A Prospect of Silbury Hill from the Spring Head of the Kennet River 1724
Antique original copper engraving rom the book by William Stukeley entitled "Abury, A Temple of the British Druids, With Some Others, Described" ie Avebury Page size 38 x 24 cm. William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken PAIR with below
The Geometry of Silbury Hill from the Spring Head of the Kennet River 1724
Antique original copper engraving rom the book by William Stukeley entitled "Abury, A Temple of the British Druids, With Some Others, Described" ie Avebury Page size 38 x 24 cm. William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £60 inc PAIR with above delivery as larger size
Punctuobice / Devizes Plate 69 vol 2
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £40 inc delivery
Verlucio / Prospect of Heddington / Sandy Lane nr Bath Plate 68 vol 2
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £40 inc delivery
Chlori Imp Castrium /Clarendon 1723 Map / Salisbury /Wiltshire Plate 41 vol 2
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £20 inc delivery toned paper
Malmesbury Abbey PAIR
Antique Copper engraving from The Antiquities of Great Britain, illustrated in View of Monasteries, Castles, and Churches now Existing. 1786 by Thomas Hearne and William Byrne (London, 1743 - 1805) Oblong Folio Engraved title, one of 50 numbered plates each with full margins. Engraved from Drawings made by Thomas Hearne. Printed by James Phillips, in George-Yard, Lombard Street, and Published by the Proprietors T. Hearne and W. Byrne, London in 1786.Size 27 x 22 cms to plate mark, plus margins £90 inc delivery RARE ! now cleaned
Salisbury Cathedral BEFORE close was cleared
Antique Copper engraving from The Antiquities of Great Britain, illustrated in View of Monasteries, Castles, and Churches now Existing. 1786 by Thomas Hearne and William Byrne (London, 1743 - 1805) Oblong Folio Engraved title, one of 50 numbered plates each with full margins. Engraved from Drawings made by Thomas Hearne. Printed by James Phillips, in George-Yard, Lombard Street, and Published by the Proprietors T. Hearne and W. Byrne, London in 1786.Size 27 x 22 cms to plate mark,£35 some age marking
Teffont Evias
Kingston Deverill
Antique engraved print for the The Gentleman's Magazine .The Gentleman's Magazine was a monthly magazine published in London in the 18th, 19th, and early 20th century. The magazine began publication with the January 1731 issue. £18 RARE dated 1815. . mounted tinted
Kingston Deverill unmounted/ untinted slughtly grubby £10
The South west View of Salisbury Cathedral
Antique copper line engraving fro A NEW DISPLAY OF THE BEAUTIES OF ENGLAND... Public Edificies, Royal Palaces, Seats etc. Published in London 1773 for R. Goadby, J. Towers in Fore Street near Cripplegate.Size is about 12.5 x 20 cm (5 x 8 inches) £18 mounted
Wilton Seat of the earl of Pembroke
Antique engraved print from From a series of 84 copper engravings, uncoloured as sold by William Watts (1752 - 1851) from The Seats of the Nobility and Gentry, in a Collection of the most interesting & Picturesque Views, January 1st, 1779, Size oblong 205 x 270 mm .Similar to Sandby whose pupil Watts had been , about palaces of the English nobility. Many of the prints taken from drawings by Paul and Thomas Sandby. £30 . . . x6
£12 . . . close cut 2 mm from image by a moron
Amesbury in Wiltshire the seat of the Duke of Queensbury
from COPPERPLATE MAGAZINE by John WALKER, engraver and printseller, 16, Rosomon Street, Clerkenwell 1795-1802. Exhibited Royal Academy 1796-1800. Landscape engraver and draughtsman. He finished many of his father's plates. Published as"The Copper Plate Magazine, or Monthly Cabinet of Picturesque Prints" many drawn earlier but published 1792..1803 Engraved surface 13 x 17 cm . £25 rare . .Ist state by Corbould and Ellis published by Harrison & Co 1787 x4
Cricklade Cross
published 1816 The Antiquarian Itinerary, comprising Specimens of Architecture, monastic, castellated and domestic Author: JS Storer:copperplate and wood engraving high quality but very small (Approximately 6x3.5 Inches) £10
