Antique larger Prints of London from Heatons in Tisbury

Stow's A Survey of the Cities of London and Westminster. These, engraved topograhical views are from John Stow's work A Survey of the Cities of London and Westminter and the Borough of Sothwark. The work was originally published in 1598 and 1603. Many editions followed which included revisions, additions, and enlargements, both by the original author and others including John Strype.pub: London, A.Churchill [et al.], 1720. 1st ed some here from Sixth edition printed in 1754-1755 included :-30 engraved plates (7 double- page), 40 maps (2 folding, 26 double-page),The first well-illustrated edition, in which John Kip, among others, had a large hand.Illustrators range from Kip . Blome, Cole etc plate 21 features Wrens Custom House which burnt down in 1718 !

Benjamin Cole (fl.1723-1767) copied the images and cut plates originally produced for the part-work edition of William Maitland's "History of London from its Foundation to the Present Time." (London : 1753-1756). Copper line engraving on paper. Engraved surface usually 17 x 23cm .Later these were used for Thornton's ' New & Complete History & Survey of London & Westminster ' published 1775-80 on smoother paper. The images are identical these will mainly be from the Maitland edition

The City of London Lying-in Hospital for Married Woman.At Shaftsbury House ..Instituted March 30, 1750
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders has some marking and the paper is not white but toned to cream .The General Lying-In Hospital was one of the first general (non-denominational) maternity hospitals in Great Britain. It opened in 1767 on Westminster Bridge Road; it became part of St Thomas' Hospital when the NHS was formed in 1946 and closed as a separate facility in 1971

The Charter House Hospital
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders has some marking and the paper is not white but toned to cream Smithfield Square

The Royal Exchange
Half-birds-eye view of the Royal Exchange. Copper engraving originally by John Strype ca. 1720 of the second format of the exchange buildings This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £20 CONDITION ISSUES : edge tears central smallprinters crease, some toning . Obviously a bad day as printer let the title slip over page edge but will mount if into image border

A Perspective View Of The Royal Hospital At Greenwich
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 52 x 37 cm £80 Clipped to plate a few creases to base edge from many centuries back will mount well, toned, paper thin in a few areas .. okay once framed

House of Peers
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders has some marking and the paper is not white but toned to cream

Bow Church
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders has some marking and the paper is not white but toned to cream x 2

Ironmongers Hall in Fenchurch St + The South Sea House in Threadneedle St
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders has some marking and the paper is not white but toned to cream

Treasury in St James park + The Admiralty near Whitehall
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders has some marking and the paper is not white but toned to cream

the South Prospect of St James's / the North Prospect of St Anne's in Westminster

This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders

Merchant Taylors School / St Paul's School
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders ..mk to title full page toned paper ie cream not white soiling to rt edge ie looks its age

The Royal banqueting House at Whitehall / The Navy Office in Broad Street
(Actually it was the Navy Pay Office that was located there, standing on the west side of Old Broad Street, near London Wall.)
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders full page toned paper ie cream not white ie looks its age

the College of Physicians. Warwick Lane / The London Hospital Whitechapel Road / St John the Baptist in the Savoy This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders

Fishmongers Alms Houses at Newington Butts, Surry, / Bancrofts Alms Houses in Bow Street
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders £30 full page good borders toned page paper not white

the North east prospect of St Olaves Church Hart Street / The South East prospect of St peter's le Poor in Broad Street This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders

the West prospect ofThe parish Church of St Michael Cornhill
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders

the Parish Church of St Mary Magdalen Bermondsey/ TheParish Church of St Mary Newington Butts
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders

the Excise Office / The parish Church of St Olave Southwark
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders £30 full page good borders toned paper not white

Goldsmith's Hall Foster lane / Stationers hall, Paternoster Row
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders x 2

Morden College
LONDON 1720. 205 x 324 mm. Copper line engraving by J. Kip prepared for the 1720 edition of Stow's "Survey of London". trimmed page small nicks/edge tears into title.£35 inc delivery

"The East Prospect of the Parish Church of St.Mary Aldermanbury" and "The East Prospect of the Parish Church of Alhallows on London Wall engraved by B.Cole, .This imageshowing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and originally produced for the part-work edition of William Maitland's "History of London" (London : 1753-1756). Copper engraved print, good condition. Size 36 x 24 cms plus margins. £20 f frayed base edge

"The South East Prospect of the Parish Church of St.Mary Abchurch in Abchurch Lane" and "The North East Prospect of the Parish Church of St.Martin Outwich in Threadneedle Street" .This imageshowing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and originally produced for the part-work edition of William Maitland's "History of London" (London : 1753-1756). Copper engraved print, good condition. Size 36 x 24 cms plus margins. £20 full page good borders

[ASKE'S HOSPITAL] THE EAST PROSPECT OF HABERDASHERS ALMS HOUSES AT HOXTON. - a prospect of Aske's Hospital in Pitfield Street - (in more recent times the City and East London College). Wall .This imageshowing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and originally produced for the part-work edition of William Maitland's "History of London" (London : 1753-1756). Copper engraved print, good condition. Size 36 x 24 cms plus margins. £20 full page good borders . . 2 copies + 1 toned paper

"The south prospect of the Church of St. Sepulchre. .This imageshowing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and originally produced for the part-work edition of William Maitland's "History of London" (London : 1753-1756). Copper engraved print, good condition. Size 36 x 24 cms plus margins. £20 full page good borders

The North West prospect of the parish church of St.anthony in Budge Row This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 one mkd

the South West prospect of the St Mary's church in the Strand This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 x 2

A MAPP of the PARISH of ST GILES'S in the Fields taken from the last Servey, with Corrections and Additions

