Wilkes,Bloch + Donovan etc Insects

Wilkes,Bloch + Donovan etc Insects .


Eugenius Esper"Die Schmetterlinge in Abbildungen Nach de Natur

Eugenius Johann Christoph Esper  studied botany with his father and later convinced  by his professor to change  studies from theology to natural history. After graduation, he worked at Erlanger University in charge of the Natural History department where he collated a  collection now in the zoological museum in Munich.. The most comprehensive work on butterflies of the time, Die Schmetterlinge in Abbildungen, from 1777-1794 is one of the more famous and scarce in print format as most are complete in libraries


Phalaen Europ./ Tom V Tab XXVII
J.C. Bock copper-line engraving with original hand-colour of butterflies on hand made laid paper. From Eugenius Esper's "Die Schmetterlinge in Abbildungen Nach de Natur', published in Nuremberg from 1776 to 1807. Eugenius Esper (1742 – 1810) was a German entomologist who ran the department of natural history in Erlangen from 1805. Size  235mm by 180mm (platemark).   £65  each inc delivery less is a quantity are required


Phalaen Europ./ Tom III Tab LXVII
J.C. Bock copper-line engraving with original hand-colour of butterflies on hand made laid paper. From Eugenius Esper's "Die Schmetterlinge in Abbildungen Nach de Natur', published in Nuremberg from 1776 to 1807. Eugenius Esper (1742 – 1810) was a German entomologist who ran the department of natural history in Erlangen from 1805. Size  235mm by 180mm (platemark).   £65  each inc delivery less is a quantity are required


Phalaen Europ./ Tom III Tab X
J.C. Bock copper-line engraving with original hand-colour of butterflies on hand made laid paper. From Eugenius Esper's "Die Schmetterlinge in Abbildungen Nach de Natur', published in Nuremberg from 1776 to 1807. Eugenius Esper (1742 – 1810) was a German entomologist who ran the department of natural history in Erlangen from 1805. Size  235mm by 180mm (platemark).   £65  each inc delivery less is a quantity are required

Phalaen Europ./ Tom IV Tab LXXVIII
J.C. Bock copper-line engraving with original hand-colour of butterflies on hand made laid paper. From Eugenius Esper's "Die Schmetterlinge in Abbildungen Nach de Natur', published in Nuremberg from 1776 to 1807. Eugenius Esper (1742 – 1810) was a German entomologist who ran the department of natural history in Erlangen from 1805. Size  235mm by 180mm (platemark).   £65  each inc delivery less is a quantity are required

Phalaen Europ./ Tom IV Tab CXII
J.C. Bock copper-line engraving with original hand-colour of butterflies on hand made laid paper. From Eugenius Esper's "Die Schmetterlinge in Abbildungen Nach de Natur', published in Nuremberg from 1776 to 1807. Eugenius Esper (1742 – 1810) was a German entomologist who ran the department of natural history in Erlangen from 1805. Size  235mm by 180mm (platemark).   £65  each inc delivery less is a quantity are required


Phalaen Europ./ supplement XX Tab XLIV
J.C. Bock copper-line engraving with original hand-colour of butterflies on hand made laid paper. From Eugenius Esper's "Die Schmetterlinge in Abbildungen Nach de Natur', published in Nuremberg from 1776 to 1807. Eugenius Esper (1742 – 1810) was a German entomologist who ran the department of natural history in Erlangen from 1805. Size  235mm by 180mm (platemark).   £55  each inc delivery less is a quantity are required Corner loss to edge of plate mark

Wilkes (1824 edition)  Moths + Butterflies


Wilkes, was the author of The English Moths and Butterflies  telling everyone  that 'painting of History Pieces and Portraits in Oyl' was his profession. A friend invited him to a meeting of the Aurelian Society, dedicated to the study of insects and first saw specimens of butterflies and moths . Over the next ten years he spent his leisure time collecting, studying and drawing caterpillars, chrysalids and flies, greatly assisted by the well known naturalist Mr Joseph Dandridge to whose collection he had free access. This publication was the culmination of this work, a  combination of artistic skill and specialist scientific observation with only a few errors.

The English Moths and Butterflies was an ambitious work with colour plates showing the complete life cycles of individual species plus their host plants. The first edition was undated,  probably produced in 1749. Dedicated to the president, Council and fellows of the Royal Society in London, it was popular enough to sell a further two editions. The second edition - basically a reprint of the first, with a different title-page - appeared in 1773; although the original blocks were again used for the illustrations of third edition of 1824, the type was completely reset and the text updated to incorporate the new system of Linnaean nomenclature.

  PLATES OF ENGLISH LEPIDOPTERA. Wilkes' work illustrates all three stages of each specimen's development, and each plate is carefully designed with an artist's eye for layout, and also shows each insect with its food plant. Indeed, both the title and the text make it clear that this work is equally about the flowers and plants on which the butterflies and moths depend (etched by Wilkes after drawings by Ehret and van Huysum), as it is about the insects themselves. 'Following an invitation by a friend to a meeting of the Aurelian Society, Wilkes became a member and proceeded to form his own collection of English lepidoptera, making sketches of the various stages in the life histories of many species as possible. Encouraged by Mr. Joseph Dandridge, who was also a patron of Albin, Wilkes decided to begin publication of the notes on the native lepidoptera which he had compiled over a period of ten years, illustrating these with his own drawings' . The work was first published in 1747-1749 and reissued in 1773;  with the  last of which incorporated Linnaean nomenclature and was published in 1824.


