William Simpson 'Crimean War'
William Simpson
(1823–1899) suggested he travelled to the Crimea to
produce on-the-spot sketches,after some consideration,
Colnaghi the publisher agreed . On the 15th of
November 1854, the 31-year-old artist arrived at
Balaclava on the Crimean Peninsula. For many, Simpson
would become best known as the world's first war
artist. The Seat of the War in the East
– became two large portfolios that contained over eighty
lithographs. It was a major success, with the publishers
producing two-thousand copies . The first edition
was of two volumes, all folio sized .
The rare de-luxe edition of a few copies included two
tinted lithographed titles with hand-coloured vignettes,
and seventy nine hand-coloured lithographed
plates, with 36 key plates, complete with dedication
and list of plates. (If the item has a key plate it will
arrive with it and sorry no tinted verion of the Light
Brigade) The complete de-luxe folio is presently for sale
at £17.3k
in London which would put coloured plates at £253+ each
and is actually a smart buy as that rare. A few have
blemishes but that will be described in the desciption as
per usual.All are actually much brighter being on white
paper but taken on a dull day sorry
These are from a both the ordinary and de-luxe folio in stunning unframed condition rather than the book ** if a number are wanted please say first as postage will reduce** The small later version and the few damaged ones left are also included on this page to compare side by side
** if a number are wanted you will get a postage refund as they are oversize and higher postal costs . Please email a list first**
First Series
1. Title Page Malakoff Tower
2. The Cavalry Affair of the Heights of Bulganak - The First Day, 19th. Sept. 1854.
3. Balaklava Looking towards the Sea
4. The Gale of the Port of Balaklava, 14th Nov. 1854, the Loss of "The Prince".
5. Sebastopol from the Rear of the English Batteries.
6. Charge of the Heavy Cavalry Brigade, 25th Oct. 1854.
7. Second Charge of the Guards, when they retook the two Gun Battery at the Battle of Inkermann.
8. Lord Raglan's Head Quarters at Khutor-Karagatch
9. A Distant View of Lord Raglan's Headquarters /A general View of the country before Sebastopol
10. A Quiet Day in the Diamond Battery. Portrait of a Lancaster 68 Pounder 15th Dec. 1854.
11.The Field of Inkermann.
12 Sentinel of the Zouaves, before Sebastopol./ A Zouave Picket
13. Commissariat Difficulties. The Road from Balaklava to Sebastopol, at Kadikoi, during the wet Weather.
14. The Graves in the Fort on Cathcart's Hill. The Graves of the Officers of the Fourth Division who fell at Inkermann
15.Charge of the Light Cavalry Brigade, 25 October 1854, under Major General the Earl of Cardigan.
16. Huts and warm Clothing for the Army - The Road to the Camp.
17.Camp of the Naval Brigade, before Sebastopol.
18.The Camp of the 1st Division. Looking North towards the Camp of the 2nd Division - The Heights of Inkermann in the Distance.
19. Sebastopol from the 26-Gun Battery on the Extreme Right of the French Attack - French Engineers tracing a Trench.
20. Head of the Harbour, Sebastopol - Shewing the Position of the new Mortar Battery.
21.Graves at the Head of the Harbour of Balaklava - A Sailor's Funeral.
22. Sebastopol from the Sea. Sketched from the Deck of H.M.S. Sidon
23. Embarkation of the sick and wounded at Balaclava
24.A Quiet Night in the Batteries. A Sketch in the Greenhill Battery (Major Chapman's) 29th Jan. 1855.
25.The Camp of the Second Division, looking East. January 1855.
26.The Ruins of Inkermann and City of Caverns.
27. Highland Brigade Camp, looking South
28.The Railway of Balaklava.
29. The Scene of the night attack 28th March
30. Dinner of the Greandies Guards on Christmas day
31 Sebastopol from the East or extreme Right of English Attack
32 General View from the Heights above Balaklava, looking towards Sebastopol. Shewing the Ground of the 25th Oct. and of the 5th Nov. 1854 and the Line of our Defences since the 25 Oct.
33. Excavated Church in the Caverns at Inkermann.
34. A Hot Day in the Batteries, from the left of 21-Gun Battery.
35. A Hot Night in the Batteries - Greenhill Battery.
36. The Valley of the Shadow of Death.
37. Russian Rifle Pit, where Colonel Egerton was killed.
38. Prince Woronzoff's Palace, near Yalta on the South Coast of the Crimea.
39.The Monastery of St. George and Cape Fiolente. Looking West, near Balaklava.
40.The Light-House at Cape Chersonese.
Second Series
1. Disembarkation of the Expedition to Kertch
2. Kertch from the North
3. Fortress of Yenikale looking towards the sea at Azoff
4. Straits of Yenikale with the Bay and Town of kertch
5. The Funeral Cortege of Lord Raglan leaving head-quarters
6. Town Batteries or Interior Fortifications of Sebastopol
7. Burning of the government buildings at Kertch
8. Interior of Lord Raglan's Head Quarters
9. Camp of the fourth Division
10. Cavalry camp July 9 1855
11.Camp of the Light Division.
12. Camp of the third Division
13. Sketch of the Interior of the Mamelon Vert
14. Battle of Tchernaya
15. Valley of the Tchernaya
16. Balaklava shewing the state of the Quays & the Shipping.
17. Cape Aiya. Looking North, towards Balaklava.
18. The Valley of Baidar, from near Petroski's Villa, - looking East.
19. The Attack on the Malakoff.
20. The Interior of the Redan. Taken from its left face, looking towards the salient angle, looking South.
21. Church in the rear of the Redan, Looking North showing the effects of shot and shell.
22. Sebastopol from the rear of Fort Nicholas, looking South.
23. The Investiture of the Order of the Bath, at the Head Quarters of the British Army before Sebastopol.