This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Blome as were all the maps and originally produced for the part-work edition of William Maitland's "History of London" (London : 1753-1756). Plan of the parish of St Giles's from the 1755 edition of Stowe's survey of England. Stow's survey is now mentioned in the imprint. Compared to the earlier edition of the plan, Southampton House, near the top left, is indicated as Bedford House. William Russell, the second son of the 5th Earl of Bedford, came to own Southampton House by marriage in 1669. Russell's son inherited the title and estates of the Dukes of Bedford and, in 1734, the name of the property was changed to Bedford House. Other changes include: the new church of St George's, marked 56 and a watch house on High Holborn. A pecked line encloses the parish. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £45 cropped to image tipped to paper

Below damaged or substandard engraving

The North West prospect of the parish Church of Alhallows in Bread Street / The East prospect of the parish Church of St Michael in Wood Street .This imageshowing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and originally produced for the part-work edition of William Maitland's "History of London" (London : 1753-1756). Copper engraved print, good condition. Size 36 x 24 cms plus margins. £20 full page sides creased & mucky title

The South east prospect of the Church of St Dunstan in the West
This imageshowing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and originally produced for the part-work edition of William Maitland's "History of London" (London : 1753-1756). Copper engraved print, good condition. Size 36 x 24 cms plus margins. £35 full page tinted

The North West Prospect of the Parish Church of St. George, Hanover Square

This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £35 full page good borders toned to cream

The South prospect of st James Westminster &d The South prospect of st James Westminster

The North East Prospect of the Parish Church of St george in Queen Square nr Holborn. & The North East Prospect of the Parish Church of St Paul in Covent Garden.

The East Front of the Horse and Foot Guards at Whitehall
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders has some offsetting and the paper is not white but toned to cream

The South West Prospect of the Church of St Dunstan in the West
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders has some offsetting and the paper is not white but toned to cream x 2

Bethlehem Hospital

This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders has some marking and the paper is not white but toned to cream early edition by Toms better than image x 2

Bridewell Prison

This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders has some marking and the paper is not white but toned to cream x 2

St Georges Hospital

This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders has some marking and the paper is not white but toned to cream early edition by Stow x 2

Surgeons Theatre Old Bailey

This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders and the paper is not white but toned to cream x 2

The South East prospect of the Temple Church

This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders has some marking and the paper is not white but toned to cream

The South prospect of Somerset House in the Strand

This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders has some marking and the paper is not white but toned to cream close printed rt

The Treasury in St James Park
Cropped page showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. When Full page Size 36 x 24 cms but on this minus margins £20

The North east prospect of St Olives Church Hart Street
Cropped page showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. When Full page Size 36 x 24 cms but on this minus margins £20

Fishmongers Hall London Bridge
Cropped page showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. When Full page Size 36 x 24 cms but on this minus margins £15 remargined to base

The Navy Office in Broad Street
Cropped page showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. When Full page Size 36 x 24 cms but on this minus margins £20

The Parish church of St Dunstan in the East
Cropped page showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. When Full page Size 36 x 24 cms but on this minus margins £20

A North east Prospect of the parish Church of St Botolph without Bishopsgate
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders . . . stained page edge but no fold

the North West Prospect of The Danes Church in Wellclose Square /
The South West prospect of the Sweeds Church in Princess Square Ratcliff Highway
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders mk on top picture would soak off

The North West prospect of the prish Church of St Magnus the martyr , The North east End of London Bridge
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders post inclusive..clipped left edge

the North West prospect of the Parish Church of St Bennet Grace Church
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 clipped left edge x 2

North east prospect of the Parish Church of St Botolphs without Bishopsgate
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders larger page with fold

The North west prospect of the Parish Church of St Andrew Undershaft in Leadenhall Street/
A perspective View of the Parish Church of St John the Evangelist in Westminster
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders

the Parish Church of Allhallows the Great in Thames Street/ The French Hospital in Old Street This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders wider page with fold
£30 full page good borders toned paper not white

The North prospect of the Parish Church of St george in Queen square near Holborn/
The North east prospect of the Parish Church of St Paul in Covent garden
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders mkd

Ironmongers Hall in Fenchurch Street / The South Sea House in Threadneedle Street
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders some soiling

The Parish Church of St mary le Bone in Middlesex / A prospect of the Parish Church of St george in Bloomsbury
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders

The South west prospect of the parish Church of St james Clerkenwell/
The Southwest prospect of the parish Church of St matthew at Bethnal Green
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders x 2

The parish Church of St John Southwark / The Parish Church of St mary Rotherhithe
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders

The parish Church of St George in Ratcliff Highway / The parish Church of St Ann at Limehouse

This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders

the South West prospect of the parish Church of St Catherine Cree in Leadenhall Street
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders .. x 2

"The East Prospect of the Parish Church of St.Mary Aldermanbury" / "The East Prospect of the Parish Church of Alhallows on London Wall
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders x 2

the Parish Church of St.Mary Aldermary in Bow Lane / the Parish Church of St.Margaret Pattens in Little Tower Street This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders

the South east propect of the parish Church of St mary Magdalen in Old Fish Street/
The South prospect of the parish Church of St lawrence Jewry
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders

St Vedast alsia Foster lane / Alhallows Barking / St peters in Cornhill
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders

The College of Arms or Herald's Office
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders .. some marking
£30 full page good borders .toned page paper not white

the Parish Church of St Swithin in Cannon Street / The Parish Church of St Edmund the King in Lombard Street /The Parish Church of St Nicholas Coleabby, Old Fish Street This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders

The Prospect of the Church of St sepulchre This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders mkd rt edge clipped/badly printed top

View of the Foundling Hospital
This image showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" Engraved by Benjamin Cole (fl.1723-1767) and from the later edition the part-work edition of William Maitland's "History of London" (London : 1753-1756). ie. the drawing is 17thc. updated mid 18thc. Copper engraved print, good condition. Size 36 x 24 cms plus margins. £30 full page good borders x 3

The Custom House

by W H Toms ( 1740's edition) .the image was first published in 1720. The present example, showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" (London 1740's).Copper line engraving on paper. F ull page good borders £45 some marking

Christ's Hospital

by W H Toms ( 1740's edition) .the image was first published in 1720. The present example, showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" (London 1740's).Copper line engraving on paper. F ull page good borders £45 some marking x 2

A View of the Guild Hall of the City of London

by W H Toms ( 1740's edition) .the image was first published in 1720. The present example, showing some minor revision, was prepared for inclusion in the part-work edition of John Stow's "A Survey of the Cities of London and Westminster" (London 1740's).Copper line engraving on paper. F ull page good borders £45 some marking

The Old And New London Bridges.