 ** These have the pics taken with flash in bright daylight. This shows flaws within the paper so the item you receive will look way better but makes you aware of the age defects**

 

figure 80 moth plate vii 7 Tethea ocularis

 By Benjamin Wilkes (died 1749)  From English Moths and Butterflies London, 1749 (first edition), then 1773 (second edition) . These are from the 1824  Linnean edition Engravings with original hand-coloring on hand made rag paper . Sheet size: approx. 12 ½ x 10 ½”/  315 x 270 mm. from the set of  of 120 hand-coloured etched plates by Wilkes after Wilkes  who drew the butterflies, moths, and larvae plus Georg Dionysius Ehret and Jacob van Huysum who did the the background plants £115 each inc delivery less is a quantity are required




Camberwell Beauty  Butterfly   / Plate CXIII  / Plate 113 / Nymphalis antiopa

 By Benjamin Wilkes (died 1749)  From English Moths and Butterflies London, 1749 (first edition), then 1773 (second edition) . These are from the 1824  Linnean edition Engravings with original hand-coloring on hand made rag paper . Sheet size: approx. 12 ½ x 10 ½”/  315 x 270 mm. from the set of of 120 hand-coloured etched plates by Wilkes after Wilkes  who drew the butterflies, moths, and larvae plus Georg Dionysius Ehret and Jacob van Huysum who did the the background plants £115 each inc delivery less is a quantity are required






Pebble Prominent Moth  (left). Iron Prominent (right) / Plate XXVIII  / Plate 28  b/    From English Moths and Butterflies London, 1749 (first edition), then 1773 (second edition) . These are from the 1824  Linnean edition Engravings with original hand-coloring on hand made rag paper . Sheet size: approx. 12 ½ x 10 ½”/  315 x 270 mm. from the set of of 120 hand-coloured etched plates by Wilkes after Wilkes  who drew the butterflies, moths, and larvae plus Georg Dionysius Ehret and Jacob van Huysum who did the the background plants £115 each inc delivery less is a quantity are required


 
Poplar Hawk Moth   / Plate XXV / Plate 25 /  Laothoe populi
By Benjamin Wilkes (died 1749)  From English Moths and Butterflies London, 1749 (first edition), then 1773 (second edition) . These are from the 1824  Linnean edition Engravings with original hand-coloring on hand made rag paper . Sheet size: approx. 12 ½ x 10 ½”/  315 x 270 mm. from the set of of 120 hand-coloured etched plates by Wilkes after Wilkes  who drew the butterflies, moths, and larvae plus Georg Dionysius Ehret and Jacob van Huysum who did the the background plants £115 each inc delivery less is a quantity are required



Swallow Tail  Moth   / Plate LXXVIII  / Plate 78 /  Ourapteryx sambucaria
By Benjamin Wilkes (died 1749)  From English Moths and Butterflies London, 1749 (first edition), then 1773 (second edition) . These are from the 1824  Linnean edition Engravings with original hand-coloring on hand made rag paper . Sheet size: approx. 12 ½ x 10 ½”/  315 x 270 mm. from the set of of 120 hand-coloured etched plates by Wilkes after Wilkes  who drew the butterflies, moths, and larvae plus Georg Dionysius Ehret and Jacob van Huysum who did the the background plants £115 each inc delivery less is a quantity are required



Emperor  Moth   /  Plate 33 /  Saturnia pavonia
By Benjamin Wilkes (died 1749)  From English Moths and Butterflies London, 1749 (first edition), then 1773 (second edition) . These are from the 1824  Linnean edition Engravings with original hand-coloring on hand made rag paper . Sheet size: approx. 12 ½ x 10 ½”/  315 x 270 mm. from the set of of 120 hand-coloured etched plates by Wilkes after Wilkes  who drew the butterflies, moths, and larvae plus Georg Dionysius Ehret and Jacob van Huysum who did the the background plants £115 each inc delivery less is a quantity are required.Shown prior to cleaning . This is from a different edition on heavy rag

 

?? Noctoid   Moth  
/  Plate 11 /    From English Moths and Butterflies London, 1749 (first edition), then 1773 (second edition) . These are from the 1824  Linnean edition Engravings with original hand-coloring on hand made rag paper . Sheet size: approx. 12 ½ x 10 ½”/  315 x 270 mm. from the set of of 120 hand-coloured etched plates by Wilkes after Wilkes  who drew the butterflies, moths, and larvae plus Georg Dionysius Ehret and Jacob van Huysum who did the the background plants £115 each inc delivery less is a quantity are required Shown prior to cleaning . This is from a different edition on heavy rag


  Plate  1.IV  COLYOPTERA / BEETLES
Original antique hand-coloured and exceptionally detailed  copper plate engravings on watermarked laid paper originally published with 328 plates from a rare work by Carl Gustav Jablonsky entitled Natursystem aller bekannten in-und ausländischen Insecten.One of the earliest and most comprehensive classifications of butterflies and insects according to the Linnaean taxonomy.  Carl Gustav Jablonsky was a naturalist who also served as private secretary to the Queen of Prussia. He edited the first two volumes of his major work on butterflies; the remaining nine volumes were edited by Johann F.W. Herbst, a German naturalist and entomologist, after Jablonsky's untimely death at age 31. Jablonsky and Krüger of Berlin designed most of the plates. Jablonsky also began the first complete survey of coleoptera, an order of insects including beetles, borers, weevils and fireflies, a project also taken over by Herbst and published between 1785 and 1806.  The engravers are the same people who worked onMarcus Elieser Bloch's Histoire Naturelle Des Poissons, mainly  Ludwig Schmidt.The plate measures approximately 10 1/8 inches by 7 5/8 inches, with original hand colouring & intact plate marks. Published by Pauli/Reimer, in Berlin: between 1783-1804    £75 each inc delivery less is a quantity are required


