by Johann Michael Spörlin für Johann Zieger und Georg Lehmann / Jean Sieger & George Lehmann, Nuremberg (1700) This edition is mainly two to a page and slightly smaller page size Condition centre fold as issued all whole page **£85 inc delivery
Halbe
By William Cavendish, duke of Newcastle, sold in the Uk as "A general system of horsemanship. Méthode et invention nouvelle de dresser les chevaux", A politician, soldier, and devoted Royalist, William Cavendish fought for Charles I during the English Civil War. He established a riding school in Antwerp with several Barbary horses obtained in Paris, and in 1657, published his revolutionary and influential work on equestrian training techniques, 'La Methode et Invention nouvelle de Dresser les Chevaux'. The engravings are made after designs by Abraham van Diepenbeeck, by seven different printmakers (Cornelis van Caukercken, Peter Clouet, Pieter de Jode II, Theodoor van Kessel, Peeter van Lisebetten, Adriaen Lommelin and Lucas Vorsterman the Younger). Vorsterman made fourteen plates. The work was originally published in French, in Antwerp in 1658 under the title Methode et Invention nouvelle de dresser les Chevaux . ** These are from the first German edition of the book on horsemanship this had text in two columns, in German and French. Titles also in German and French Published by Johann Michael Spörlin für Johann Zieger und Georg Lehmann / Jean Sieger & George Lehmann, Nuremberg (1700) This edition is mainly two to a page and slightly smaller page size Condition centre fold as issued all whole page **£95 inc delivery some marks
There will also be pics on the Sporting pages, Howitt etc
Two Horses Heads + terrier and rat !
from Miscellaneous Etchings Old and New , a folio by Samuel Howitt (1756-1822), British sporting artist. The engravings are all full page Image 16 x 20 cm Page 27 x 22 cm Published by Ed. Orme, London. Published in 1803 ( but many printe published earliereach print is dated !) £12 unmounted.
Horses and Wild Boar
from Miscellaneous Etchings Old and New , a folio by Samuel Howitt (1756-1822), British sporting artist. The engravings are all full page Image 16 x 20 cm Page 27 x 22 cm Published by Ed. Orme, London. Published in 1803 ( but many printe published earliereach print is dated !) £12 unmounted.
Pair Horses
from Miscellaneous Etchings Old and New , a folio by Samuel Howitt (1756-1822), British sporting artist. The engravings are all full page Image 16 x 20 cm Page 27 x 22 cm Published by Ed. Orme, London. Published in 1803 ( but many printe published earliereach print is dated !) £12 unmounted.
Horses Cart
from Miscellaneous Etchings Old and New , a folio by Samuel Howitt (1756-1822), British sporting artist. The engravings are all full page Image 16 x 20 cm Page 27 x 22 cm Published by Ed. Orme, London. Published in 1803 ( but many printe published earliereach print is dated !) £12 unmounted.
Heavy Horses
Published in 1793-1794 for sketchbooks with inscription 'Sold by Orme & Co' at Morland Galleries A3 size page on soft rag paper £20 unmounted. pair
Robert Hills (b Islington
[now in London], 26 June 1769; d London, 14 May 1844). English painter and etcher. After taking drawing-lessons from John Alexander Gresse (1740-94), he enrolled at the Royal Academy Schools, London, in 1788. Village and rural scenes, and in particular studies of animals, occupied him throughout his working life; his favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, Hills carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds; the British Museum holds the artist's collection of his own etchings, which number over a thousand. He worked mostly in watercolour ( at the Fitzwilliam )but also occasionally in oils.