Drawn And Etched By Edward William Cooke. "With Scientific And Historical Notices Of The Two Bridges; Practical Observations On The Tides Of The River Thames; And A Concise Essay On Bridges, From The Earliest Period; &c.&c. Derived From Information Contributed Exclusively For This Work, by George Rennie, Esq. F.R.S. F.A.S. &c.&c. London" Published By Brown And Syrett, 17, Old Broad-Street; J. And A. Arch, Cornhill; Paul And Dominic Colnaghi And Co. Printsellers To The Royal Family, Pall Mall East; And George And E.W. Cooke, Barnes Terrace, Surrey. 1833. One of 12 etched plates, image 500 x 355mm, 19¾ x 14"mounted so exported sans mount due to size. The bridge was built 180 feet west of the old Bridge and Londoners could see both the old bridge and the new side-by-side. On June 15, 1825, the Lord Mayor of London, John Garratt, laid the first stone, in the presence of the Duke of York. Built out of granite which quarried on Dartmoor, a structure of 5 arches, 928 feet long and 49 feet wide. When the new bridge was finished and opened by King William and Queen Adelaide in 1831, traffic switched to the huge new structure and the demolition commenced on the old bridge. £185 inc delivery

During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views, which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print, creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views, and were horizontal in format. They had roughly the same dimensions and were sold with heavy opaque colouring, so as to show the tints when viewed through the lens. In their heyday, optical prints were a technical revolution; they could be seen in almost every fashionable drawing room, and were enjoyed by the poorer classes in print shops or at traveling fairs. For a small fee the citizens of Europe and England could travel the world without leaving their village. The "vue d'optique" was the first medium to bring the visible appearance of the wider world to a large European public. Ironically the artists and engravers who created these prints rarely had first hand knowledge of the scenes depicted, hence the views were often not as accurate as they were advertised to be. As a result of their constant handling optical prints such as these are rare, especially in good condition

Vue de la Maison de Campagne de Mr. Smith s Baltersea sur le bord de la Thamise

"Vue d'optique" of the country house of a Mr Smith seen from the Thames, showing sailing boats and cargo vessels on the river. Lettered in plate below image, lower left: A Paris chez Beauvais Rue St. Jacques French, 1740-80, Hand coloured engraving and an oddly scarce image engraving; 9 x 15 3/4 / Height: 1440mm, Width: 2343mm. Some surface soiling £105 inc delivery More often found as the Boydell reprint. . . remember pre copywrite act

VUE PERSPECTIVE DE LA GRANDE PLACE DU PARC ST JACQUES A LONDRES

Vue Optique of St james park and Horseguards by a more common printer and artist. Still in good colour Lettered in plate below image, lower left: A Paris chez Daumont, Paris, 1780-1790 Size 290 x 400 mm. image/, 315 x 430 mm. page £85 inc delivery

Prospectus majoris via, et Ecclesia Sancta maria in Londino: La Grande Rüe, et l'Eglise Ste Marie de Londres

"Vue d'optique" of St. Mary's Church in London. Lettered in plate below image, lower left: Paris: chez Daumont rue St. Martin, circa 1760. Engraving with original colour. Printed on watermarked laid paper. . Image size: 8 7/8 x 15 13/16 inches. Sheet size: 11 9/16 x 18 1/8 inches. Plate mark: 10 x 16 1/2 inches. £125 inc delivery

View of the Royal Exchange London. Vue de la Bourse Royal a Londres.

(London City view / Royal Exchange). Lettered in plate below image, lower centre printed 1761, London. Engraved by Moithey. Nice mid-18th century copper engraved urban view print. With old hand colour. Some surface soiling £105 inc delivery More often found as the Boydell reprint. . . remember pre copywrite act

The King's Presence Chamber, St. James's Palace, London
Aquatint after Charles Wild . from W.H. Pyne (1819), The History of the Royal Residences, vol. 3: plate 71... Palace, London engraved by Thomas Sutherland (1785-1838). Some toning and the grubbiest mount ever seen £65 inc delivery

Vüe d'Optique Représentant Le Chœur de la Cathedrale de St. Paul de Londres.
In the eighteenth and nineteenth centuries there were many popular speciality establishments in Paris, Augsburg and London which produced optical viewing devices and special engravings to be viewed through them. In the 18th century the optical print or vue optique came into existence, whose exaggerated converging lines were intended to produce the optical illusion of deep recession. The viewing devices for which these perspective prints were produced consisted of a lens and a mirror, this requiring the use of reversed or mirror-image pictures c1780 by Daumont : Rue St Martin printed in Paris £185 inc delivery but in grubby mount

View Of The House Of Lords And Commons From Old Palace Yard.
Vue De La Chambre Des Pairs Et Celle Des Communes Prise Pour La Cour Du Palais.
Hand coloured aquatint, both drawn & engraved by Robert Havell & Son. London, Published by Messrs Colnaghi & Co. Cockspur Street. 280 x 375mm. From Robert Havell's 'Views of the Public Buildings and Bridges in London and its Environs', 1820-1. Numbered 'PL 12' upper right. Paper watermarked 'J. Whatman 1829' but published c 1830 Framed/Glazed scarce in good condition unopened £285 inc delivery.

A Perspective View of St Peter's, Westminster with the Towers & Spires as designed by Sr. Christopher Wren.
Copper line engraving by William Henry Toms (fl. 1723-58) produced to accompany Maitland’s “History of London” 1737-39. Atractive later hand colour. Measures 300 x 420 mm. Mounted matted and oversize £115 inc dleivery as for once decent condition, some ofsetting, light creasing but no mice or foxing or turned brown !