24. The North side of the Harbour of Sebastopol, from the top of the Harbour - 22nd June 1855.
25. Ditch of the Bastion du Mat.
26. Docks at Sebastopol with ruins of Fort St. Paul.
27. Interior of the Malakoff with the remains of the Round Tower.
28. Kamiesch.
29. Interior of Fort Nicholas.
30. Public Library & Temple of the Winds.
31. Quarantine Cemetery and Church with French Battery No. 50.
32. The Admiralty, Sebastopol.
33. Hospital and Cemetery at Scutari.
34. One of the Wards of the Hospital at Scutari.
35. Church of St. Peter & St. Paul.
36. Sebastopol from Old Chersonese, and ancient Church of St. Vladimir.
37. Bomb Proof Chamber
38. Redan and advanced Trenches of British Right Attack.
39. Ditch of the Malakoff, Battery Gervais and Rear of the Redan.
40. Mine of the Bastion du Mat.
41. Bastion du Mat, from the Central Bastion.
1. Title Page Malakoff Tower
2. The Cavalry Affair of the Heights of Bulganak - The First Day, 19th. Sept. 1854.
3. Balaklava Looking towards the Sea
4. The Gale of the Port of Balaklava, 14th Nov. 1854, the Loss of "The Prince".
5. Sebastopol from the Rear of the English Batteries.
6. Charge of the Heavy Cavalry Brigade, 25th Oct. 1854.
7. Second Charge of the Guards, when they retook the two Gun Battery at the Battle of Inkermann.
8. Lord Raglan's Head Quarters at Khutor-Karagatch
9. A Distant View of Lord Raglan's Headquarters /A general View of the country before Sebastopol
10. A Quiet Day in the Diamond Battery. Portrait of a Lancaster 68 Pounder 15th Dec. 1854.
11.The Field of Inkermann.
12 Sentinel of the Zouaves, before Sebastopol./ A Zouave Picket
13. Commissariat Difficulties. The Road from Balaklava to Sebastopol, at Kadikoi, during the wet Weather.
14. The Graves in the Fort on Cathcart's Hill. The Graves of the Officers of the Fourth Division who fell at Inkermann
15.Charge of the Light Cavalry Brigade, 25 October 1854, under Major General the Earl of Cardigan.
16. Huts and warm Clothing for the Army - The Road to the Camp.
17.Camp of the Naval Brigade, before Sebastopol.
18.The Camp of the 1st Division. Looking North towards the Camp of the 2nd Division - The Heights of Inkermann in the Distance.
19. Sebastopol from the 26-Gun Battery on the Extreme Right of the French Attack - French Engineers tracing a Trench.
20. Head of the Harbour, Sebastopol - Shewing the Position of the new Mortar Battery.
21.Graves at the Head of the Harbour of Balaklava - A Sailor's Funeral.
22. Sebastopol from the Sea. Sketched from the Deck of H.M.S. Sidon
23. Embarkation of the sick and wounded at Balaclava
24.A Quiet Night in the Batteries. A Sketch in the Greenhill Battery (Major Chapman's) 29th Jan. 1855.
25.The Camp of the Second Division, looking East. January 1855.
26.The Ruins of Inkermann and City of Caverns.
27. Highland Brigade Camp, looking South
28.The Railway of Balaklava.
29. The Scene of the night attack 28th March
30. Dinner of the Greandies Guards on Christmas day
31 Sebastopol from the East or extreme Right of English Attack
32 General View from the Heights above Balaklava, looking towards Sebastopol. Shewing the Ground of the 25th Oct. and of the 5th Nov. 1854 and the Line of our Defences since the 25 Oct.
33. Excavated Church in the Caverns at Inkermann.
34. A Hot Day in the Batteries, from the left of 21-Gun Battery.
35. A Hot Night in the Batteries - Greenhill Battery.
36. The Valley of the Shadow of Death.
37. Russian Rifle Pit, where Colonel Egerton was killed.
38. Prince Woronzoff's Palace, near Yalta on the South Coast of the Crimea.
39.The Monastery of St. George and Cape Fiolente. Looking West, near Balaklava.
40.The Light-House at Cape Chersonese.
Second Series
1. Disembarkation of the Expedition to Kertch
2. Kertch from the North
3. Fortress of Yenikale looking towards the sea at Azoff
4. Straits of Yenikale with the Bay and Town of kertch
5. The Funeral Cortege of Lord Raglan leaving head-quarters
6. Town Batteries or Interior Fortifications of Sebastopol
7. Burning of the government buildings at Kertch
8. Interior of Lord Raglan's Head Quarters
9. Camp of the fourth Division
10. Cavalry camp July 9 1855
11.Camp of the Light Division.
12. Camp of the third Division
13. Sketch of the Interior of the Mamelon Vert
14. Battle of Tchernaya
15. Valley of the Tchernaya
16. Balaklava shewing the state of the Quays & the Shipping.
17. Cape Aiya. Looking North, towards Balaklava.
18. The Valley of Baidar, from near Petroski's Villa, - looking East.
19. The Attack on the Malakoff.
20. The Interior of the Redan. Taken from its left face, looking towards the salient angle, looking South.
21. Church in the rear of the Redan, Looking North showing the effects of shot and shell.
22. Sebastopol from the rear of Fort Nicholas, looking South.
23. The Investiture of the Order of the Bath, at the Head Quarters of the British Army before Sebastopol.
24. The North side of the Harbour of Sebastopol, from the top of the Harbour - 22nd June 1855.
25. Ditch of the Bastion du Mat.
26. Docks at Sebastopol with ruins of Fort St. Paul.
27. Interior of the Malakoff with the remains of the Round Tower.
28. Kamiesch.
29. Interior of Fort Nicholas.
30. Public Library & Temple of the Winds.
31. Quarantine Cemetery and Church with French Battery No. 50.
32. The Admiralty, Sebastopol.
33. Hospital and Cemetery at Scutari.
34. One of the Wards of the Hospital at Scutari.
35. Church of St. Peter & St. Paul.
36. Sebastopol from Old Chersonese, and ancient Church of St. Vladimir.
37. Bomb Proof Chamber
38. Redan and advanced Trenches of British Right Attack.
39. Ditch of the Malakoff, Battery Gervais and Rear of the Redan.
40. Mine of the Bastion du Mat.
41. Bastion du Mat, from the Central Bastion.