Foulstone Church Salisbury & Fisherton de la Mer
One of 23 etched illustrations from ' Old and New Sarum or Salisbury', by R. Benson and H. Hatcher . Published 1843 by John Bowyer Nichols & Son, London . Inspired by Sir Richard Colt Hoare's, The History of Modern Wiltshire, even though published 5 years after Hoare's death. £25 pr on one sheet
Hungerford Chapel & Beauchamp Chapel
One of 23 etched illustrations from ' Old and New Sarum or Salisbury', by R. Benson and H. Hatcher . Published 1843 by John Bowyer Nichols & Son, London . Inspired by Sir Richard Colt Hoare's, The History of Modern Wiltshire, even though published 5 years after Hoare's death. £25 pr on one sheet removed by cusrtomer/misfiled
King John's Hunting Seat Tollard Royal, Wilts
Antique engraved print for the The Gentleman's Magazine .The Gentleman's Magazine was a monthly magazine published in London in the 18th, 19th, and early 20th century. The magazine began publication with the January 1731 issue. £18 RARE dated 1826. . un mounted
Longleat
Original copperplate engraving by the famous engraver and cartographer Pierre Van Der Aa (1659-1733) published for the miniature edition of Estates of Great Britain and Ireland. London c1727 by James Beeverell. size to the plate mark is 5.1/2 x 6.1/2 inches or (14 x 16cm) mountedPieter van der Aa was a Leiden bookseller and publisher.size 13 x 17 cm £35 perfect copy
Wilton
Original copperplate engraving by the famous engraver and cartographer Pierre Van Der Aa (1659-1733) published for the miniature edition of Estates of Great Britain and Ireland. London c1727 by James Beeverell. size to the plate mark is 5.1/2 x 6.1/2 inches or (14 x 16cm) mountedPieter van der Aa was a Leiden bookseller and publisher.size 13 x 17 cm £30 perfect copy
Trafalgar House
published in Francis Orpen Morris's, A Series of Picturesque Views of Seats of the Noblemen & Gentlemen of Great Britain and Ireland Mounted..., in 1884. The straightforward but thoroughly attractive plates were drawn by Alexander Francis Lydon (1836-1917) and printed from colored woodblocks by the Baxter process by Benjamin Fawcett (1808-1893) of Driffield, Yorkshire unmounted £15 . . x 2
Corsham Court
published in Francis Orpen Morris's, A Series of Picturesque Views of Seats of the Noblemen & Gentlemen of Great Britain and Ireland Mounted..., in 1884. The straightforward but thoroughly attractive plates were drawn by Alexander Francis Lydon (1836-1917) and printed from colored woodblocks by the Baxter process by Benjamin Fawcett (1808-1893) of Driffield, Yorkshire unmounted £15 x2
Wilton House
published in Francis Orpen Morris's, A Series of Picturesque Views of Seats of the Noblemen & Gentlemen of Great Britain and Ireland Mounted..., in 1884. The straightforward but thoroughly attractive plates were drawn by Alexander Francis Lydon (1836-1917) and printed from colored woodblocks by the Baxter process by Benjamin Fawcett (1808-1893) of Driffield, Yorkshire unmounted £15
A View of the Manor House at Charlton built by Sir Adam Newton
Antique copper line engraving fro A NEW DISPLAY OF THE BEAUTIES OF ENGLAND... Public Edificies, Royal Palaces, Seats etc. Published in London 1773 for R. Goadby, J. Towers in Fore Street near Cripplegate.Size is about 12.5 x 20 cm (5 x 8 inches) £15 marked but rare
missing
Wilton Seat of the earl of Pembroke
from COPPERPLATE MAGAZINE by John WALKER, engraver and printseller, 16, Rosomon Street, Clerkenwell 1795-1802. Exhibited Royal Academy 1796-1800. Landscape engraver and draughtsman. He finished many of his father's plates. Published as"The Copper Plate Magazine, or Monthly Cabinet of Picturesque Prints" many drawn earlier but published 1792..1803 Engraved surface 13 x 17 cm . £30 rare . .Ist state by Corbould and Ellis published by Harrison & Co 1787 rare done during building
BOWOOD Park
Engraver VARRALL Drawn by NEALE LITTTLECOTE Park** Engraver WALLIS Drawn by NEALE From' Views of Seats' written by & drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper......image 8 x13 cm app unmountedEngraved by 1)Matthews 1829 . £20
second printing proof at £12x 2
Chippenham Church .