A View of Westminster Bridge from Lambeth
From the series Perspective views in and about London.View of the Thames from the Lambeth shore, with Westminster Abbey at the left and Westminster Bridge in the centre; in the foreground at the right people queue to board ferrys to cross the river. 1744. Lettered below image with title in English and in French, followed below with a numbered key from 1 to 5 providing place names for buildings depicted in image in both English and French, and with production details "J. Maurer Delin / Publish'd according to Act of Parliament 1 August 1744 / P. Fourdrinier Sculpt / Printed for Thos Bowles in St. Pauls Church Yard & Jno Bowles at the Black Horse in Cornhill". Height: 256 millimetres Width: 413 millimetres . Cheaper version folds as issued so £125 inc delivery NOT £400+ also on London S page

Savoy Hospital in the strand
Plate 12 to volume II: Three views of the Savoy Hospital, at the top, on the left the entrance to the prison and on the right part of the chapel; below a further view of the chapel, showing the five large windows; cobbled lanes outside buildings. 1753 Etching and engraving from the `Vetusa Monumenta Lettered with title at top, and to the right "Vol II Plate XII", and below image with "An historical account of the Savoy, so called from Peter earl of Savoy, who built a palace there, has been given already in Plate V of this Volume. But that palace being destroyed by the rebels of Kent and Essex, this hospital was erected there by K. Henry VII. In memory of where of the date of its foundation, with the two following Latin verses written in the manner of those times, were placed over the gate towards the street / 1505 / HOSPITIUM HOC INOPI TURBE SAVOIA VOCATUM / SEPTIMUS HENRICUS FUNDAVIT AB IMO SOLO / That inscription remained till the building was burnt down, not long after the great fire of London in 1666, as Newcourt relate, Repertor. Vol I. pag", and below bottom image "The Chapel of the Hospital / This chapel now serveth as a parish church to the tenements near adjoining, and others in the neighbourhood; and is reckoned in the bills of mortality, as one ofthe seven parishes in the city and liberties of Westminster, by the name of St Mary Savoy", and production details: "G. Vertue delin et sculp / Published according to Act of Parliament, nov 29 1753 / Sumptu Societ. Ant. Lond. 1753". Some age toning to paper but even £95 inc delivery as needs to post flat Height: 457 millimetres Width: 319 millimetres plus margins

View of the Savoy from the river Thames.

Plate from volume II of Vetusta Monumenta: view from the Thames of the buildings of the Savoy; a few boats next to the stairs to the water. 1736
Etching and engraving 31.5cm x 46.5cm Lettered with title on scroll in sky and on tablet at bottom centre nine lines of description on the history of the Savoy. In lower margin a key from A to G providing information on the different parts of the Savoy, and the line "Drawn with the Plan of the Place by G.V. in 1736, and published at the Expence of the Antiquary Society, London, 1750". £95 inc delivery as needs to post flat Normally found as the later smaller reprint minus writing at £150 ish !

A View of the House of Commons

Antique copper engraving, engraved by Benjamin Cole (fl.1748-75) From William Maitland's "History of London" Published in London, 1756 Image sizes: 37 x 23 cm . This is a copy simplified of the earlier 1749 engraving by by John Pine which included a key to members (NPG D11092). Normally found with its pair 'A View of the House of Peers" Short borders behind the mount and a blemish in ceiling area plus toning £65 inc delivery

A View of the House of Peers

Antique copper engraving, engraved by Benjamin Cole (fl.1748-75) From William Maitland's "History of London" Published in London, 1756 Image sizes: 37 x 23 cm . This is a copy simplified of the earlier 1749 engraving by by John Pine which included a key to members (NPG D11092). Normally found with its pair 'A View of the House of Peers" Short borders behind the mount and a blemish in ceiling area plus more toning + grubby £30 inc delivery

Interior of Westminster Abbey, London
by Thomas Bowles III (London c.1712–1767)Vue D'optique first published 1753. Hand-coloured engraving, 28 x 43 cm During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views, which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print, creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views, and were horizontal in format.£250 inc delivery scarce

A View of the Canal, Chinese Building, Rotunda, &c. in Ranelagh Gardens, with the Masquerade'.

Engraving by Charles Grignion( born 1721 - died 1810) after Canaletto, Giovanni Antonio, born 1697 - died 1768 (after, artist) Published by Sayer, Robert, born 1724 - died 1794Size:Image 39.37 cm x 25.62 cm Framed etc Published in 1759 A beautiful view of Ranelagh Gardens in its heyday, with a masquerade in progress. Ranelagh Gardens was one of the largest and most spectacular pleasure gardens of the era. Like its great rival Vauxhall Gardens, it fell into decay in the early nineteenth-century. It was closed in 1805. The site of the rotunda, subject of a famous picture by Canaletto, is now marked by a summer house. During the eighteenth century "vues d'optique" or "perspective views" became extremely popular in England and Europe. Like other optical prints they capitalized on a connoisseur market eager for the latest novelty. English publishers such as John Bowles and Robert Sayer had great success with these optical views, which quickly developed into a collecting craze that swept through print shops on both sides of the Channel. "Vues d'optiques" were specifically designed to create the illusion of perspective when viewed with a zograscope or perspective glass. These viewing devices used a series of reflecting mirrors to enhance the illusion of depth in the print, creating a veritable "view" for the onlooker. Typically these prints depicted city or landscape views, and were horizontal in format.£380 inc delivery scarce

South Pier of the Great Arch of London Bridge, surveved by R. Dodd, 1799 Plate iv
Original Antique engraved engineering elevation and description of the proposed bridge works in 1799printed by parliament (Hansard)1800 and then reprinted 1803. Ralph Dodd (c.1756-11 April 1822) was a late 18th century British civil engineer primarily known for his attempt to produce the first tunnel underneath the Thames in 1798. Looks to be for 'Originally presented as The Prospectus for the Intended Prince's Bridge Ralph Dodd's hand written observations can be found at Battersea Library, London. Following numerous months taking tally notes on crossing types at Battersea Bridge, then operating a toll system, Dodd petitioned the Prince Regent in 1806-1811 for an Act allowing the construction of a bridge across the Thames to relieve congestion. Dodd was successful in receiving an Act of Parliament, but exited the project in 1812 after being renamed the Vauxhall Bridge Company. Once again replaced by Rennie who was unsuccessful in this endeavour and also resign from the project.' One of the 21 engravings from The Several Plans and Drawings Referred to in the Third Report from the Select Committee upon the Improvement of the Port of London. Ordered to be printed 28th July 1800.-----Volume of engravings of proposed London Bridges.by TELFORD. Thomas. & DOUGLAS, James., DODD. Ralph., DANCE, George., JESSOP. William.; .£155 inc delivery with original folds and how it survived !?