  Plate  1.V  class="aCOpRe">Coccinellida / Ladybirds
Original antique hand-coloured and exceptionally detailed  copper plate engravings on watermarked laid paper originally published with 328 plates from a rare work by Carl Gustav Jablonsky entitled Natursystem aller bekannten in-und ausländischen Insecten.One of the earliest and most comprehensive classifications of butterflies and insects according to the Linnaean taxonomy.  Carl Gustav Jablonsky was a naturalist who also served as private secretary to the Queen of Prussia. He edited the first two volumes of his major work on butterflies; the remaining nine volumes were edited by Johann F.W. Herbst, a German naturalist and entomologist, after Jablonsky's untimely death at age 31. Jablonsky and Krüger of Berlin designed most of the plates. Jablonsky also began the first complete survey of coleoptera, an order of insects including beetles, borers, weevils and fireflies, a project also taken over by Herbst and published between 1785 and 1806.  The engravers are the same people who worked onMarcus Elieser Bloch's Histoire Naturelle Des Poissons, mainly  Ludwig Schmidt.The plate measures approximately 10 1/8 inches by 7 5/8 inches, with original hand colouring & intact plate marks. Published by Pauli/Reimer, in Berlin: between 1783-1804    £75 each inc delivery less is a quantity are required


  Plate  1.VI  Coccinellida / Ladybirds
Original antique hand-coloured and exceptionally detailed  copper plate engravings on watermarked laid paper originally published with 328 plates from a rare work by Carl Gustav Jablonsky entitled Natursystem aller bekannten in-und ausländischen Insecten.One of the earliest and most comprehensive classifications of butterflies and insects according to the Linnaean taxonomy.  Carl Gustav Jablonsky was a naturalist who also served as private secretary to the Queen of Prussia. He edited the first two volumes of his major work on butterflies; the remaining nine volumes were edited by Johann F.W. Herbst, a German naturalist and entomologist, after Jablonsky's untimely death at age 31. Jablonsky and Krüger of Berlin designed most of the plates. Jablonsky also began the first complete survey of coleoptera, an order of insects including beetles, borers, weevils and fireflies, a project also taken over by Herbst and published between 1785 and 1806.  The engravers are the same people who worked onMarcus Elieser Bloch's Histoire Naturelle Des Poissons, mainly  Ludwig Schmidt.The plate measures approximately 10 1/8 inches by 7 5/8 inches, with original hand colouring & intact plate marks. Published by Pauli/Reimer, in Berlin: between 1783-1804    £75 each inc delivery less is a quantity are required



  Plate  1.VII  Coccinellida / Ladybirds
Original antique hand-coloured and exceptionally detailed  copper plate engravings on watermarked laid paper originally published with 328 plates from a rare work by Carl Gustav Jablonsky entitled Natursystem aller bekannten in-und ausländischen Insecten.One of the earliest and most comprehensive classifications of butterflies and insects according to the Linnaean taxonomy.  Carl Gustav Jablonsky was a naturalist who also served as private secretary to the Queen of Prussia. He edited the first two volumes of his major work on butterflies; the remaining nine volumes were edited by Johann F.W. Herbst, a German naturalist and entomologist, after Jablonsky's untimely death at age 31. Jablonsky and Krüger of Berlin designed most of the plates. Jablonsky also began the first complete survey of coleoptera, an order of insects including beetles, borers, weevils and fireflies, a project also taken over by Herbst and published between 1785 and 1806.  The engravers are the same people who worked onMarcus Elieser Bloch's Histoire Naturelle Des Poissons, mainly  Ludwig Schmidt.The plate measures approximately 10 1/8 inches by 7 5/8 inches, with original hand colouring & intact plate marks. Published by Pauli/Reimer, in Berlin: between 1783-1804    £75 each inc delivery less is a quantity are required



  Plate  1.VIII  Coccinellida / Ladybirds

Original antique hand-coloured and exceptionally detailed  copper plate engravings on watermarked laid paper originally published with 328 plates from a rare work by Carl Gustav Jablonsky entitled Natursystem aller bekannten in-und ausländischen Insecten.One of the earliest and most comprehensive classifications of butterflies and insects according to the Linnaean taxonomy.  Carl Gustav Jablonsky was a naturalist who also served as private secretary to the Queen of Prussia. He edited the first two volumes of his major work on butterflies; the remaining nine volumes were edited by Johann F.W. Herbst, a German naturalist and entomologist, after Jablonsky's untimely death at age 31. Jablonsky and Krüger of Berlin designed most of the plates. Jablonsky also began the first complete survey of coleoptera, an order of insects including beetles, borers, weevils and fireflies, a project also taken over by Herbst and published between 1785 and 1806.  The engravers are the same people who worked onMarcus Elieser Bloch's Histoire Naturelle Des Poissons, mainly  Ludwig Schmidt.The plate measures approximately 10 1/8 inches by 7 5/8 inches, with original hand colouring & intact plate marks. Published by Pauli/Reimer, in Berlin: between 1783-1804    £75 each inc delivery less is a quantity are required




  Plate  1.IX  Coccinellida / Ladybirds
Original antique hand-coloured and exceptionally detailed  copper plate engravings on watermarked laid paper originally published with 328 plates from a rare work by Carl Gustav Jablonsky entitled Natursystem aller bekannten in-und ausländischen Insecten.One of the earliest and most comprehensive classifications of butterflies and insects according to the Linnaean taxonomy.  Carl Gustav Jablonsky was a naturalist who also served as private secretary to the Queen of Prussia. He edited the first two volumes of his major work on butterflies; the remaining nine volumes were edited by Johann F.W. Herbst, a German naturalist and entomologist, after Jablonsky's untimely death at age 31. Jablonsky and Krüger of Berlin designed most of the plates. Jablonsky also began the first complete survey of coleoptera, an order of insects including beetles, borers, weevils and fireflies, a project also taken over by Herbst and published between 1785 and 1806.  The engravers are the same people who worked onMarcus Elieser Bloch's Histoire Naturelle Des Poissons, mainly  Ludwig Schmidt.The plate measures approximately 10 1/8 inches by 7 5/8 inches, with original hand colouring & intact plate marks. Published by Pauli/Reimer, in Berlin: between 1783-1804    £75 each inc delivery less is a quantity are required