2. The Cavalry Affair of the Heights of Bulganak - The First Day, 19th. Sept. 1854.
Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £125 inc delivery Soiling in the margins or £155 sent cleaned but will take two weeks The button will charge for uncleaned add £30 for cleaning or ask for revised invoice sold

The Cavalry Affair of the Heights of Bulganak: the First Run
Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £55 better than image

3. Balaklava Looking towards the Sea
Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £135 inc delivery Light mild soiling/foxing in the margins or £155 sent cleaned but will take two weeks sold

4. The Gale of the Port of Balaklava, 14th Nov. 1854, the Loss of "The Prince".
Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £135 inc delivery Light mild soiling/foxing in the margins or £155 sent cleaned but will take two weeks

5. Sebastopol from the Rear of the English Batteries.
Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins or £155 sent cleaned but will take two weeks

Sebastopol from the rear of the English Batteries
Plate 5 series 1 2.Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60 inc delivery
Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted edge tear left margin £20 edge tears

Sebastopol from the rear of the English Batteries
Plate 5 series 1 3.Large scruffier 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £40 inc delivery edge tear

Plate 7 series 1 . Second Charge of the Guards, when they retook the two Gun Battery at the Battle of Inkermann.
Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins but a rarer plate

Plate 8 series 1 . Lord Raglan's Head Quarters at Khutor-Karagatch
Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

9. A Distant View of Lord Raglan's Headquarters /A general View of the country before Sebastopol
Plate 9 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

Distant view of Lord Raglan's Headquaters before Sebastopol
Plate 9 series 1 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted large £55

10. A Quiet Day in the Diamond Battery. Portrait of a Lancaster 68 Pounder 15th Dec. 1854.
Plate 10 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

11.The Field of Inkermann.
Plate 11 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. £55 edge tear in margin

Sentinel of the Zouaves, before Sevastopol
Plate 12 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

Sentinel of the Zouaves, before Sevastopol
Plate 12 series 1 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series.
each unmounted £40 inc delivery small edge tear and crease

Commissariat Difficulties. The Road from Balaklava to Sebastopol, at Kadikoi, during the wet Weather.
Plate 13 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

Commissariat Difficulties: The Road from Balaklava to Sevastopol at Kadiko
Plate 13 series 1 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series.
each unmounted £60 inc delivery

The Graves in the Fort on Cathcart's Hill. The Graves of the Officers of the Fourth Division who fell at Inkermann.
Plate 14 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

The Graves in the Fort on Cathcart's Hill. The Graves of the Officers of the Fourth Division who fell at Inkermann. . by William Simpson,
Plate 14 series 1 LARGE (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery perfect inc delivery
Crease in the margin and small edge tear £45

The Graves in the Fort on Cathcart's Hill. The Graves of the Officers of the Fourth Division who fell at Inkermann. . by William Simpson,
Plate 14 series 1 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series.
each unmounted £30 water mark to leftbetter than image

Valley of the Tchernaya
Plate 15 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins
Valley of the Tchernaya
Plate 15 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60 inc delivery x 2

Huts and warm Clothing for the Army
Plate 16 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

Huts and warm Clothing for the Army
Plate 16 series 1 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted edge nick in margin £55

Camp of the Naval Brigade before Sebastopol
Plate 17 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

Camp of the Naval Brigade before Sebastopol
Plate 17 series 1 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son;£55 each unmounted

The Camp of the 1st Division - Looking North
Plate 18 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

The Camp of the 1st Division - Looking North
Plate 18 series 1 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60 inc delivery

'Sebastopol from the 26 Gun Battery of the Extreme Right of French attack', by William Simpson,
Plate 18 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

'Sebastopol from the 26 Gun Battery of the Extreme Right of French attack', by William Simpson,
Plate 19 series 1 1.large 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60 perfect corner crease out of mount area and mini edge nick
These are mainly from a folio in stunning unframed condition** if a number are wanted please say first as postage will reduce** The small later version and the few damaged ones left are also included on this page to compare side by side

Head of the Harbour, Sebastopol - Shewing the Position of the new Mortar Battery.,
Plate 20 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

Head of the Harbour Sebastopol
Plate 20 series 1 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60 inc delivery

Graves at the Head of the Harbour of Balaklava - A Sailor's Funeral,
Plate 21 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

Graves at the Head of the Harbour of Balaklava - A Sailor's Funeral,
Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £20 inc delivery mark in margin under title

Sebastopol from the Rear of Fort Nicholas
Plate 22 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted

23. Embarkation of the sick and wounded at Balaclava
Plate 23 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

A Quiet Night in the Batteries. A Sketch in the Greenhill Battery (Major Chapman's) 29th Jan. 1855.
Plate 24 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

The Camp of the Second Division, looking East. January 1855
Plate 25 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

The Camp of the Second Division, looking East. January 1855. by William Simpson,
Plate 25 series 1 Large 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery

'The Ruins of Inkerman and City of Caverns',
Plate 26 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

'The Ruins of Inkerman and City of Caverns', by William Simpson,
Plate 26 series 1 2.Damaged 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £45 mark in the left margin
27. Highland Brigade Camp, looking South
Plate 27 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

28.The Railway of Balaklava.
Plate 28 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

29. The New Works/The Scene of the night attack 28th March
Plate 29 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £125 inc delivery Light mild soiling/foxing in the margins plus page edge chewed by slugs !
30. Dinner of the Greandies Guards on Christmas day
Plate30 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). sold

Sebastopol From The East Or Extreme Right Of English Attack'
Plate 31 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

Sebastopol From The East Or Extreme Right Of English Attack'
Plate 31 series 1 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60 inc delivery

32 General View from the Heights above Balaklava, looking towards Sebastopol. Shewing the Ground of the 25th Oct. and of the 5th Nov. 1854 and the Line of our Defences since the 25 Oct.
Plate 32 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins
32 General View from the Heights above Balaklava, looking towards Sebastopol. Shewing the Ground of the 25th Oct. and of the 5th Nov. 1854 and the Line of our Defences since the 25 Oct.
Plate 32 series 1 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60 inc delivery untinted sepia

33. Excavated Church in the Caverns at Inkermann.
Plate 33 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

33. Excavated Church in the Caverns at Inkermann.
Plate 32 series 1 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60 inc delivery untinted sepia

34. A Hot Day in the Batteries, from the left of 21-Gun Battery.
Plate 34 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

35. A Hot Night in the Batteries - Greenhill Battery.
Plate 35series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

36. The Valley of the Shadow of Death.
Plate 36 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

Russian Rifle Pit.
Plate 37 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

Russian Rifle Pit
Plate 37 series 1 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series.
each unmounted £60 inc delivery inc delivery perfect

Prince Woronzoff's Palace, near Yalta on the South Coast of the Crimea.
Plate 38series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

Prince Woronzoff's Palace, near Yalta on the South Coast of the Crimea.
Plate 38 series 1 1854 (lithograph). William Simpson (1823-99) was aa Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series.
each unmounted £20 inc delivery inc delivery some foxing as shown

Monastery of St George and Cape Fiolente
Plate 39 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins

Monastery of St George and Cape Fiolente
Plate 39 series 1 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series.
each unmounted £60 inc delivery inc delivery perfect

Lighthouse Cape Cheronse
Plate 40 series 1 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £125 inc delivery Soiling in the margins or £155 sent cleaned but will take two weeks The button will charge for uncleaned add £30 for cleaning or ask for revised invoice