'Vue du Parc StJames a Londres et du Canal de Buckingham prise de la cour de L'Hotel du même nom',1786
Vue d'optique or perspective view, presenting a laterally reversed image intended for viewing in an optical diagonal machine (zograscope) - a view along old Cornhillone of 47 by Maillet . The second Royal Exchange dominating the landscape - St. Paul's away in the distance. Produced by the Paris engraver and printseller, Joseph Maillet (d.1788).Copper line engraving on paper, withoriginal hand colour. Engraved surface 237 x 384mm (approx. 9-1/4" x 15-1/8"). A few faintfox marksto margin and minor signs of age, but in very good and clean state.Framed in Walnut , wash line mount£325 inc delivery( the third of this set is hown here butis EC3 pub. Paris & London,

Carlton House, South Front.
Aquatint with fine hand colour and large margins. 255 x 310mm. Framed/Glazed By W. Westall A.R.A. del.t. R. Reeve sculp.Pub. April 1.1819, by W.H. Pyne, 36 Upper Charlotte Street, Fitzroy Square. View of the south face of Carlton House, facing St James's Park. It was one of twenty-four views of Carlton House published in William Henry Pyne's 'History of the Royal Residences', showing the opulence of the Prince Regent's home. However when he became king in 1820 he decided that it was inadequate for his needs: it was demolished in 1825 and replaced with Carlton House Terrace, expensive houses sold to raise money for the refurbishment of Buckingham Palace.£125 inc delivery sorry mucky glass

The Houses of Parliament
Etching by George Huardel-Bly c 1900/1910mImage size16+ x 25 cm original unopnened frame/glazed but with condition issues hence not on etchings page ..The pic has been toned from the backboard and could do with a clean and new non wooden backboard so nice anc cheap £25 inc delivery George HUARDEL-BLY b.1872 was from Orleans in France. Travelled widely and settled in Brighton, for a time. Prolific print maker. Mentioned in Guichard. Mr H-B had his own very distinctive signature ( should have been a medic)

Carleton House. Pall Mall, London. / Carlton House
Rowlandson & Pugin del et Sculpt. J.C. Stadler Aquat. London, Pub. Full page Original Aquatint from .The "Repository of Arts, Literature, Commerce, Manufactures, Fashions and Politics, commonly known as Ackermann's Repository, after Rudolph Ackermann, its publisher .... first appeared in London in 1809 as a monthly publication Dated 1811 at 101 Strand Image 20 x 12 cm Page 54 x 36 cm so Full margins ! £105

The Staircase, Carlton House. Pall Mall, London.
Rowlandson & Pugin del et Sculpt. J.C. Stadler Aquat. London, Pub. Full page Original Aquatint from .The "Repository of Arts, Literature, Commerce, Manufactures, Fashions and Politics, commonly known as Ackermann's Repository, after Rudolph Ackermann, its publisher .... first appeared in London in 1809 as a monthly publication Dated 1811 at 101 Strand Image 20 x 30 cm Page 54 x 36 cm so Full margins ! £115 also another cropped copy mounted at £85 ie close cut behind the mount Third copyfrom the smaller booklet folds as issued smaller margins unmountedslight edhge of page soiling £65

Carlton House. Pall Mall, London.
Rowlandson & Pugin del et Sculpt. J.C. Stadler Aquat. London, Pub. July 1st July, 1809 at R. Ackermann's Repository of Arts 101 Strand. for the Repository of Arts Vol/Plate: 6/19. In addition to the impression in Select Views(Papworth) City of Westminster Library have three versions of this print, one of the outline etching only; one with outline etching and aquatint, uncoloured; and one with the outline etching and aquatint coloured Coloured aquatint. full borders /full page £125 Image 32 x 13 cm Page 54 x 36 cm Page 54 x 36 cm so Full margins !

Second copyfrom the smaller booklet folds as issued smaller margins unmounted £65

"Buckingham House" on May 1, 1819 now Buckingham Palce
by W.Westall delt., T.Sutherland sculpt. W. Westall delt. A T. Sutherland sculpt. from PYNE, W.H. From The history of the royal residences of Windsor Castle, St. James's Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore. By W.H. Pyne. Illustrated by one hundred highly finished and coloured engravings, fac-similes of original drawings by the most eminent artists. London: printed for A. Dry, 1819. £105 in an odd paper window mount with close borders as seen in pic

Upper section is a view of Lower Regent Street
with a vignette of Carlton House underneath. by Pugin, Augustus Charles (1762-1832) delt., Sutherland, Thomas (fl.1785-1838) sculpt published by .Colnaghi & Co.t. from PYNE, W.H. From The history of the royal residences of Windsor Castle, St. James's Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore. By W.H. Pyne. Illustrated by one hundred highly finished and coloured engravings, fac-similes of original drawings by the most eminent artists. London: printed for A. Dry, 1819. £75 in an odd paper window mount with close borders as seen in pic and some foxing/age toning

A Prospect of Chelsea Bridge Water-Works.
Sold by A.Benoist at Mr.Masons next door to the Golden Ball in the Hay Market, over against the Opera House - According to Act of Parliament. [, c.1760].
Engraving with original hand colour. 220 x 385mm.. Thisis cut to image edge with the title pasted to the back ,water marks and surface soiling that could be removed but still mega rare £45 shown large to show defects