PARTS   Plate  N
Original antique hand-coloured and exceptionally detailed  copper plate engravings on watermarked laid paper originally published with 328 plates from a rare work by Carl Gustav Jablonsky entitled Natursystem aller bekannten in-und ausländischen Insecten.One of the earliest and most comprehensive classifications of butterflies and insects according to the Linnaean taxonomy.  Carl Gustav Jablonsky was a naturalist who also served as private secretary to the Queen of Prussia. He edited the first two volumes of his major work on butterflies; the remaining nine volumes were edited by Johann F.W. Herbst, a German naturalist and entomologist, after Jablonsky's untimely death at age 31. Jablonsky and Krüger of Berlin designed most of the plates. Jablonsky also began the first complete survey of coleoptera, an order of insects including beetles, borers, weevils and fireflies, a project also taken over by Herbst and published between 1785 and 1806.  The engravers are the same people who worked onMarcus Elieser Bloch's Histoire Naturelle Des Poissons, mainly  Ludwig Schmidt.The plate measures approximately 10 1/8 inches by 7 5/8 inches, with original hand colouring & intact plate marks. Published by Pauli/Reimer, in Berlin: between 1783-1804    £45 each inc delivery less is a quantity are required





PARTS   Plate  M
Original antique hand-coloured and exceptionally detailed  copper plate engravings on watermarked laid paper originally published with 328 plates from a rare work by Carl Gustav Jablonsky entitled Natursystem aller bekannten in-und ausländischen Insecten.One of the earliest and most comprehensive classifications of butterflies and insects according to the Linnaean taxonomy.  Carl Gustav Jablonsky was a naturalist who also served as private secretary to the Queen of Prussia. He edited the first two volumes of his major work on butterflies; the remaining nine volumes were edited by Johann F.W. Herbst, a German naturalist and entomologist, after Jablonsky's untimely death at age 31. Jablonsky and Krüger of Berlin designed most of the plates. Jablonsky also began the first complete survey of coleoptera, an order of insects including beetles, borers, weevils and fireflies, a project also taken over by Herbst and published between 1785 and 1806.  The engravers are the same people who worked onMarcus Elieser Bloch's Histoire Naturelle Des Poissons, mainly  Ludwig Schmidt.The plate measures approximately 10 1/8 inches by 7 5/8 inches, with original hand colouring & intact plate marks. Published by Pauli/Reimer, in Berlin: between 1783-1804    £75 each inc delivery less is a quantity are required
 

PARTS   Plate  L
Original antique hand-coloured and exceptionally detailed  copper plate engravings on watermarked laid paper originally published with 328 plates from a rare work by Carl Gustav Jablonsky entitled Natursystem aller bekannten in-und ausländischen Insecten.One of the earliest and most comprehensive classifications of butterflies and insects according to the Linnaean taxonomy.  Carl Gustav Jablonsky was a naturalist who also served as private secretary to the Queen of Prussia. He edited the first two volumes of his major work on butterflies; the remaining nine volumes were edited by Johann F.W. Herbst, a German naturalist and entomologist, after Jablonsky's untimely death at age 31. Jablonsky and Krüger of Berlin designed most of the plates. Jablonsky also began the first complete survey of coleoptera, an order of insects including beetles, borers, weevils and fireflies, a project also taken over by Herbst and published between 1785 and 1806.  The engravers are the same people who worked onMarcus Elieser Bloch's Histoire Naturelle Des Poissons, mainly  Ludwig Schmidt.The plate measures approximately 10 1/8 inches by 7 5/8 inches, with original hand colouring & intact plate marks. Published by Pauli/Reimer, in Berlin: between 1783-1804    £45 each inc delivery less is a quantity are required


PARTS   Plate  K
Original antique hand-coloured and exceptionally detailed  copper plate engravings on watermarked laid paper originally published with 328 plates from a rare work by Carl Gustav Jablonsky entitled Natursystem aller bekannten in-und ausländischen Insecten.One of the earliest and most comprehensive classifications of butterflies and insects according to the Linnaean taxonomy.  Carl Gustav Jablonsky was a naturalist who also served as private secretary to the Queen of Prussia. He edited the first two volumes of his major work on butterflies; the remaining nine volumes were edited by Johann F.W. Herbst, a German naturalist and entomologist, after Jablonsky's untimely death at age 31. Jablonsky and Krüger of Berlin designed most of the plates. Jablonsky also began the first complete survey of coleoptera, an order of insects including beetles, borers, weevils and fireflies, a project also taken over by Herbst and published between 1785 and 1806.  The engravers are the same people who worked onMarcus Elieser Bloch's Histoire Naturelle Des Poissons, mainly  Ludwig Schmidt.The plate measures approximately 10 1/8 inches by 7 5/8 inches, with original hand colouring & intact plate marks. Published by Pauli/Reimer, in Berlin: between 1783-1804    £45 each inc delivery less is a quantity are required