North Side of the `Harbour of Sebastopol
Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted
Second Series
1. Disembarkation of the Expedition to Kertch
2. Kertch from the North
3. Fortress of Yenikale looking towards the sea at Azoff
4. Straits of Yenikale with the Bay and Town of kertch
5. The Funeral Cortege of Lord Raglan leaving head-quarters
6. Town Batteries or Interior Fortifications of Sebastopol
7. Burning of the government buildings at Kertch
8. Interior of Lord Raglan's Head Quarters
9. Camp of the fourth Division
10. Cavalry camp July 9 1855
11.Camp of the Light Division.
12. Camp of the third Division
13. Sketch of the Interior of the Mamelon Vert
14. Battle of Tchernaya
15. Valley of the Tchernaya
16. Balaklava shewing the state of the Quays & the Shipping
17. Balaklava shewing the state of the Quays & the Shipping.
18. Cape Aiya. Looking North, towards Balaklava.
19. The Valley of Baidar, from near Petroski's Villa, - looking East.
20. The Attack on the Malakoff.
21. The Interior of the Redan. Taken from its left face, looking towards the salient angle, looking South.
22. Church in the rear of the Redan, Looking North showing the effects of shot and shell.
23. Sebastopol from the rear of Fort Nicholas, looking South.
24. The Investiture of the Order of the Bath, at the Head Quarters of the British Army before Sebastopol.
25. The North side of the Harbour of Sebastopol, from the top of the Harbour - 22nd June 1855.
26. Ditch of the Bastion du Mat.
27. Docks at Sebastopol with ruins of Fort St. Paul.
28. Interior of the Malakoff with the remains of the Round Tower.
29. Kamiesch.
30. Interior of Fort Nicholas.
31. Public Library & Temple of the Winds.
32. Quarantine Cemetery and Church with French Battery No. 50.
33. The Admiralty, Sebastopol.
34. Hospital and Cemetery at Scutari.
35. One of the Wards of the Hospital at Scutari.
36. Church of St. Peter & St. Paul.
37. Sebastopol from Old Chersonese, and ancient Church of St. Vladimir.
38. Redan and advanced Trenches of British Right Attack.
39. Ditch of the Malakoff, Battery Gervais and Rear of the Redan.
40. Mine of the Bastion du Mat.
41. Bastion du Mat, from the Central Bastion.
1. Disembarkation of the Expedition to Kertch
2. Kertch from the North
3. Fortress of Yenikale looking towards the sea at Azoff
4. Straits of Yenikale with the Bay and Town of kertch
5. The Funeral Cortege of Lord Raglan leaving head-quarters
6. Town Batteries or Interior Fortifications of Sebastopol
7. Burning of the government buildings at Kertch
8. Interior of Lord Raglan's Head Quarters
9. Camp of the fourth Division
10. Cavalry camp July 9 1855
11.Camp of the Light Division.
12. Camp of the third Division
13. Sketch of the Interior of the Mamelon Vert
14. Battle of Tchernaya
15. Valley of the Tchernaya
16. Balaklava shewing the state of the Quays & the Shipping
17. Balaklava shewing the state of the Quays & the Shipping.
18. Cape Aiya. Looking North, towards Balaklava.
19. The Valley of Baidar, from near Petroski's Villa, - looking East.
20. The Attack on the Malakoff.
21. The Interior of the Redan. Taken from its left face, looking towards the salient angle, looking South.
22. Church in the rear of the Redan, Looking North showing the effects of shot and shell.
23. Sebastopol from the rear of Fort Nicholas, looking South.
24. The Investiture of the Order of the Bath, at the Head Quarters of the British Army before Sebastopol.
25. The North side of the Harbour of Sebastopol, from the top of the Harbour - 22nd June 1855.
26. Ditch of the Bastion du Mat.
27. Docks at Sebastopol with ruins of Fort St. Paul.
28. Interior of the Malakoff with the remains of the Round Tower.
29. Kamiesch.
30. Interior of Fort Nicholas.
31. Public Library & Temple of the Winds.
32. Quarantine Cemetery and Church with French Battery No. 50.
33. The Admiralty, Sebastopol.
34. Hospital and Cemetery at Scutari.
35. One of the Wards of the Hospital at Scutari.
36. Church of St. Peter & St. Paul.
37. Sebastopol from Old Chersonese, and ancient Church of St. Vladimir.
38. Redan and advanced Trenches of British Right Attack.
39. Ditch of the Malakoff, Battery Gervais and Rear of the Redan.
40. Mine of the Bastion du Mat.
41. Bastion du Mat, from the Central Bastion.
1. Disembarkation of the Expedition to Kertch + Index
Large lithograph from the
rarest de-luxe edition folio of The Seat of the
War in the East . William Simpson (1823-99) was a
Scottish painter who became noted for his depictions of
the Crimean War (1853-6). Colnaghi's Authentic Series
published by Paul & Dominic Colnaghi. Original
full hand colour over a sepia lithograph, 42 x 26 cm (plus
margins to 54 x 35 cm); drawn by W.Simpson, lithographed
by J. Needham and others ; printed by Day & Son; each
unmounted £35 inc delivery. This is stained and would
clean but is really best trimmed to the untouched image
and included ONLY with any other purchase due to postal
costs

2. Kertch from the North
Plate2 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins mark to centre of title

3. Fortress of Yenikale looking towards the sea at Azoff
Plate 3 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Plate 3 series 2 .Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £20 inc delivery some light foxing

4. Straits of Yenikale with the Bay and Town of kertch
Plate 4 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Straits of Yenikale With the Bay & Town of Kertch
Plate 4 series 2 .Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery perfect
£30 inc delivery some light soiling inc foxing in sky
5. The Funeral Cortege of Lord Raglan leaving head-quarters

6. Town Batteries or Interior Fortifications of Sebastopol
Plate 6 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery
The Town Batteries or Interior Fortifications of Sebastopol
Plate 6 series 2 1.Small The Campaign in the Crimea by George Brackenbury published by Paul and Dominic Colnaghi, London, 1855 from drawings taken on the spot by William Simpson. The plates were designed to illustrate Simpson's "Seat of War in the East. So basically a mini version of the larger plates below £15 ea
The Town Batteries or Interior Fortifications of Sebastopol
Plate 6 series 2 1.Small The Campaign in the Crimea by George Brackenbury published by Paul and Dominic Colnaghi, London, 1855 from drawings taken on the spot by William Simpson. The plates were designed to illustrate Simpson's "Seat of War in the East. So basically a mini version of the larger plates below £15 ea

7. Burning of the government buildings at Kertch
Plate 7 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery
Burning of the government buildings at Kertch
Plate 7 series 2 Full colour rarer edition but surface soiling Large 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £30 inc delivery scruffy copy with surface abrasions etc edge tears
8. Interior of Lord Raglan's Head Quarters
Plate 8 series 2 . LARGE (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery perfect

Interior of Lord Raglan's Head Quarters
Plate 8 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted edge tear to left margins £30

9. Camp of the fourth Division
Plate 9 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Camp of the 4th Division
Plate 9 series 2 1.Large 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery perfect x 2 available
mucky copy £20

10. Cavalry camp July 9 1855
Plate 10 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted

s11.Camp of the Light Division.
Plate 11 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Camp of the Light Division
Plate 11 series 2 Large 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery

12. Camp of the third Division
Plate 12 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

13. Sketch of the Interior of the Mamelon Vert
Plate 13 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

13. Sketch of the Interior of the Mamelon Vert
Plate 13 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £55 inc delivery

14. Battle of Tchernaya
Plate 14 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

15. Valley of the Tchernaya
Plate 15 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Valley of the Tchernaya
Plate 15 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60 inc delivery
mucky soiled copy £30

16. Balaklava shewing the state of the Quays & the Shipping
Plate 16 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

17. Cape Aiya.Looking North, towards Balaklava.
Plate 17 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

17. Cape Aiya.Looking North, towards Balaklava.
Plate 17 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £55 inc delivery edge tear out of mount area