These are from 1797-1816 from his etchings of quadrapeds released as folio and as books in 11 parts in 3 volumes Vol I: Cattle: 200 figures on 105 plates. Dogs: 55 figures on 25 plates. Pigs: 36 figures on 16 plates. Vol II: Sheep: 100 figures on 44 plates. Asses & Mules: 79 figures on 45 plates. Cattle in groups: 95 figures on 54 plates. Vol III: Fallow deer: 80 figures on 53 plates. Red deer: 68 figures on 45 plates. Roe deer: 13 figures on 9 plates. Goats: 8 figures on 4 plates. Horses: 49 figures on 33 plates.. 783 FIGURES ON 433 PLATES IN TOTAL. ** If a number are wanted ask first as each is an oversize posting item so will reduce for a number
I hope the attribution to donkey/ pony horse is correct as all are unlabelled**
Donkeys
Four donkeys and rustic family group outside a cottage; plate 11 from a series of facsimilies of watercolour drawings from distinguished British artists. 1825 ie contemporary done from their artwork NOT restrikes Hand-coloured aquatint Inscription Content: Lettered below image with production detail: "R. Hills delint.", "Pubd. by R. Bowyer, Pall Mall, 1825 Size Visible as mounted/framed Height: 284 millimetres Width: 378 millimetres
Cattle / Family /Stable Scene
A plate 3 from a series of facsimilies of watercolour drawings from distinguished British artists. 1825 ie contemporary done from their artwork NOT restrikes Hand-coloured aquatint Inscription Content: Lettered below image with production detail: "R. Hills delint.", "Pubd. by R. Bowyer, Pall Mall, 1825 Size Visible as mounted/framed Height: 284 millimetres Width: 378 millimetres
Donkeys sm1
Antique smaller folio farm animal etching when full page 47 x 33 cm these mainly 21 x 12 cmfrom "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £15 inc pics are wrong due to weather sorry etching is fine white etc
Donkeys medium 1 Pr
Antique smaller folio farm animal etching when full page 47 x 33 cm these mainly 21 x 12 cmfrom "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £20 inc
Donkeys medium 2
Antique smaller folio farm animal etching when full page 47 x 33 cm these mainly 21 x 12 cmfrom "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £20 inc
Donkeys medium 3
Antique smaller folio farm animal etching when full page 47 x 33 cm these mainly 21 x 12 cmfrom "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £20 inc
Donkeys medium 4 Studies
Antique smaller folio farm animal etching when full page 47 x 33 cm these mainly 21 x 12 cmfrom "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £20 inc
Donkeys medium 5 Studies
Antique smaller folio farm animal etching when full page 47 x 33 cm these mainly 21 x 12 cm from "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £20 inc
Donkeys medium 6 Studies
Antique smaller folio farm animal etching when full page 47 x 33 cm these mainly 21 x 12 cm from "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £20 inc
Donkeys medium Head Studies
Antique smaller folio farm animal etching when full page 47 x 33 cm these mainly 21 x 12 cmfrom "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £20 inc
Donkeys smaller 6 Studies
Antique smaller folio farm animal etching full page 19 x 9 cm average from "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £15 inc
Donkeys smaller 8 Studies
Antique smaller folio farm animal etching full page 19 x 9 cm average from "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £15 inc
Donkeys smaller 10 Studies
Antique smaller folio farm animal etching full page 19 x 9 cm average from "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £15 inc
Donkeys smaller 11 Studies
Antique smaller folio farm animal etching full page 19 x 9 cm average from "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £15 inc
Donkeys smaller 12 Studies
Antique smaller folio farm animal etching full page 19 x 9 cm average from "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £15 inc
Donkeys smaller 13 Studies
Antique smaller folio farm animal etching full page 19 x 9 cm average from "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £15 inc