Chapel Royal St James's Palace
formerly belonging to a House of Female Lepers founded by the Citizens of London
missing

PYNE, WILLIAM HENRY. 1769-1843.
William Henry Pyne was an English writer, illustrator and painter. He initially trained at a drawing academy in his native London and first exhibited at the Royal Academy in 1790, and thereafter for six years, chiefly rural subjects. He specialized in picturesque scenes including groups of people rendered in pen, ink and watercolor. A founder of the Old Water-Colour Society in 1804, resigned five years later when it refused to increase the membership beyond 24 artists. Works include 600 illustrations for Microcosm of London (1803-06) and The Costumes of Great Britain (1808). He attracted the patronage of the successful publisher Rudolf Ackermann and engraved and wrote for many of his projects. Pyne wrote the publication The History Of The Royal Residences (1816-19), which brought together eminent watercolorists, draftsmen and aquatint engravers. This series shows the rooms at Windsor Castle, St. James's Palace, Kensington Palace, Hampton Court, Buckingham House (later Buckingham Palace), and Frogmore

'The History of the Royal Residences of Windsor Castle, St. James's Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore'. Published in London: by A. Dry, 1819. one of 100 hand-colored aquatint plates by T. Sutherland, D. Havell, R. Reeve, W.J. Bennett, and others after C. Wild, J. Stephanoff, W. Westall, and R. Cattermole. Oblong folio (380 x 435 mm) plus margins. Charles Wild (1781-1835), James Stephanoff (1787-1874), Richard Cattermole (1795-1858), William Westall (1781-1850), George Samuel (1785-1823) et al. (after) Thomas Sutherland (b. 1785), William James Bennett (1787-1844), Richard Reeve (b. 1780), Daniel Havell (1785-1826), J. Bailey, et al. (engravers). They are on fine, woven paper and at least one print bears a J Whatman 1816 watermark.

The Saloon Buckingham House ( looks to be the throne room )

from 'The History of the Royal Residences of Windsor Castle, St. James's Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore'. Published in London: by A. Dry, 1819. one of 100 hand-colored aquatint plates by T. Sutherland, D. Havell, R. Reeve, W.J. Bennett, and others after C. Wild, J. Stephanoff, W. Westall, and R. Cattermole. Oblong folio (380 x 435 mm) plus margins. Charles Wild (1781-1835), James Stephanoff (1787-1874), Richard Cattermole (1795-1858), William Westall (1781-1850), George Samuel (1785-1823) et al. (after) Thomas Sutherland (b. 1785), William James Bennett (1787-1844), Richard Reeve (b. 1780), Daniel Havell (1785-1826), J. Bailey, et al. (engravers). They are on fine, woven paper and at least one print bears a J Whatman 1816 watermark. Picture slightly bleached in Photoshop to show detail . . colour actually nice and bright some heightened with gum arabic etcFull page no defects £95 inc

Old bed Chamber St James's. . . In which was born the son of James II

from 'The History of the Royal Residences of Windsor Castle, St. James's Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore'. Published in London: by A. Dry, 1819. one of 100 hand-colored aquatint plates by T. Sutherland, D. Havell, R. Reeve, W.J. Bennett, and others after C. Wild, J. Stephanoff, W. Westall, and R. Cattermole. Oblong folio (380 x 435 mm) plus margins. Charles Wild (1781-1835), James Stephanoff (1787-1874), Richard Cattermole (1795-1858), William Westall (1781-1850), George Samuel (1785-1823) et al. (after) Thomas Sutherland (b. 1785), William James Bennett (1787-1844), Richard Reeve (b. 1780), Daniel Havell (1785-1826), J. Bailey, et al. (engravers). They are on fine, woven paper and at least one print bears a J Whatman 1816 watermark. Picture slightly bleached in Photoshop to show detail . . colour actually nice and bright some heightened with gum arabic etc Full page no defects £95 inc

Guard Chamber St James's

from 'The History of the Royal Residences of Windsor Castle, St. James's Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore'. Published in London: by A. Dry, 1819. one of 100 hand-colored aquatint plates by T. Sutherland, D. Havell, R. Reeve, W.J. Bennett, and others after C. Wild, J. Stephanoff, W. Westall, and R. Cattermole. Oblong folio (380 x 435 mm) plus margins. Charles Wild (1781-1835), James Stephanoff (1787-1874), Richard Cattermole (1795-1858), William Westall (1781-1850), George Samuel (1785-1823) et al. (after) Thomas Sutherland (b. 1785), William James Bennett (1787-1844), Richard Reeve (b. 1780), Daniel Havell (1785-1826), J. Bailey, et al. (engravers). They are on fine, woven paper and at least one print bears a J Whatman 1816 watermark. Picture slightly bleached in Photoshop to show detail . . colour actually nice and bright some heightened with gum arabic etc Full page x 3 slight page ripple to border on one / £95 inc SW London

Gallery of the Staircase Carlton House

from 'The History of the Royal Residences of Windsor Castle, St. James's Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore'. Published in London: by A. Dry, 1819. one of 100 hand-colored aquatint plates by T. Sutherland, D. Havell, R. Reeve, W.J. Bennett, and others after C. Wild, J. Stephanoff, W. Westall, and R. Cattermole. Oblong folio (380 x 435 mm) plus margins. Charles Wild (1781-1835), James Stephanoff (1787-1874), Richard Cattermole (1795-1858), William Westall (1781-1850), George Samuel (1785-1823) et al. (after) Thomas Sutherland (b. 1785), William James Bennett (1787-1844), Richard Reeve (b. 1780), Daniel Havell (1785-1826), J. Bailey, et al. (engravers). They are on fine, woven paper and at least one print bears a J Whatman 1816 watermark. Picture slightly bleached in Photoshop to show detail . . colour actually nice and bright some heightened with gum arabic etc Full page no defects £95 inc x 2 SW London
The Kings Prescence Chamber ( St james )

from 'The History of the Royal Residences of Windsor Castle, St. James's Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore'. Published in London: by A. Dry, 1819. one of 100 hand-colored aquatint plates by T. Sutherland, D. Havell, R. Reeve, W.J. Bennett, and others after C. Wild, J. Stephanoff, W. Westall, and R. Cattermole. Oblong folio (380 x 435 mm) plus margins. Charles Wild (1781-1835), James Stephanoff (1787-1874), Richard Cattermole (1795-1858), William Westall (1781-1850), George Samuel (1785-1823) et al. (after) Thomas Sutherland (b. 1785), William James Bennett (1787-1844), Richard Reeve (b. 1780), Daniel Havell (1785-1826), J. Bailey, et al. (engravers). They are on fine, woven paper and at least one print bears a J Whatman 1816 watermark. Picture slightly bleached in Photoshop to show detail . . colour actually nice and bright some heightened with gum arabic etc Full page no defects £95 inc