18. The Valley of Baidar, from near Petroski's Villa, - looking East.
Plate 18 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

The valley of Baidar, from near Petroski's villa, looking east"
Plate 18 series 2 LARGE 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series.
each unmounted £20 inc delivery inc delivery x 2 grubby

19. The Attack on the Malakoff.
Plate 19 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery
2. Kertch from the North

2. Kertch from the North
Plate2 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £145 inc delivery Light mild soiling/foxing in the margins mark to centre of title

3. Fortress of Yenikale looking towards the sea at Azoff
Plate 3 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Plate 3 series 2 .Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £20 inc delivery some light foxing

4. Straits of Yenikale with the Bay and Town of kertch
Plate 4 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Straits of Yenikale With the Bay & Town of Kertch
Plate 4 series 2 .Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery perfect
£30 inc delivery some light soiling inc foxing in sky
5. The Funeral Cortege of Lord Raglan leaving head-quarters

6. Town Batteries or Interior Fortifications of Sebastopol
Plate 6 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

The Town Batteries or Interior Fortifications of Sebastopol
Plate 6 series 2 1.Small The Campaign in the Crimea by George Brackenbury published by Paul and Dominic Colnaghi, London, 1855 from drawings taken on the spot by William Simpson. The plates were designed to illustrate Simpson's "Seat of War in the East. So basically a mini version of the larger plates below £15 ea
The Town Batteries or Interior Fortifications of Sebastopol
Plate 6 series 2 1.Small The Campaign in the Crimea by George Brackenbury published by Paul and Dominic Colnaghi, London, 1855 from drawings taken on the spot by William Simpson. The plates were designed to illustrate Simpson's "Seat of War in the East. So basically a mini version of the larger plates below £15 ea

7. Burning of the government buildings at Kertch
Plate 7 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Burning of the government buildings at Kertch
Plate 7 series 2 Full colour rarer edition but surface soiling Large 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £30 inc delivery scruffy copy with surface abrasions etc edge tears
8. Interior of Lord Raglan's Head Quarters
Plate 8 series 2 . LARGE (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery perfect

Interior of Lord Raglan's Head Quarters
Plate 8 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted edge tear to left margins £30

9. Camp of the fourth Division
Plate 9 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Camp of the 4th Division
Plate 9 series 2 1.Large 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery perfect x 2 available
mucky copy £20

10. Cavalry camp July 9 1855
Plate 10 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted

s11.Camp of the Light Division.
Plate 11 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Camp of the Light Division
Plate 11 series 2 Large 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery

12. Camp of the third Division
Plate 12 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

13. Sketch of the Interior of the Mamelon Vert
Plate 13 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

13. Sketch of the Interior of the Mamelon Vert
Plate 13 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £55 inc delivery

14. Battle of Tchernaya
Plate 14 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

15. Valley of the Tchernaya
Plate 15 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Valley of the Tchernaya
Plate 15 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60 inc delivery
mucky soiled copy £30

16. Balaklava shewing the state of the Quays & the Shipping
Plate 16 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

17. Cape Aiya.Looking North, towards Balaklava.
Plate 17 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

17. Cape Aiya.Looking North, towards Balaklava.
Plate 17 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £55 inc delivery edge tear out of mount area

18. The Valley of Baidar, from near Petroski's Villa, - looking East.
Plate 18 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

The valley of Baidar, from near Petroski's villa, looking east"
Plate 18 series 2 LARGE 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series.
each unmounted £20 inc delivery inc delivery x 2 grubby

19. The Attack on the Malakoff.
Plate 19 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery
2. Kertch from the North
Large lithograph from
the rarest de-luxe edition folio of The Seat
of the War in the East . William Simpson
(1823-99) was a Scottish painter who became noted for
his depictions of the Crimean War (1853-6). Colnaghi's
Authentic Series published by Paul & Dominic
Colnaghi. Original full hand colour over a sepia
lithograph, 42 x 26 cm (plus margins to 54 x 35 cm);
drawn by W.Simpson, lithographed by J. Needham and
others ; printed by Day & Son; each unmounted £155
inc delivery

Sketch of the Interior of the Mamelon Vert
1.The Campaign in the Crimea by George Brackenbury published by Paul and Dominic Colnaghi, London, 1855 from drawings taken on the spot by William Simpson. The plates were designed to illustrate Simpson's "Seat of War in the East. So basically a mini version of the larger plates £15 ea
Straits of Yenikale With the Bay & Town of Kertch
The Campaign in the Crimea by George Brackenbury published by Paul and Dominic Colnaghi, London, 1855 from drawings taken on the spot by William Simpson. The plates were designed to illustrate Simpson's "Seat of War in the East. So basically a mini version of the larger plates £15 ea

View from the Heights above Balaklava looking towards Sebastopol
1large 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60 perfect
Redan and Adevanced Trenches of the British Attack ..

Church in the rear of the Redan, looking north, showing the effects of shot and shell
Plate 21 series 2 Large folio The Campaign in the Crimea by George Brackenbury published by Paul and Dominic Colnaghi, London, 1855 from drawings taken on the spot by William Simpson. The plates were designed to illustrate Simpson's "Seat of War in the East.

20. The Interior of the Redan. Taken from its left face, looking towards the salient angle, looking South.
Plate 20 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

21. Church in the rear of the Redan, Looking North showing the effects of shot and shell.
Plate 21 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Sebastopol from the Rear of Fort Nicholas
Plate 22 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted perfect

22. Sebastopol from the rear of Fort Nicholas, looking South.
Plate 22 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery
23. The Investiture of the Order of the Bath, at the Head Quarters of the British Army before Sebastopol.