PARTS   Plate  F
Original antique hand-coloured and exceptionally detailed  copper plate engravings on watermarked laid paper originally published with 328 plates from a rare work by Carl Gustav Jablonsky entitled Natursystem aller bekannten in-und ausländischen Insecten.One of the earliest and most comprehensive classifications of butterflies and insects according to the Linnaean taxonomy.  Carl Gustav Jablonsky was a naturalist who also served as private secretary to the Queen of Prussia. He edited the first two volumes of his major work on butterflies; the remaining nine volumes were edited by Johann F.W. Herbst, a German naturalist and entomologist, after Jablonsky's untimely death at age 31. Jablonsky and Krüger of Berlin designed most of the plates. Jablonsky also began the first complete survey of coleoptera, an order of insects including beetles, borers, weevils and fireflies, a project also taken over by Herbst and published between 1785 and 1806.  The engravers are the same people who worked onMarcus Elieser Bloch's Histoire Naturelle Des Poissons, mainly  Ludwig Schmidt.The plate measures approximately 10 1/8 inches by 7 5/8 inches, with original hand colouring & intact plate marks. Published by Pauli/Reimer, in Berlin: between 1783-1804    £45 each inc delivery less is a quantity are required crease top left corner

The Donovan images are larger to show the detail which is stunning for such tiny prints


Plate 208
Original antique hand-coloured and exceptionally detailed Butterfly and Moth prints are from Edward Donovan's (1768-1837) Natural History of British Insects. Antique Fish prints by Edward Donovan (1768–1837) who was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history specimens purchased mainly at auctions of specimens from voyages of exploration. He was a Fellow of the Linnean Society and the Wernerian Natural History Society which gave him access to the best collections and libraries in London. It was quite common for private collectors to open small public museums, and in 1807 he founded the London Museum and Institute of Natural History. Donovan was, at first, the very successful author of a number of natural history titles, including Natural History of British Birds (1792-97), Natural History of British Insects (1792-1813) , Natural History of British Fishes (1802-08) and the two-volume Descriptive Excursions through South Wales and Monmouthshire in the Year 1804, and the Four Preceding Summers (1805) and the short-lived Botanical Review, or the Beauties of Flora (London, 1789–90). He also wrote articles on natural history in Rees's Cyclopædia and undertook commissions for private albums of his botanical artwork.




Plate 328
Original antique hand-coloured and exceptionally detailed Butterfly and Moth prints are from Edward Donovan's (1768-1837) Natural History of British Insects. Antique Fish prints by Edward Donovan (1768–1837) who was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history specimens purchased mainly at auctions of specimens from voyages of exploration. He was a Fellow of the Linnean Society and the Wernerian Natural History Society which gave him access to the best collections and libraries in London. It was quite common for private collectors to open small public museums, and in 1807 he founded the London Museum and Institute of Natural History. Donovan was, at first, the very successful author of a number of natural history titles, including Natural History of British Birds (1792-97), Natural History of British Insects (1792-1813) , Natural History of British Fishes (1802-08) and the two-volume Descriptive Excursions through South Wales and Monmouthshire in the Year 1804, and the Four Preceding Summers (1805) and the short-lived Botanical Review, or the Beauties of Flora (London, 1789–90). He also wrote articles on natural history in Rees's Cyclopædia and undertook commissions for private albums of his botanical artwork.



Plate 349
Original antique hand-coloured and exceptionally detailed Butterfly and Moth prints are from Edward Donovan's (1768-1837) Natural History of British Insects. Antique Fish prints by Edward Donovan (1768–1837) who was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history specimens purchased mainly at auctions of specimens from voyages of exploration. He was a Fellow of the Linnean Society and the Wernerian Natural History Society which gave him access to the best collections and libraries in London. It was quite common for private collectors to open small public museums, and in 1807 he founded the London Museum and Institute of Natural History. Donovan was, at first, the very successful author of a number of natural history titles, including Natural History of British Birds (1792-97), Natural History of British Insects (1792-1813) , Natural History of British Fishes (1802-08) and the two-volume Descriptive Excursions through South Wales and Monmouthshire in the Year 1804, and the Four Preceding Summers (1805) and the short-lived Botanical Review, or the Beauties of Flora (London, 1789–90). He also wrote articles on natural history in Rees's Cyclopædia and undertook commissions for private albums of his botanical artwork.



Plate 152
Original antique hand-coloured and exceptionally detailed Butterfly and Moth prints are from Edward Donovan's (1768-1837) Natural History of British Insects. Antique Fish prints by Edward Donovan (1768–1837) who was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history specimens purchased mainly at auctions of specimens from voyages of exploration. He was a Fellow of the Linnean Society and the Wernerian Natural History Society which gave him access to the best collections and libraries in London. It was quite common for private collectors to open small public museums, and in 1807 he founded the London Museum and Institute of Natural History. Donovan was, at first, the very successful author of a number of natural history titles, including Natural History of British Birds (1792-97), Natural History of British Insects (1792-1813) , Natural History of British Fishes (1802-08) and the two-volume Descriptive Excursions through South Wales and Monmouthshire in the Year 1804, and the Four Preceding Summers (1805) and the short-lived Botanical Review, or the Beauties of Flora (London, 1789–90). He also wrote articles on natural history in Rees's Cyclopædia and undertook commissions for private albums of his botanical artwork.


Plate 299

Original antique hand-coloured and exceptionally detailed Butterfly and Moth prints are from Edward Donovan's (1768-1837) Natural History of British Insects. Antique Fish prints by Edward Donovan (1768–1837) who was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history specimens purchased mainly at auctions of specimens from voyages of exploration. He was a Fellow of the Linnean Society and the Wernerian Natural History Society which gave him access to the best collections and libraries in London. It was quite common for private collectors to open small public museums, and in 1807 he founded the London Museum and Institute of Natural History. Donovan was, at first, the very successful author of a number of natural history titles, including Natural History of British Birds (1792-97), Natural History of British Insects (1792-1813) , Natural History of British Fishes (1802-08) and the two-volume Descriptive Excursions through South Wales and Monmouthshire in the Year 1804, and the Four Preceding Summers (1805) and the short-lived Botanical Review, or the Beauties of Flora (London, 1789–90). He also wrote articles on natural history in Rees's Cyclopædia and undertook commissions for private albums of his botanical artwork.