The German Chapel St James's palace

from 'The History of the Royal Residences of Windsor Castle, St. James's Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore'. Published in London: by A. Dry, 1819. one of 100 hand-colored aquatint plates by T. Sutherland, D. Havell, R. Reeve, W.J. Bennett, and others after C. Wild, J. Stephanoff, W. Westall, and R. Cattermole. Oblong folio (380 x 435 mm) plus margins. Charles Wild (1781-1835), James Stephanoff (1787-1874), Richard Cattermole (1795-1858), William Westall (1781-1850), George Samuel (1785-1823) et al. (after) Thomas Sutherland (b. 1785), William James Bennett (1787-1844), Richard Reeve (b. 1780), Daniel Havell (1785-1826), J. Bailey, et al. (engravers). They are on fine, woven paper and at least one print bears a J Whatman 1816 watermark. Picture slightly bleached in Photoshop to show detail . . colour actually nice and bright some heightened with gum arabic etc Full page no defects £95 inc x 2

The Queen's Bed Chamber Kensington palace

from 'The History of the Royal Residences of Windsor Castle, St. James's Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore'. Published in London: by A. Dry, 1819. one of 100 hand-colored aquatint plates by T. Sutherland, D. Havell, R. Reeve, W.J. Bennett, and others after C. Wild, J. Stephanoff, W. Westall, and R. Cattermole. Oblong folio (380 x 435 mm) plus margins. Charles Wild (1781-1835), James Stephanoff (1787-1874), Richard Cattermole (1795-1858), William Westall (1781-1850), George Samuel (1785-1823) et al. (after) Thomas Sutherland (b. 1785), William James Bennett (1787-1844), Richard Reeve (b. 1780), Daniel Havell (1785-1826), J. Bailey, et al. (engravers). They are on fine, woven paper and at least one print bears a J Whatman 1816 watermark. Picture slightly bleached in Photoshop to show detail . . colour actually nice and bright some heightened with gum arabic etc Full page no defects £95 inc

The Golden Drawing Room Carlton House

from 'The History of the Royal Residences of Windsor Castle, St. James's Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore'. Published in London: by A. Dry, 1819. one of 100 hand-colored aquatint plates by T. Sutherland, D. Havell, R. Reeve, W.J. Bennett, and others after C. Wild, J. Stephanoff, W. Westall, and R. Cattermole. Oblong folio (380 x 435 mm) plus margins. Charles Wild (1781-1835), James Stephanoff (1787-1874), Richard Cattermole (1795-1858), William Westall (1781-1850), George Samuel (1785-1823) et al. (after) Thomas Sutherland (b. 1785), William James Bennett (1787-1844), Richard Reeve (b. 1780), Daniel Havell (1785-1826), J. Bailey, et al. (engravers). They are on fine, woven paper and at least one print bears a J Whatman 1816 watermark. Picture slightly bleached in Photoshop to show detail . . colour actually nice and bright some heightened with gum arabic etc Full page no defects £95 inc

The Circular Room Carlton House

from 'The History of the Royal Residences of Windsor Castle, St. James's Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore'. Published in London: by A. Dry, 1819. one of 100 hand-colored aquatint plates by T. Sutherland, D. Havell, R. Reeve, W.J. Bennett, and others after C. Wild, J. Stephanoff, W. Westall, and R. Cattermole. Oblong folio (380 x 435 mm) plus margins. Charles Wild (1781-1835), James Stephanoff (1787-1874), Richard Cattermole (1795-1858), William Westall (1781-1850), George Samuel (1785-1823) et al. (after) Thomas Sutherland (b. 1785), William James Bennett (1787-1844), Richard Reeve (b. 1780), Daniel Havell (1785-1826), J. Bailey, et al. (engravers). They are on fine, woven paper and at least one print bears a J Whatman 1816 watermark. Picture slightly bleached in Photoshop to show detail . . colour actually nice and bright some heightened with gum arabic etc Full page no defects £95 inc crease bottom right corner out of plate area

99. Military College, Chelsea /SW from ACKERMANN'S MICROCOSM OF LONDON (1808) 104 Handcoloured aquatints in three volumes, issued in parts between 1808 and 1810. Published by Rudolph Ackermann, this series is of interest in setting a new standard for the figures "staffage" in topographical prints. This was achieved by an exceptional partnership between Augustus Pugin, who made the architectural drawing, and Thomas Rowlandson, who added the figures, frequently caricatures. The majority of the plates were aquatinted by J. Bluck and Joseph Stadler . .full page good margins, good colour mounted etc £115 x 2

76. Drawing Room, St. James's /SW
from ACKERMANN'S MICROCOSM OF LONDON (1808) 104 Handcoloured aquatints in three volumes, issued in parts between 1808 and 1810. Published by Rudolph Ackermann, this series is of interest in setting a new standard for the figures "staffage" in topographical prints. This was achieved by an exceptional partnership between Augustus Pugin, who made the architectural drawing, and Thomas Rowlandson, who added the figures, frequently caricatures. The majority of the plates were aquatinted by J. Bluck and Joseph Stadler . . good colour £85 slightly smaller margins small edge tear