The Investiture of the Order of the Bath
Plate 23 series 2 LARGE 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. £60 inc delivery inc delivery as above but untinted x 2
Plate 23 series 2 LARGE 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. £30 inc delivery inc delivery as above mucky copy

25. The North side of the Harbour of Sebastopol, from the top of the Harbour - 22nd June 1855.
Plate 24 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

North Side of the `Harbour of Sebastopol
Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted Perfect Much much better than the faulted one shown

Ditch of the Bastion de mat
Plate 25 series 2 .Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery perfect x 2 one slightly more blue. The one shown is not the one you get which is the damaged one below
Mucky version £25

26. Ditch of the Bastion du Mat.
Plate 26 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Plate 26 series 2 Docks at Sepastopol
Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60

27. Docks at Sebastopol with ruins of Fort St. Paul.
Plate 27 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

28. Interior of the Malakoff with the remains of the Round Tower.
Plate 28 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Kamiesch [ from: The Seat of War in the East. ] , by William Simpson,
Plate 29 series 2 Large 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery

s29. Kamiesch.
Plate 29 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Interior of Fort Nicholas
Plate 29 series 2 2.Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery perfect x 2

The burning of the Public Library and Temple of the Winds in Sevastopol
Plate 30 series 2 LARGE (lithograph). Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery edge tear in margin top left out or mount area

The burning of the Public Library and Temple of the Winds in Sevastopol
Plate 30 series 2 LARGE (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery 90% perfect ( mini edge tears in mount area) inc delivery ** if a number are wanted you will get a postage refund as they are oversize and higher postal costs**

Quarantine Cemetery and Church, with French Battery
Plate 31 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Quarantine Cemetery and Church, with French Battery
Plate 31 series 2 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery inc delivery perfect
Quarantine Cemetery and Church, with French Battery
SMALLThe Campaign in the Crimea by George Brackenbury published by Paul and Dominic Colnaghi, London, 1855 from drawings taken on the spot by William Simpson. The plates were designed to illustrate Simpson's "Seat of War in the East. So basically a mini version of the larger plates below £15 ea
Quarantine Cemetary & Church with French Battery no 50
Plate 31 series 2 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series.
each unmounted £25 water mark to page

The Admiralty, Sebastopol'
Plate 32 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted edge tear to rt corner / separated in ordinary sepia/blue format not as image which is the coloured version £20
The Admiralty, Sebastopol'
Plate 32 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted edge tear toned £20

33. The Admiralty, Sebastopol.
Plate33 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Excavated Church
Plate 33 series 1 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series.
each unmounted £60 inc delivery inc delivery perfect
34. Hospital and Cemetery at Scutari.
sold
35. One of the Wards of the Hospital at Scutari.

36. Church of St. Peter & St. Paul.
Plate 36 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £30 inc delivery torn at edge

Plate 35 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £45 inc delivery edge tear to base almost to text
1.Small The Campaign in the Crimea by George Brackenbury published by Paul and Dominic Colnaghi, London, 1855 from drawings taken on the spot by William Simpson. The plates were designed to illustrate Simpson's "Seat of War in the East. So basically a mini version of the larger plates below £15 ea x 2

Sebastopol from Old Chersonese, and ancient church of St.Vladimir
Plate 36 series 2 3.Large Damaged (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £40 water mark base left corner
37. Bomb Proof Chamber
Plate 37 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

38. Redan and advanced Trenches of British Right Attack.
Plate 38 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery
The Redan and Advanced Trenches of the British Right Attack
Plate 38 series 2 The Campaign in the Crimea by George Brackenbury published by Paul and Dominic Colnaghi, London, 1855 from drawings taken on the spot by William Simpson. The plates were designed to illustrate Simpson's "Seat of War in the East. So basically a mini version of the larger plates below £15 ea

39. Ditch of the Malakoff, Battery Gervais and Rear of the Redan.
Plate 39 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Ditch of the Malakoff Battery Gervais and Rear of the Redan
Plate 39 series 2 large 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60 perfect

40. Mine of the Bastion du Mat.
Plate 40 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery mucky

Mine of the Bastion du Mat
Plate 40 series 2 large 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60 perfect x 2 copies

41. Bastion du Mat, from the Central Bastion.
Plate 41 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery mucky

Bastion du Mat from the Central Bastion
Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £45 edge tears to margin

Sketch of the Interior of the Mamelon Vert
1.The Campaign in the Crimea by George Brackenbury published by Paul and Dominic Colnaghi, London, 1855 from drawings taken on the spot by William Simpson. The plates were designed to illustrate Simpson's "Seat of War in the East. So basically a mini version of the larger plates £15 ea

Straits of Yenikale With the Bay & Town of Kertch
The Campaign in the Crimea by George Brackenbury published by Paul and Dominic Colnaghi, London, 1855 from drawings taken on the spot by William Simpson. The plates were designed to illustrate Simpson's "Seat of War in the East. So basically a mini version of the larger plates £15 ea

View from the Heights above Balaklava looking towards Sebastopol
1large 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60 perfect

Redan and Adevanced Trenches of the British Attack ..

Church in the rear of the Redan, looking north, showing the effects of shot and shell
Plate 21 series 2 Large folio The Campaign in the Crimea by George Brackenbury published by Paul and Dominic Colnaghi, London, 1855 from drawings taken on the spot by William Simpson. The plates were designed to illustrate Simpson's "Seat of War in the East.