Antique engraved print from Beauties of England & Wales by John Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 . . .x2 one tinted state if pref
BOWDEN Park
. Antique engraved print from Beauties of England & Wales by John Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 . . . x3 untinted
Rooms in a House called the Barracks in Brown Street Salisbury
Engraving mounted and matted due to size. From 'The History of Modern Wiltshire' edited, published for Sir Richard Colt Hoare who contributed significantly to the 11 volumes (1822–1844) and used extensive work of others. The ‘History of Modern Wiltshire,’ was left unfinished at the time of Hoare's death, now consists of fourteen parts, usually bound in six vols, large folio, . It deals only with the southern portion of the county. In this branch of the work Hoare was associated with the Rev. John Offer and others, including Lord Arundell, Richard Harris, Henry Wansey, Charles Bowles, William Henry Black, George Matcham, LL.D., and Henry Hatcher. These are stupidly rare and are amongst the best large scale engravings of Wiltshire £55 inc delivery / cheaper collected Now mostly in Salisbury House, Des Moines, U.S.A
Battlesbury Camp + Scratchbury Camp
Iron Age Hill forts, Warminster + Norton Bavant in Wiltshire
Engraving mounted and matted due to size. From 'The History of Modern Wiltshire' edited, published for Sir Richard Colt Hoare who contributed significantly to the 11 volumes (1822–1844) and used extensive work of others. The ‘History of Modern Wiltshire,’ was left unfinished at the time of Hoare's death, now consists of fourteen parts, usually bound in six vols, large folio, . It deals only with the southern portion of the county. In this branch of the work Hoare was associated with the Rev. John Offer and others, including Lord Arundell, Richard Harris, Henry Wansey, Charles Bowles, William Henry Black, George Matcham, LL.D., and Henry Hatcher. These are stupidly rare and are amongst the best large scale engravings of Wiltshire £48 inc delivery / cheaper collected
>
Amesbury Nunnery Details + Seals
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £48 inc delivery / cheaper collected
Bishopstone Church
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles,
William Henry Black, George Matcham, LL.D., and Henry Hatcher.
These are stupidly rare and are amongst the best large scale
engravings of Wiltshire £65 inc delivery / cheaper
collected
Flints + Axe Heads
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £48 inc delivery / cheaper collected
Amesbury House + Church
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £65 inc delivery / cheaper collected
Cromlechs
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £48 inc delivery / cheaper collected
Carnac in Brittany
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £48 inc delivery / cheaper collected
Churches at Everley
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £65 inc delivery / cheaper collected
St Thomas's Church Salisbury
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £55 inc delivery / cheaper collected
Mere Church
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £55 inc delivery / cheaper collected
Old Sarum
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £48 inc delivery / cheaper collected... error
numpty framer mounted the whole sheet !