Plate 331

Original antique hand-coloured and exceptionally detailed Butterfly and Moth prints are from Edward Donovan's (1768-1837) Natural History of British Insects. Antique Fish prints by Edward Donovan (1768–1837) who was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history specimens purchased mainly at auctions of specimens from voyages of exploration. He was a Fellow of the Linnean Society and the Wernerian Natural History Society which gave him access to the best collections and libraries in London. It was quite common for private collectors to open small public museums, and in 1807 he founded the London Museum and Institute of Natural History. Donovan was, at first, the very successful author of a number of natural history titles, including Natural History of British Birds (1792-97), Natural History of British Insects (1792-1813) , Natural History of British Fishes (1802-08) and the two-volume Descriptive Excursions through South Wales and Monmouthshire in the Year 1804, and the Four Preceding Summers (1805) and the short-lived Botanical Review, or the Beauties of Flora (London, 1789–90). He also wrote articles on natural history in Rees's Cyclopædia and undertook commissions for private albums of his botanical artwork.


Plate 79

Original antique hand-coloured and exceptionally detailed Butterfly and Moth prints are from Edward Donovan's (1768-1837) Natural History of British Insects. Antique Fish prints by Edward Donovan (1768–1837) who was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history specimens purchased mainly at auctions of specimens from voyages of exploration. He was a Fellow of the Linnean Society and the Wernerian Natural History Society which gave him access to the best collections and libraries in London. It was quite common for private collectors to open small public museums, and in 1807 he founded the London Museum and Institute of Natural History. Donovan was, at first, the very successful author of a number of natural history titles, including Natural History of British Birds (1792-97), Natural History of British Insects (1792-1813) , Natural History of British Fishes (1802-08) and the two-volume Descriptive Excursions through South Wales and Monmouthshire in the Year 1804, and the Four Preceding Summers (1805) and the short-lived Botanical Review, or the Beauties of Flora (London, 1789–90). He also wrote articles on natural history in Rees's Cyclopædia and undertook commissions for private albums of his botanical artwork.


Plate 35

Original antique hand-coloured and exceptionally detailed Butterfly and Moth prints are from Edward Donovan's (1768-1837) Natural History of British Insects. Antique Fish prints by Edward Donovan (1768–1837) who was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history specimens purchased mainly at auctions of specimens from voyages of exploration. He was a Fellow of the Linnean Society and the Wernerian Natural History Society which gave him access to the best collections and libraries in London. It was quite common for private collectors to open small public museums, and in 1807 he founded the London Museum and Institute of Natural History. Donovan was, at first, the very successful author of a number of natural history titles, including Natural History of British Birds (1792-97), Natural History of British Insects (1792-1813) , Natural History of British Fishes (1802-08) and the two-volume Descriptive Excursions through South Wales and Monmouthshire in the Year 1804, and the Four Preceding Summers (1805) and the short-lived Botanical Review, or the Beauties of Flora (London, 1789–90). He also wrote articles on natural history in Rees's Cyclopædia and undertook commissions for private albums of his botanical artwork.


Plate 251

Original antique hand-coloured and exceptionally detailed Butterfly and Moth prints are from Edward Donovan's (1768-1837) Natural History of British Insects. Antique Fish prints by Edward Donovan (1768–1837) who was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history specimens purchased mainly at auctions of specimens from voyages of exploration. He was a Fellow of the Linnean Society and the Wernerian Natural History Society which gave him access to the best collections and libraries in London. It was quite common for private collectors to open small public museums, and in 1807 he founded the London Museum and Institute of Natural History. Donovan was, at first, the very successful author of a number of natural history titles, including Natural History of British Birds (1792-97), Natural History of British Insects (1792-1813) , Natural History of British Fishes (1802-08) and the two-volume Descriptive Excursions through South Wales and Monmouthshire in the Year 1804, and the Four Preceding Summers (1805) and the short-lived Botanical Review, or the Beauties of Flora (London, 1789–90). He also wrote articles on natural history in Rees's Cyclopædia and undertook commissions for private albums of his botanical artwork.


Plate 45

Original antique hand-coloured and exceptionally detailed Butterfly and Moth prints are from Edward Donovan's (1768-1837) Natural History of British Insects. Antique Fish prints by Edward Donovan (1768–1837) who was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history specimens purchased mainly at auctions of specimens from voyages of exploration. He was a Fellow of the Linnean Society and the Wernerian Natural History Society which gave him access to the best collections and libraries in London. It was quite common for private collectors to open small public museums, and in 1807 he founded the London Museum and Institute of Natural History. Donovan was, at first, the very successful author of a number of natural history titles, including Natural History of British Birds (1792-97), Natural History of British Insects (1792-1813) , Natural History of British Fishes (1802-08) and the two-volume Descriptive Excursions through South Wales and Monmouthshire in the Year 1804, and the Four Preceding Summers (1805) and the short-lived Botanical Review, or the Beauties of Flora (London, 1789–90). He also wrote articles on natural history in Rees's Cyclopædia and undertook commissions for private albums of his botanical artwork.


Plate 275

Original antique hand-coloured and exceptionally detailed Butterfly and Moth prints are from Edward Donovan's (1768-1837) Natural History of British Insects. Antique Fish prints by Edward Donovan (1768–1837) who was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history specimens purchased mainly at auctions of specimens from voyages of exploration. He was a Fellow of the Linnean Society and the Wernerian Natural History Society which gave him access to the best collections and libraries in London. It was quite common for private collectors to open small public museums, and in 1807 he founded the London Museum and Institute of Natural History. Donovan was, at first, the very successful author of a number of natural history titles, including Natural History of British Birds (1792-97), Natural History of British Insects (1792-1813) , Natural History of British Fishes (1802-08) and the two-volume Descriptive Excursions through South Wales and Monmouthshire in the Year 1804, and the Four Preceding Summers (1805) and the short-lived Botanical Review, or the Beauties of Flora (London, 1789–90). He also wrote articles on natural history in Rees's Cyclopædia and undertook commissions for private albums of his botanical artwork.
 