Donkeys smaller 14 Studies
Antique smaller folio farm animal etching full page 19 x 9 cm average from "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £15 inc
Donkeys smaller 15 Studies
Antique smaller folio farm animal etching full page 19 x 9 cm average from "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £15 inc
Donkey/ Pony small 16 Studies Head could be a pony
Antique smaller folio farm animal etching full page 19 x 9 cm average from "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £8 inc
Donkey/ Pony small 16 Studies Head could be a pony by the ears
Antique smaller folio farm animal etching full page 19 x 9 cm average from "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £8 inc
Donkeys small 17 Studies
Antique smaller folio farm animal etching full page 19 x 9 cm average from "Etchings of Donkeys from nature by Robert Hills (26 June 1769 – 14 May 1844) An English painter and etcher. Hills was born in Islington. He initially studied under John Alexander Gresse, then enrolled at the Royal Academy of Arts in 1788. He primarily painted rural scenes, particularly farm animals when the foundations of the different breeds / selective breeding was starting and as such shows the cottagers animals often before improvement and is a good source for early 'type' . His favourite subjects were cattle, sheep, donkeys, pigs and above all deer, which he stalked for the purpose of sketching. As well as making plein-air drawings, He carried out careful anatomical studies of animal bones and joints. Between 1798 and 1815 he issued an extensive series of Etchings of Quadrupeds Hills was known to draw animals in works of other artists, such as George Barret, Jr. and George Fennell Robson. 1809 £12 inc
Horses Plate 1
Antique large folio farm animal etching full page 47 x 33 cm from "Etchings of Donkeys from nature by Robert Hills (b Islington [now in London], 26 June 1769; d London, 14 May 1844). English painter and etcher. " 1803 £45 inc
Horses Plate 2
Antique large folio farm animal etching full page 47 x 33 cm from "Etchings of Donkeys from nature by Robert Hills (b Islington [now in London], 26 June 1769; d London, 14 May 1844). English painter and etcher. " 1803 £45 inc
Horses Plate 3
Antique large folio farm animal etching full page 47 x 33 cm from "Etchings of Donkeys from nature by Robert Hills (b Islington [now in London], 26 June 1769; d London, 14 May 1844). English painter and etcher. " 1803 £45 inc
Horses Plate 4
Antique large folio farm animal etching full page 47 x 33 cm from "Etchings of Donkeys from nature by Robert Hills (b Islington [now in London], 26 June 1769; d London, 14 May 1844). English painter and etcher. " 1803 £35 inc Printers crease
Horses Plate 5
Antique large folio farm animal etching full page 47 x 33 cm from "Etchings of Donkeys from nature by Robert Hills (b Islington [now in London], 26 June 1769; d London, 14 May 1844). English painter and etcher. " 1803 £45 inc
Horses Plate 6
Antique large folio farm animal etching full page 47 x 33 cm from "Etchings of Donkeys from nature by Robert Hills (b Islington [now in London], 26 June 1769; d London, 14 May 1844). English painter and etcher. " 1803 £45 inc
Enlevement dun convoy;
Soldiers attacking an Ottoman convoy; in the foreground a cavalryman, whose rearing horse tramples a fallen foe, shoots at a turbaned soldier riding a galopping horse; beyond, a battle raging around a cart loaded with hay; after Wouwerman Etching with some engraving. Lettered with production detail: 'Philippe Wouvermans Pinx.t - F. Ravenet sculpt.', title, continuing: 'Gravé d'apres Le tableau Original De Wouvwermans, De Meme grandeur', and publication address: 'AParis chez C. Leviez rue St André des Arts, vis a vis l'hôtel de Château Vieux'. Size Height: 405 millimetres Width: 517 millimetres Unmounted small 1cm border to plate mark Printed 1765-1778 Simon François Ravenet II (printmaker; French; Male; 1737 - 1821) Publisher Charles Leviez (publisher/printer; French; Male; 