Whiteparish House
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £65 inc delivery / cheaper collected
Longleate 1
Original copperplate engraving by the engraver and cartographer Pierre Van Der Aa (1659-1733) published for the miniature edition of 'Estates of Great Britain and Ireland'/"Les Délices De La Grand' Bretagne Et De L'irlande.". London 1707 by James Beeverell engraved plates and maps after Loggan, Kip, Slezer,etc. size to the plate mark is 14 x 16cm most unmounted Pieter van der Aa was a Leiden bookseller and publisher who published these mini versions of Kip .These look stunning block framed in sets, with central folds as issued for the first edition £30
Longleate 2
Original copperplate engraving by the engraver and cartographer Pierre Van Der Aa (1659-1733) published for the miniature edition of 'Estates of Great Britain and Ireland'/"Les Délices De La Grand' Bretagne Et De L'irlande.". London 1707 by James Beeverell engraved plates and maps after Loggan, Kip, Slezer,etc. size to the plate mark is 14 x 16cm most unmounted Pieter van der Aa was a Leiden bookseller and publisher who published these mini versions of Kip .These look stunning block framed in sets, with central folds as issued for the first edition £30
Original copperplate engraving by the engraver and cartographer Pierre Van Der Aa (1659-1733) published for the miniature edition of 'Estates of Great Britain and Ireland'/"Les Délices De La Grand' Bretagne Et De L'irlande.". London 1707 by James Beeverell engraved plates and maps after Loggan, Kip, Slezer,etc. size to the plate mark is 14 x 16cm most unmounted Pieter van der Aa was a Leiden bookseller and publisher who published these mini versions of Kip .These look stunning block framed in sets, with central folds as issued for the first edition £30
Longleate 2
Original copperplate engraving by the engraver and cartographer Pierre Van Der Aa (1659-1733) published for the miniature edition of 'Estates of Great Britain and Ireland'/"Les Délices De La Grand' Bretagne Et De L'irlande.". London 1707 by James Beeverell engraved plates and maps after Loggan, Kip, Slezer,etc. size to the plate mark is 14 x 16cm most unmounted Pieter van der Aa was a Leiden bookseller and publisher who published these mini versions of Kip .These look stunning block framed in sets, with central folds as issued for the first edition £30
Stonehenge
Malmesbury Cross2
. Antique engraved print from Beauties of England & Wales by John Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 .tintedx 2
MALMSBURY ABBEY PL 1**
Antique copper line engraved print by various artists/engravers Published by Samuel Hooper London, Printed by C. Clarke, for Francis GROSE (c.1731 . .1791) from THE ANTIQUITIES OF ENGLAND AND WALES , first published in 1772/3. and Image minimum from 18 x13 cm £12 unmounted . .. x 3
Malmesbury Abbey Doorway
Antique steel engraved print from Architectural ANTIQUITIES OF Great Britain by John Britton (1771. .1857), English antiquary and topographer Published by M A Nutall, 19 Southampton Street, Covent Garden, London.Approx. 11 x 8 inches A4 dated 1819 unmounted £20 A4+ x 2
MALMSBURY ABBEY PL 2
Antique copper line engraved print by various artists/engravers Published by Samuel Hooper London, Printed by C. Clarke, for Francis GROSE (c.1731 . .1791) from THE ANTIQUITIES OF ENGLAND AND WALES , first published in 1772/3. and Image minimum from 18 x13 cm £12 unmounted . . . .x 4
MALMSBURY ABBEY PL 3
Antique copper line engraved print by various artists/engravers Published by Samuel Hooper London, Printed by C. Clarke, for Francis GROSE (c.1731 . .1791) from THE ANTIQUITIES OF ENGLAND AND WALES , first published in 1772/3. and Image minimum from 18 x13 cm £12 unmounted . . x 5
MALMSBURY ABBEY Cross
Antique copper line engraved print by various artists/engravers Published by Samuel Hooper London, Printed by C. Clarke, for Francis GROSE (c.1731 . .1791) from THE ANTIQUITIES OF ENGLAND AND WALES , first published in 1772/3. and Image minimum from 18 x13 cm £12 unmounted . . .x 4
Salisbury Cathedral"