48. Lambeth Palace ./SW from ACKERMANN'S MICROCOSM OF LONDON (1808) 104 Handcoloured aquatints in three volumes, issued in parts between 1808 and 1810. Published by Rudolph Ackermann, this series is of interest in setting a new standard for the figures "staffage" in topographical prints. This was achieved by an exceptional partnership between Augustus Pugin, who made the architectural drawing, and Thomas Rowlandson, who added the figures, frequently caricatures. The majority of the plates were aquatinted by J. Bluck and Joseph Stadler . .. good margins, good colour £95 x 3 1 @ single ;foxing mark to border , 1 @ single ;foxing mark to edge of image

98. Chelsea Hospital ./SW from ACKERMANN'S MICROCOSM OF LONDON (1808) 104 Handcoloured aquatints in three volumes, issued in parts between 1808 and 1810. Published by Rudolph Ackermann, this series is of interest in setting a new standard for the figures "staffage" in topographical prints. This was achieved by an exceptional partnership between Augustus Pugin, who made the architectural drawing, and Thomas Rowlandson, who added the figures, frequently caricatures. The majority of the plates were aquatinted by J. Bluck and Joseph Stadler . . good margins, good colour £90 slight edge tear almost to image smaller borders x 2

95. Whitehall /SW

from ACKERMANN'S MICROCOSM OF LONDON (1808) 104 Handcoloured aquatints in three volumes, issued in parts between 1808 and 1810. Published by Rudolph Ackermann, this series is of interest in setting a new standard for the figures "staffage" in topographical prints. This was achieved by an exceptional partnership between Augustus Pugin, who made the architectural drawing, and Thomas Rowlandson, who added the figures, frequently caricatures. The majority of the plates were aquatinted by J. Bluck and Joseph Stadler . . .. good margins, good colour £95

5. Dining Hall, Asylum . .. . .@ Lambeth./SW

from ACKERMANN'S MICROCOSM OF LONDON (1808) 104 Handcoloured aquatints in three volumes, issued in parts between 1808 and 1810. Published by Rudolph Ackermann, this series is of interest in setting a new standard for the figures "staffage" in topographical prints. This was achieved by an exceptional partnership between Augustus Pugin, who made the architectural drawing, and Thomas Rowlandson, who added the figures, frequently caricatures. The majority of the plates were aquatinted by J. Bluck and Joseph Stadler . .. good margins, good colour £95 x 4
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83. Tattersall's Horse Repository Vol 3/SW from ACKERMANN'S MICROCOSM OF LONDON (1808) 104 Handcoloured aquatints in three volumes, issued in parts between 1808 and 1810. Published by Rudolph Ackermann, this series is of interest in setting a new standard for the figures "staffage" in topographical prints. This was achieved by an exceptional partnership between Augustus Pugin, who made the architectural drawing, and Thomas Rowlandson, who added the figures, frequently caricatures. The majority of the plates were aquatinted by J. Bluck and Joseph Stadler . . this one is by Sutherland . This series of prints is Series 99 as catalogued in London Illustrated 1604-1851 by Bernard Adams..full page good margins, good colour mounted etc £95

93. Westminster Abbey /SW

from ACKERMANN'S MICROCOSM OF LONDON (1808) 104 Handcoloured aquatints in three volumes, issued in parts between 1808 and 1810. Published by Rudolph Ackermann, this series is of interest in setting a new standard for the figures "staffage" in topographical prints. This was achieved by an exceptional partnership between Augustus Pugin, who made the architectural drawing, and Thomas Rowlandson, who added the figures, frequently caricatures. The majority of the plates were aquatinted by J. Bluck and Joseph Stadler . .. good margins, good colour £95 x 2

94. Westminster Hall /SW

from ACKERMANN'S MICROCOSM OF LONDON (1808) 104 Handcoloured aquatints in three volumes, issued in parts between 1808 and 1810. Published by Rudolph Ackermann, this series is of interest in setting a new standard for the figures "staffage" in topographical prints. This was achieved by an exceptional partnership between Augustus Pugin, who made the architectural drawing, and Thomas Rowlandson, who added the figures, frequently caricatures. The majority of the plates were aquatinted by J. Bluck and Joseph Stadler . .. good margins, good colour £95 loss of left corner x 2

56. Mounting Guard, St. James's Park Vol 2 /SW
from ACKERMANN'S MICROCOSM OF LONDON (1808) 104 Handcoloured aquatints in three volumes, issued in parts between 1808 and 1810. Published by Rudolph Ackermann, this series is of interest in setting a new standard for the figures "staffage" in topographical prints. This was achieved by an exceptional partnership between Augustus Pugin, who made the architectural drawing, and Thomas Rowlandson, who added the figures, frequently caricatures. The majority of the plates were aquatinted by J. Bluck and Joseph Stadler . .. good margins, good colour some age toning mounted etc £95

79. St. Martins, in the Fields /SW
from ACKERMANN'S MICROCOSM OF LONDON (1808) 104 Handcoloured aquatints in three volumes, issued in parts between 1808 and 1810. Published by Rudolph Ackermann, this series is of interest in setting a new standard for the figures "staffage" in topographical prints. This was achieved by an exceptional partnership between Augustus Pugin, who made the architectural drawing, and Thomas Rowlandson, who added the figures, frequently caricatures. The majority of the plates were aquatinted by J. Bluck and Joseph Stadler . .. perfect no defects framed with washlined mount etc price inc postage £125

78. St. Margarets, Westminster /SW

from ACKERMANN'S MICROCOSM OF LONDON (1808) 104 Handcoloured aquatints in three volumes, issued in parts between 1808 and 1810. Published by Rudolph Ackermann, this series is of interest in setting a new standard for the figures "staffage" in topographical prints. This was achieved by an exceptional partnership between Augustus Pugin, who made the architectural drawing, and Thomas Rowlandson, who added the figures, frequently caricatures. The majority of the plates were aquatinted by J. Bluck and Joseph Stadler . .. good margins, good colour some age toning mounted etc £95 x 2

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