1708 - 1778) hence end date . Philips Wouwerman/ Wouwermann (1619 - Haarlem - 1668) :Born into a family of Dutch artists in Haarlem in 1619, the prolific draughtsman and painter Philips Wouwerman was primarily renowned for his lively battle and hunting scenes. After an early elementary introduction to the art of painting by his father, Paulus Joostens, he trained with the landscape painter Jan Wynants (1620-1679) and briefly worked in the Hamburg studio of the history painter Everard Decker (d. 1647) around 1638. Wouwerman later returned to Haarlem, where he joined the Guild of St. Luke, which later elected him to the office of vinder in 1646. Wouwerman favored his hunting scenes. £105 inc delivery loss base left
Race Horse Royalist, Hunter Skylark
Antique copper engraving published as the Act directs, 1814, from 'Cyclopedia; or, Universal Dictionary of Arts, Sciences, and Literature, Comprehending compiled by John Wilkes(1750-1810, of Milland House, Sussex) an important 19th Century encyclopaedia which was regarded by some as subversive when it first appeared. It was edited by Revd. Abraham Rees (1743-1825)..The majority of the engravings were produced by Syd Edwards (artist) and by engravers such as Wilson Lowry & John Farey, Jr.& J. Scott . Published by Longman,Hurst Rees Orme & Brown, Paternoster Row London . Page size 21 x 27 cm unmounted £18
English Cart Horse, Shetland Pony
Antique copper engraving published as the Act directs, 1814, from 'Cyclopedia; or, Universal Dictionary of Arts, Sciences, and Literature, Comprehending compiled by John Wilkes(1750-1810, of Milland House, Sussex) an important 19th Century encyclopaedia which was regarded by some as subversive when it first appeared. It was edited by Revd. Abraham Rees (1743-1825)..The majority of the engravings were produced by Syd Edwards (artist) and by engravers such as Wilson Lowry & John Farey, Jr.& J. Scott . Published by Longman,Hurst Rees Orme & Brown, Paternoster Row London . Page size 21 x 27 cm unmounted £18
Crisp Haired Horse
Steel engraving in original hand colouring by J.Stewart engraved by William H. Lizars from Jardine's The Naturalist's Library 1833-1842 unmounted etc some edge of page creasing will mount etc just a duff printer 17.5 x 11.5 cm £10 small but rare
Hybrid first Foal of Brood Mare and Quagga
Steel engraving in original hand colouring by J.Stewart engraved by William H. Lizars from Jardine's The Naturalist's Library 1833-1842 unmounted etc some edge of page creasing will mount etc just a duff printer 17.5 x 11.5 cm £10 small but rare
Villous Horse
Steel engraving in original hand colouring by J.Stewart engraved by William H. Lizars from Jardine's The Naturalist's Library 1833-1842 unmounted etc some edge of page creasing will mount etc just a duff printer 17.5 x 11.5 cm £10 small but rare
J.A. Klein - L'attelage
Lithograph in sepai tones dated 1817 cut to plate/border mark. Johann Adam Klein (* November 24 1792 in Nuremberg , † May 21 1875 in Munich ) was a German painter and engraver of the Biedermeier period .Large plate nick in side margin right £75 inc delivery
Drawn normally by Smith. Published J. Pittman, Warwick Square, London. Plate 140 x 190mm. From THE SPORTING MAGAZINE or Monthly Calendar of the Transactions of the Turf, the Chase, and Every Other Diversion Interesting to the Man of Pleasure (1792–1870), £12
Flora
Drawn by H. B. Chalon 1770-1849 Engraved by P. Roberts. Published by W. Lewis London and Thomas Kelly from The Complete Farrier & British Sportsman by Richard Lawrence1817 H. B. Chalon was a distinguished British painter and engraver, who eventually was appointed Animal Painter to George VI and to William IV; this royal patronage led him to be also employed by many other wealthy sporting gentlemen.£25 later edition. . less description same plate marks in horse and rubbing to just above title
Sharke