by Rock & Co published in 1853.Lithograph in sepia tones 32 x 21 cm plus borders and title £30 pic done through plastic sorry
Longleat House
after the kip/Knyff viewAntique steel engraved print from Architectural ANTIQUITIES OF Great Britain by John Britton (1771. .1857), English antiquary and topographer Published by M A Nutall, 19 Southampton Street, Covent Garden, London.Approx. 11 x 8 inches A4 dated 1819 unmounted at £18 A4 .x 2
Cross at Stourhead
Antique steel engraved print from Architectural ANTIQUITIES OF Great Britain by John Britton (1771. .1857), English antiquary and topographer Published by M A Nutall, 19 Southampton Street, Covent Garden, London.Approx. 11 x 8 inches A4 dated 1819 unmounted t £20 A4+
more Stourhead X on Somerest page
St John's Church Devizes
Antique copper line engraved print by Shepherd G drawn by Rawle Size 115 x 159 mm. published 1821 by John Britton (1771. .1857), English antiquary and topographer who inluded it in Beauties of Wiltshire vol 3, Scarce £20
Malmesbury Church
Antique copper line engraved print by Shepherd G drawn by Rawle Size 115 x 159 mm. published 1821 by John Britton (1771. .1857), English antiquary and topographer who inluded it in Beauties of Wiltshire vol 3, Scarce £20
The Stone Cross at Great Bedwyn Antique engraved print published 1816 The Antiquarian Itinerary, comprising Specimens of Architecture, monastic, castellated and domestic Author: J S Storer:copperplate and wood engravings. Image size 14 x 21cm £10 x 2
Stonehenge
from Clapperton's Stonehenge hand-book : containing the opinions of the most eminent writers on the origin and object of that mysterious monument of antiquity, Stonehenge, on Salisbury Plain : commencing its history by Camden, from 1600, and continued in chronological order to 1849, by Inigo Jones pub 1858 in Salisbury RARE sold only in Salisbury but creased litho £40
Stourhead
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history £8. . . .
Longleat
Original antique copper engraving from Universal Magazine or 'The Ladys Magazine' . The Magazine, was published as a joint venture between the bookseller John Coote and publisher John Wheble later sold to George Robinson and John Roberts between (1770 - 1800). rare £15 ragged base
Bradford on Avon
Steel line Engraving from Westall and Francis produced for the part-work series "Great Britain Illustrated" (published London 1828-1830). Engravings are mostly by Edward Finden or Edward Francis (fl.1828-1830) after Westall's drawings . Engraved surface 10 x 15 cm plus borders unmounted
£12 tinted
Compton Park - The Seat of Charles Penruddocke. Esq. Sepia coloured lithograph by Augustus Butler, published by Stannard and Dixon, London, 6 January 1855.Full page size 16.5cm by 10.5cm. unmounted slight foxing mark to tree left £20 x 3
Malmesbury Abbey m .
Engraved for the The New British Traveller, or a Complete Modern Universal Display of Great Britain and Ireland.. The whole puyblished under the immediate inspection of George Augustus Walpoole Assisted by ...Printed for Alex Hogg at the Kings Arms No 16 Paternoster-Row 1784 £10 . . . x 4
St Thomas's Church Salisbury
One of 23 etched illustrations from ' Old and New Sarum or Salisbury', by R. Benson and H. Hatcher . Published 1843 by John Bowyer Nichols & Son, London . Inspired by Sir Richard Colt Hoare's, The History of Modern Wiltshire, even though published 5 years after Hoare's death. £20
Longleat
published in Francis Orpen Morris's, A Series of Picturesque Views of Seats of the Noblemen & Gentlemen of Great Britain and Ireland Mounted..., in 1884. The straightforward but thoroughly attractive plates were drawn by Alexander Francis Lydon (1836-1917) and printed from colored woodblocks by the Baxter process by Benjamin Fawcett (1808-1893) of Driffield, Yorkshire unmounted £15
Old Council House salisbury
Antique copper line engraved print by various artists/engravers Published by Samuel Hooper London, Printed by C. Clarke, for >Francis GROSE (c.1731 . .1791) from THE ANTIQUITIES OF ENGLAND AND WALES , first published in 1772/3. and Image minimum from 18 x13 cm £12 unmounted . . untinted
Fishey Bridge
Cricklade or Salisbury acc to book ?