Plate 1

 Antique original  exceptionally rare butterfly & moth prints from Johann Christiaan Sepp / Jan Christiaan Sepp (Dutch 1739-1811)  “Beschouwing der wonderen Gods, in de minst geachte schepzelen” 1762-1836. The quality of the engravings and original hand colouring is  precise & intricate .These are mainly from Volume 2   - 1786 - ‎Entomology. Jan Christiaan Sepp (1739-1811) was part of a dynasty of collectors, publishers & print dealers founded by his father Christian Sepp (c. 1700-1775), in Goslar, Germany. Christian established himself in Amsterdam and was an avid collector of butterflies & insects. Christian’s son, Jan Christiaan Sepp joined his father's business and succeeded him on his death. The Sepp publishing house produced some of the finest Dutch natural history colour-plate books of the 18th &19th centuries.  £20 each unmounted



Plate 3

 Antique original  exceptionally rare butterfly & moth prints from Johann Christiaan Sepp / Jan Christiaan Sepp (Dutch 1739-1811)  “Beschouwing der wonderen Gods, in de minst geachte schepzelen” 1762-1836. The quality of the engravings and original hand colouring is  precise & intricate .These are mainly from Volume 2   - 1786 - ‎Entomology. Jan Christiaan Sepp (1739-1811) was part of a dynasty of collectors, publishers & print dealers founded by his father Christian Sepp (c. 1700-1775), in Goslar, Germany. Christian established himself in Amsterdam and was an avid collector of butterflies & insects. Christian’s son, Jan Christiaan Sepp joined his father's business and succeeded him on his death. The Sepp publishing house produced some of the finest Dutch natural history colour-plate books of the 18th &19th centuries.  £20 each unmounted



Plate 8

 Antique original  exceptionally rare butterfly & moth prints from Johann Christiaan Sepp / Jan Christiaan Sepp (Dutch 1739-1811)  “Beschouwing der wonderen Gods, in de minst geachte schepzelen” 1762-1836. The quality of the engravings and original hand colouring is  precise & intricate .These are mainly from Volume 2   - 1786 - ‎Entomology. Jan Christiaan Sepp (1739-1811) was part of a dynasty of collectors, publishers & print dealers founded by his father Christian Sepp (c. 1700-1775), in Goslar, Germany. Christian established himself in Amsterdam and was an avid collector of butterflies & insects. Christian’s son, Jan Christiaan Sepp joined his father's business and succeeded him on his death. The Sepp publishing house produced some of the finest Dutch natural history colour-plate books of the 18th &19th centuries.  £20 each unmounted





Plate 10

 Antique original  exceptionally rare butterfly & moth prints from Johann Christiaan Sepp / Jan Christiaan Sepp (Dutch 1739-1811)  “Beschouwing der wonderen Gods, in de minst geachte schepzelen” 1762-1836. The quality of the engravings and original hand colouring is  precise & intricate .These are mainly from Volume 2   - 1786 - ‎Entomology. Jan Christiaan Sepp (1739-1811) was part of a dynasty of collectors, publishers & print dealers founded by his father Christian Sepp (c. 1700-1775), in Goslar, Germany. Christian established himself in Amsterdam and was an avid collector of butterflies & insects. Christian’s son, Jan Christiaan Sepp joined his father's business and succeeded him on his death. The Sepp publishing house produced some of the finest Dutch natural history colour-plate books of the 18th &19th centuries.  £20 each unmounted



Plate 12

 Antique original  exceptionally rare butterfly & moth prints from Johann Christiaan Sepp / Jan Christiaan Sepp (Dutch 1739-1811)  “Beschouwing der wonderen Gods, in de minst geachte schepzelen” 1762-1836. The quality of the engravings and original hand colouring is  precise & intricate .These are mainly from Volume 2   - 1786 - ‎Entomology. Jan Christiaan Sepp (1739-1811) was part of a dynasty of collectors, publishers & print dealers founded by his father Christian Sepp (c. 1700-1775), in Goslar, Germany. Christian established himself in Amsterdam and was an avid collector of butterflies & insects. Christian’s son, Jan Christiaan Sepp joined his father's business and succeeded him on his death. The Sepp publishing house produced some of the finest Dutch natural history colour-plate books of the 18th &19th centuries.  £20 each unmounted






Moths Plate 3
from The Reverend Frances Orpen Morris from the History of British Butterflies & The History of British Moths Each of his prints from his work on butterflies features one species of butterfly. The print was published by John Nimmo, King William Street, Strand, London. or by Groombridge & Sons, of London Lithograph with original hand colour, printed on stiff paper.26.5 x 18 cm £12 ea unmounted



Phalaena Furcula
Original Watercoloured stipple engravings c 1790/1810 of Butterflies, Moths and larval stages unsigned double mounted lined edge etc labelled by hand is spidery script so spelling may be wrong

PhalaenaChoercampa Celesid
Original Watercoloured stipple engravings c 1790/1810 of Butterflies, Moths and larval stages unsigned double mounted lined edge etc labelled by hand is spidery script so spelling may be wrong £25


Caterpillar & Chrysalis os Sphinx
Original Watercoloured stipple engravings c 1790/1810 of Butterflies, Moths and larval stages unsigned double mounted lined edge etc labelled by hand is spidery script so spelling may be wrong