20. The Interior of the Redan. Taken from its left face, looking towards the salient angle, looking South.
Plate 20 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

21. Church in the rear of the Redan, Looking North showing the effects of shot and shell.
Plate 21 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Sebastopol from the Rear of Fort Nicholas
Plate 22 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted perfect

22. Sebastopol from the rear of Fort Nicholas, looking South.
Plate 22 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery
23. The Investiture of the Order of the Bath, at the Head Quarters of the British Army before Sebastopol.

The Investiture of the Order of the Bath
Plate 23 series 2 LARGE 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. £60 inc delivery inc delivery as above but untinted x 2
Plate 23 series 2 LARGE 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. £30 inc delivery inc delivery as above mucky copy

25. The North side of the Harbour of Sebastopol, from the top of the Harbour - 22nd June 1855.
Plate 24 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

North Side of the `Harbour of Sebastopol
Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted Perfect Much much better than the faulted one shown

Ditch of the Bastion de mat
Plate 25 series 2 .Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery perfect x 2 one slightly more blue. The one shown is not the one you get which is the damaged one below
Mucky version £25

26. Ditch of the Bastion du Mat.
Plate 26 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Plate 26 series 2 Docks at Sepastopol
Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60

27. Docks at Sebastopol with ruins of Fort St. Paul.
Plate 27 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

28. Interior of the Malakoff with the remains of the Round Tower.
Plate 28 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Kamiesch [ from: The Seat of War in the East. ] , by William Simpson,
Plate 29 series 2 Large 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery

s29. Kamiesch.
Plate 29 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Interior of Fort Nicholas
Plate 29 series 2 2.Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery perfect x 2

The burning of the Public Library and Temple of the Winds in Sevastopol
Plate 30 series 2 LARGE (lithograph). Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery edge tear in margin top left out or mount area

The burning of the Public Library and Temple of the Winds in Sevastopol
Plate 30 series 2 LARGE (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery 90% perfect ( mini edge tears in mount area) inc delivery ** if a number are wanted you will get a postage refund as they are oversize and higher postal costs**

Quarantine Cemetery and Church, with French Battery
Plate 31 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Quarantine Cemetery and Church, with French Battery
Plate 31 series 2 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £60 inc delivery inc delivery perfect
Quarantine Cemetery and Church, with French Battery
SMALLThe Campaign in the Crimea by George Brackenbury published by Paul and Dominic Colnaghi, London, 1855 from drawings taken on the spot by William Simpson. The plates were designed to illustrate Simpson's "Seat of War in the East. So basically a mini version of the larger plates below £15 ea

Quarantine Cemetary & Church with French Battery no 50
Plate 31 series 2 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series.
each unmounted £25 water mark to page

The Admiralty, Sebastopol'
Plate 32 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted edge tear to rt corner / separated in ordinary sepia/blue format not as image which is the coloured version £20
The Admiralty, Sebastopol'
Plate 32 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted edge tear toned £20

33. The Admiralty, Sebastopol.
Plate33 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Excavated Church
Plate 33 series 1 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series.
each unmounted £60 inc delivery inc delivery perfect

34. Hospital and Cemetery at Scutari.
sold
35. One of the Wards of the Hospital at Scutari.

36. Church of St. Peter & St. Paul.
Plate 36 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £30 inc delivery torn at edge

Plate 35 series 2 Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £45 inc delivery edge tear to base almost to text
1.Small The Campaign in the Crimea by George Brackenbury published by Paul and Dominic Colnaghi, London, 1855 from drawings taken on the spot by William Simpson. The plates were designed to illustrate Simpson's "Seat of War in the East. So basically a mini version of the larger plates below £15 ea x 2

Sebastopol from Old Chersonese, and ancient church of St.Vladimir
Plate 36 series 2 3.Large Damaged (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; From the Sketches of "The Seat at War in the East, First Series", Colnaghi's Authentic Series. each unmounted £40 water mark base left corner
37. Bomb Proof Chamber
Plate 37 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

38. Redan and advanced Trenches of British Right Attack.
Plate 38 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery
The Redan and Advanced Trenches of the British Right Attack
Plate 38 series 2 The Campaign in the Crimea by George Brackenbury published by Paul and Dominic Colnaghi, London, 1855 from drawings taken on the spot by William Simpson. The plates were designed to illustrate Simpson's "Seat of War in the East. So basically a mini version of the larger plates below £15 ea

39. Ditch of the Malakoff, Battery Gervais and Rear of the Redan.
Plate 39 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery

Ditch of the Malakoff Battery Gervais and Rear of the Redan
Plate 39 series 2 large 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60 perfect

40. Mine of the Bastion du Mat.
Plate 40 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery mucky

Mine of the Bastion du Mat
Plate 40 series 2 large 1854 (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £60 perfect x 2 copies

41. Bastion du Mat, from the Central Bastion.
Plate 41 series 2 . Large lithograph from the rarest de-luxe edition folio of The Seat of the War in the East . William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series published by Paul & Dominic Colnaghi. Original full hand colour over a sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £155 inc delivery mucky

Bastion du Mat from the Central Bastion
Large (lithograph). William Simpson (1823-99) was a Scottish painter who became noted for his depictions of the Crimean War (1853-6). Colnaghi's Authentic Series. by Paul & Dominic Colnaghi. Original sepia lithograph, 42 x 26 cm (plus margins to 54 x 35 cm); drawn by W.Simpson, lithographed by J. Needham and others ; printed by Day & Son; each unmounted £45 edge tears to margin