Engraver/Artist: Engraved by John Scott after Cooper. . Published by W. Lewis London and Thomas Kelly from The Complete Farrier & British Sportsman by Richard Lawrence1817 H. B. Chalon was a distinguished British painter and engraver, who eventually was appointed Animal Painter to George VI and to William IV; this royal patronage led him to be also employed by many other wealthy sporting gentlemen.£30 early edition small nick to base of page
Arab-Toorkman Charger (from Syria)
with Terms used in Horsemanship. Steel engraving, published by William Mackenzie from Modern Practical Farriery; A Complete Guide to all that Relates to the Horse circa 1880.Image size 30 x 23cm cropped unevenly to base edge so cheaper £25x 2
Horses
Lithograph dated 1824 by Edward Purcell an early British lithographic artist. It is believed he was born and trained in Dublin. By 1820 he was working in London and produced such lithographic sets as "Lithographic Costumes of Russia and Persia" (1821) and "Sporting Sketches" (1824), after Henry Alken almost A3 £40 inc
Perspective view of the veterinary college
Was in Kentish Town/St Pancras, London. Drawn by Joseph Charles Barrow engraved by John William Cook 1804 The Veterinary College was founded in 1791, with M. Charles Vial de St Bel, of Lyons, as Professor very very rare £20 unmounted
Benedict (Late Ld Foley's)
Drawn by H. B. Chalon 1770-1849 Engraved by P. Roberts. Published by W. Lewis London and Thomas Kelly from The Complete Farrier & British Sportsman by Richard Lawrence1817 H. B. Chalon was a distinguished British painter and engraver, who eventually was appointed Animal Painter to George VI and to William IV; this royal patronage led him to be also employed by many other wealthy sporting gentlemen.£25 later edition. . less description same plate
Hambletonian
Engraver/Artist: Engraved by John Scott after Cooper. Published by W. Lewis London and Thomas Kelly from The Complete Farrier & British Sportsman by Richard Lawrence 1817 £25 later edition. . less description same plate
Goldfinch by Lop
Engraver/Artist: Engraved by John Scott after Cooper. Published by W. Lewis London and Thomas Kelly from The Complete Farrier & British Sportsman by Richard Lawrence 1817 £25 later edition. . less description same plate
"John Osborne, the Celebrated Jockey"
Antique print engraved by J.B.Hunt (active 1853-1857) from a drawing by Harry Hall (c. 1814 – 22 April 1882) an English equestrian painter,, published in the New Sporting Magazine, 1857 by Rogerson & Tuxford 246 Strand . Steel engraved print Small with tight borders to mount . Size 19.5 x 15.5 cm unmounted £15 RARE
Squib
Original engraving, by Cook for J. Wheble of London, ... 'Published 1814, by I. Wheble, Warwick Square, London from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf, the Chace, unmounted £15 RARE
Race at Newmarket over the BC btween the Duke of Bedford & SirInoLade Nov 1792
Original engraving, by Cook for J. Wheble of London, ... 'Published 1792, by I. Wheble, Warwick Square, London from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf, the Chace, unmounted £15 RARE
The Oatland Stakes at Ascot June 1791
Original engraving, by Cook for J. Wheble of London, ... 'Published 1793, by I. Wheble, Warwick Square, London from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf, the Chace, unmounted £15 RARE
Dick Knight's Leap
Original engraving, by Cook for J. Wheble of London, ... 'Published 1820, by I. Wheble, Warwick Square, London from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf, the Chace, unmounted £15 RARE
Farm Yard Horse
Original engraving, from 1793, by Cook for J. Wheble of London, ... 'Published Feb 1st. 1793, by I. Wheble, Warwick Square, London from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf, the Chace, unmounted £15 RARE x 2
Portrait of a Fox Hunter his horse & his hounds
Antique copper engraved print. PublishedJ. Pittman,1827 Warwick Square, London.Plate 140 x 190mm. From THE SPORTING MAGAZINE or Monthly Calendar of the Transactions of the Turf, the Chase, and Every Other Diversion Interesting to the Man of Pleasure(1792–1870), £10 unmounted repair top centre