 
Lepidoptera
Published as the Act directs, 1814, by Longman, Hurst , Rees, Orme and Brown Paternoster Row from 'Encyclopaedia Londinensis; or, Universal Dictionary of Arts, Sciences, and Literature, Comprehending compiled by John Wilkes(1750-1810, of Milland House, Sussex) and issued in 24 volumes .The majority of the engravings were produced by J. Pass and J. Chapman. Published by Longman ,Hurst Rees orme & Brown, Paternoster Row London . Page size 21 x 27 cm mounted some soiling so £10 ea

The Sea Hermit Crab
from Natural History of England, by Benjamin Martin included within issues of : The General Magazine of Arts and Sciences, 1755&endash;65. Published for W. Owen at Temple Bar 1758. Size, Pl. 13 cm x 20.MEGA RARE £15 engraved and drawn by Benjamin Martin


Hemiptera
Published as the Act directs, 1814, by Longman, Hurst , Rees, Orme and Brown Paternoster Row from 'Encyclopaedia Londinensis; or, Universal Dictionary of Arts, Sciences, and Literature, Comprehending compiled by John Wilkes(1750-1810, of Milland House, Sussex) and issued in 24 volumes .The majority of the engravings were produced by J. Pass and J. Chapman. Published by Longman ,Hurst Rees orme & Brown, Paternoster Row London . Page size 21 x 27 cm mounted some soiling so £10 ea

Plate XIX. HORIA MACULATA. ;MELOE VARIEGATUS - Female. ;CANTHARIS VESICATORIA, or BLISTER BEETLE. . CANTHARIS NUTTALLI.

from The Natural History of Beetles drawn By JAMES DUNCAN published EDINBURGH: William Home Lizars (Edinburgh, 1788 - 1859) ; S. Highley, 32 Fleet Street, London; and W. Curry, Jun. and Co. Dublin. 1835.hand coloured steel engraving from 'The Naturalist Library' 1840.The engravings were always coloured by artists before publication ie colured as originally sold. Mounted etc £10 each

 


Moths Plate 4  
from The Reverend Frances Orpen Morris from the History of British Butterflies & The History of British Moths Each of his prints from his work on butterflies features one species of butterfly. The print was published by John Nimmo, King William Street, Strand, London. or by Groombridge & Sons, of London Lithograph with original hand colour, printed on stiff paper.26.5 x 18 cm £12 ea unmounted



Phalaena Grandis Phalaena Spinnea
 Original Watercoloured stipple engravings c 1790/1810 of Butterflies, Moths and larval stages unsigned double mounted lined edge etc labelled by hand is spidery script so spelling may be wrong £25


Phalaena Dives PhalaenaTumacula Phalaena Flavicornis
Original Watercoloured stipple engravings c 1790/1810 of Butterflies, Moths and larval stages unsigned double mounted lined edge etc labelled by hand is spidery script so spelling may be wrong


Phalaena Trepsida, Phalaena Compressa , Notodonta Trepida
Original Watercoloured stipple engravings c 1790/1810 of Butterflies, Moths and larval stages unsigned double mounted lined edge etc labelled by hand is spidery script so spelling may be wrong £25


Coleoptera Gollathus
 Published as the Act directs, 1814, by Longman, Hurst , Rees, Orme and Brown Paternoster Row from 'Encyclopaedia Londinensis; or, Universal Dictionary of Arts, Sciences, and Literature, Comprehending compiled by John Wilkes(1750-1810, of Milland House, Sussex) and issued in 24 volumes .The majority of the engravings were produced by J. Pass and J. Chapman. Published by Longman ,Hurst Rees orme & Brown, Paternoster Row London . Page size 21 x 27 cm mounted some soiling so £10 ea


Hemiptera Mantis
Published as the Act directs, 1814, by Longman, Hurst , Rees, Orme and Brown Paternoster Row from 'Encyclopaedia Londinensis; or, Universal Dictionary of Arts, Sciences, and Literature, Comprehending compiled by John Wilkes(1750-1810, of Milland House, Sussex) and issued in 24 volumes .The majority of the engravings were produced by J. Pass and J. Chapman. Published by Longman ,Hurst Rees orme & Brown, Paternoster Row London . Page size 21 x 27 cm mounted some soiling so £10 ea

Diptera
Published as the Act directs, 1814, by Longman, Hurst , Rees, Orme and Brown Paternoster Row from 'Encyclopaedia Londinensis; or, Universal Dictionary of Arts, Sciences, and Literature, Comprehending compiled by John Wilkes(1750-1810, of Milland House, Sussex) and issued in 24 volumes .The majority of the engravings were produced by J. Pass and J. Chapman. Published by Longman ,Hurst Rees orme & Brown, Paternoster Row London . Page size 21 x 27 cm mounted some soiling so £10 ea


Hymenoptera
Published as the Act directs, 1814, by Longman, Hurst , Rees, Orme and Brown Paternoster Row from 'Encyclopaedia Londinensis; or, Universal Dictionary of Arts, Sciences, and Literature, Comprehending compiled by John Wilkes(1750-1810, of Milland House, Sussex) and issued in 24 volumes .The majority of the engravings were produced by J. Pass and J. Chapman. Published by Longman ,Hurst Rees orme & Brown, Paternoster Row London . Page size 21 x 27 cm mounted some soiling so £10 ea


Cicindela Auralenta, Procerus Toricus, Anthia Decemguttata, Carabus Hispanus

from The Natural History of Beetles drawn By JAMES DUNCAN published EDINBURGH: William Home Lizars (Edinburgh, 1788 - 1859) ; S. Highley, 32 Fleet Street, London; and W. Curry, Jun. and Co. Dublin. 1835.hand coloured steel engraving from 'The Naturalist Library' 1840.The engravings were always coloured by artists before publication ie colured as originally sold. Mounted etc £10 each . 

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