Boston.. Champion of the American Turf
Antique print engraved by Herring an English equestrian painter,, published in the New Sporting Magazine, 1842 by Rogerson & Tuxford 246 Strand . Steel engraved printSmall. Size 19.5 x 15.5 cm unmounted £15 RARE
Poney race at Asley's Amphitheatre
Original engraving, by Cook for J. Wheble of London, ... 'Published c 1790, by I. Wheble, Warwick Square, London from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf, the Chace, unmounted £15 RARE torn edge
Black Arabian
Drawn normally by Smith. Published by J. Pittman, Warwick Square, London.Plate 140 x 190mm. From THE SPORTING MAGAZINE or Monthly Calendar of the Transactions of the Turf, the Chase, and Every Other Diversion Interesting to the Man of Pleasure(1792–1870), £12
Beauty
Drawn normally by Smith. Published by J. Pittman, Warwick Square, London.Plate 140 x 190mm. From THE SPORTING MAGAZINE or Monthly Calendar of the Transactions of the Turf, the Chase, and Every Other Diversion Interesting to the Man of Pleasure(1792–1870), £12
Sir Hercules
Drawn normally by Smith. Published by J. Pittman, Warwick Square, London.Plate 140 x 190mm. From THE SPORTING MAGAZINE or Monthly Calendar of the Transactions of the Turf, the Chase, and Every Other Diversion Interesting to the Man of Pleasure(1792–1870), £12
Shakespeare
Drawn normally by Smith. Published by J. Pittman, Warwick Square, London.Plate 140 x 190mm. From THE SPORTING MAGAZINE or Monthly Calendar of the Transactions of the Turf, the Chase, and Every Other Diversion Interesting to the Man of Pleasure(1792–1870), £12
Tartar
Drawn normally by Smith. Published by J. Pittman, Warwick Square, London.Plate 140 x 190mm. From THE SPORTING MAGAZINE or Monthly Calendar of the Transactions of the Turf, the Chase, and Every Other Diversion Interesting to the Man of Pleasure(1792–1870), £12
Lord Southampton
Drawn normally by Smith. Published by J. Pittman, Warwick Square, London.Plate 140 x 190mm. From THE SPORTING MAGAZINE or Monthly Calendar of the Transactions of the Turf, the Chase, and Every Other Diversion Interesting to the Man of Pleasure(1792–1870), £12
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"J.Wells, the Celebrated Jockey"
Antique print engraved by J.B.Hunt (active 1853-1857) from a drawing by Harry Hall (c. 1814 – 22 April 1882) an English equestrian painter,, published in the New Sporting Magazine, 1857 by Rogerson & Tuxford 246 Strand . Steel engraved print Small . Size 19.5 x 15.5 cm unmounted £15 RARE
Colonel Thortnton
Antique print engraved , published in the New Sporting Magazine, by Rogerson & Tuxford 246 Strand . Steel engraved print Small . Size 19.5 x 15.5 cm unmounted £15 RARE x 2
Musjid
Winner of the Derby at 1859
Antique print engraved by E Hacker from a drawing by harry hall published in the New Sporting Magazine, 1842 by Rogerson & Tuxford 246 Strand . Steel engraved print Small . Size 19.5 x 15.5 cm unmounted £15 RARE tinted
Mahomed the Palmerston Arabian Antique engraving drawn by G.H. La Porte from The SPORTSMAN'S REPOSITORY, comprising a Series of HIGHLY-FINISHED ENGRAVINGS, representing the HORSE and the DOG, in all their Varieties, 1831 unmounted rare £15
Colt Bred by Lord Bolingbroke
Original engraving, from 1810, by J.Scott after Vernet for J. Wheble of London, ... 'Published 1810 , by I. Wheble, Warwick Square, London from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf, the Chace, unmounted £20 RARE
Diomed the property of Sir Charles Bunbury Bart
Original engraving, from 1793, by Cook for J. Wheble of London, ... 'Published Feb 1st. 1793, by I. Wheble, Warwick Square, London from The Sporting Magazine, or Monthly Calendar of the Transactions of the Turf, the Chace, unmounted £20 RARE
Atilla
Winner of the Great Derby Stakes at Epsom 1842
Antique print engraved by E Hacker from a drawing by G.Hancock, published in the New Sporting Magazine, 1842 by Rogerson & Tuxford 246 Strand . Steel engraved print Small . Size 19.5 x 15.5 cm unmounted £15 RARE
THE TURF PONY of Christopher Wilson, Esqr.
Antique copper engraved print. PublishedJ. Pittman, Warwick Square, London.Plate 140 x 190mm. From THE SPORTING MAGAZINE or Monthly Calendar of the Transactions of the Turf, the Chase, and Every Other Diversion Interesting to the Man of Pleasure (1792–1870), £15 unmounted
Miss Craven
Antique copper engraved print. PublishedJ. Pittman, Warwick Square, London.Plate 140 x 190mm. From THE SPORTING MAGAZINE or Monthly Calendar of the Transactions of the Turf, the Chase, and Every Other Diversion Interesting to the Man of Pleasure(1792–1870), £15 unmounted
Sir Hugo
Winner ofthe Derby Stakes at Epsom 1892. Chromolithograph andengraving, published by William Mackenzie from Modern Practical Farriery; A Complete Guide to all that Relates to the Horse circa 1890's.Image size 22 x 16 cmearly colour mounted £30
Stilton a Hunter.."the property of Colonel Lloyd London"
: Plate 17 Chromolithograph plate from "The Book of the Horse " approx A4 some age browning to edge of the page. These are from the first edition of the book,.Lithographer: Vincent Brooks & Co.Printed by: Cassell, Petter, Galpin & Co, London, Paris & New York .1874 PRICE:All £20 each mounted
Ladas
Winner ofthe Derby Stakes at Epsom 1894. Chromolithograph andengraving, published by William Mackenzie from Modern Practical Farriery; A Complete Guide to all that Relates to the Horse circa 1890's.Image size 22 x 16 cmearly colour mounted £30
The Hunter Glengarry
Chromolithograph andengraving, published by William Mackenzie from Modern Practical Farriery; A Complete Guide to all that Relates to the Horse circa 1890's.Image size 22 x 16 cmearly colour unmounted £30
A Horse Litter in 1325.
Etched by I.I.Atkindon, Aquatinted by Hill, published by Colnaghi 1813.
28 x 21 cm £25
BLAIR ATHOL;
Thoroughbred Sire; Winner of the Derby and St Leger 1864 : Plate 2 Chromolithograph plate from "The Book of the Horse " approx A4 some age browning to edge of the page. These are from the first edition of the book,.Lithographer: Vincent Brooks & Co.Printed by: Cassell, Petter, Galpin & Co, London, Paris & New York .1874 PRICE:All £20 each mounted
GOING TO COVER'
...a Portrait by the late Alfred Courbould esq :Plate 24 Chromolithograph plate from "The Book of the Horse " approx A4 some age browning to edge of the page. These are from the first edition of the book,.Lithographer: Vincent Brooks & Co.Printed by: Cassell, Petter, Galpin & Co, London, Paris & New York .1874 PRICE:All £20 each mounted
'
Single Harness Phaeton Horse COLUMBINE Property of Charles Baynes Esq:
1st Prize for action & pace at the Agricultural Hall Horse Show 1872: Plate 4 Chromolithograph plate from "The Book of the Horse " approx A4 some age browning to edge of the page. These are from the first edition of the book,.Lithographer: Vincent Brooks & Co.Printed by: Cassell, Petter, Galpin & Co, London, Paris & New York .1874 PRICE:All £20 each mounted . . 2 copies
CLYDESALE STALLION & MARE; The Property of Colonel LLoyd Lindsay
from a picture by Sheldon Williams : Plate 19 Chromolithograph plate from "The Book of the Horse " approx A4 some age browning to edge of the page. These are from the first edition of the book,.Lithographer: Vincent Brooks & Co.Printed by: Cassell, Petter, Galpin & Co, London, Paris & New York .1874 PRICE:All £20 each mounted
EMBLEM:Steeplechase Mare from a portrait by the Earl of Coventry
: Plate 13 Chromolithograph plate from "The Book of the Horse " approx A4 some age browning to edge of the page. These are from the first edition of the book,.Lithographer: Vincent Brooks & Co.Printed by: Cassell, Petter, Galpin & Co, London, Paris & New York .1874 PRICE:All £20 each mounted . . 2 copies
" Eclipse "
Chromolithograph plate from "The Book of the Horse " approx A4 some age browning to edge of the page. These are from the first edition of the book,.Lithographer: Vincent Brooks & Co.Printed by: Cassell, Petter, Galpin & Co, London, Paris & New York .1874 PRICE:All £25 each mounted
Goldie a High Class Arab
Chromolithograph plate from "The Book of the Horse " approx A4 some age browning to edge of the page. These are from the first edition of the book,.Lithographer: Vincent Brooks & Co.Printed by: Cassell, Petter, Galpin & Co, London, Paris & New York .1874 PRICE:All £20 each mounted