Eisey Bridge in other pics close cut etc Aquatint with etching Published Jan 1st 1791, by A. Robertson & W. Faden (1750 to 1836) ", produced for The Great Road from London to Bath and Bristol. Robertson was a landscape painter and aquatint engraverSize: 11 x 19cm. unmounted scarce £12
Fisherton de la Mer Church
One of 23 etched illustrations from ' Old and New Sarum or Salisbury', by R. Benson and H. Hatcher . Published 1843 by John Bowyer Nichols & Son, London . Inspired by Sir Richard Colt Hoare's, The History of Modern Wiltshire, even though published 5 years after Hoare's death.
Fisherton Church
One of 23 etched illustrations from ' Old and New Sarum or Salisbury', by R. Benson and H. Hatcher . Published 1843 by John Bowyer Nichols & Son, London . Inspired by Sir Richard Colt Hoare's, The History of Modern Wiltshire, even though published 5 years after Hoare's death.
St Edmunds . . now the Art Centre
One of 23 etched illustrations from ' Old and New Sarum or Salisbury', by R. Benson and H. Hatcher . Published 1843 by John Bowyer Nichols & Son, London . Inspired by Sir Richard Colt Hoare's, The History of Modern Wiltshire, even though published 5 years after Hoare's death. £20
Salisbury Cathedral/The Muniment Room .
. One of 23 etched illustrations from ' Old and New Sarum or Salisbury', by R. Benson and H. Hatcher . Published 1843 by John Bowyer Nichols & Son, London . Inspired by Sir Richard Colt Hoare's, The History of Modern Wiltshire, even though published 5 years after Hoare's death. £20 tinted
SALISBURY View from Clarendon park Old Council House
£20 1790 from the The Gentleman's Magazine .The Gentleman's Magazine was a monthly magazine published in London in the 18th, 19th, and early 20th century. The magazine began publication with the January 1731 issue. Over time the magazine had various subtitles, including "monthly intelligencer" and "historical review". It restarted its volume numbering in 1868.
SALISBURY. Halle's hall New Canal..now the Odeon ! .
. One of 23 etched illustrations from ' Old and New Sarum or Salisbury', by R. Benson and H. Hatcher . Published 1843 by John Bowyer Nichols & Son, London . Inspired by Sir Richard Colt Hoare's, The History of Modern Wiltshire, even though published 5 years after Hoare's death. £20 . .
Stoke park 2
Antique engraved print from Beauties of England & Wales byJohn Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of Wiltshire image 11 x 16cm images printed close to edge of page unmounted £12
Salisbury from the Avon, Harnham Bridge
Proof copy before letters from the family AFTER JOHN CONSTABLE, NORMAN HIRST published by Leggatt Brothers, 82 Cheapside, 1903 50.2 x 61 cm.
Norman Hirst (1862-1956).Printmaker and painter, born in Liverpool, who in 1885 took up a two-year scholarship at Herkomer's School in Bushey, where he remained until 1895. Later lived on the south coast, notably at Seaford, Sussex. While in Bushey Hirst learned his engraving and mezzotint skills at the fine art printing studios of H T Cox, and after he moved he continued to use the studios for mezzotinting, at which he was an expert. His reputation was mainly as a mezzotint engraver of works by Gainsborough, Lawrence, Watteau and Romney, and in 1917 he was called as an expert witness in a notable court case in which an attribution was disputed. (Hirst's opinion that the work was not by Romney was eventually borne out.) Hirst was made an associate of the RE in 1931. Frost & Reed published his works Sea Melodies and Capture and Agnew The Mall and Gamme d'Amour. Showed extensively at RA, also at Fine Art Society, Abber Gallery and RI, but a lack of interest in original mezzotints after World War II prompted Hirst's executors to burn most of his studio collection. Some of what remained was exhibited in Three Bushey Artists by the Bushey Museum Trust in 1991. Landscape mezzotint engravings on india laid, all trial proofs before letters and titles, Stunning some minor soiling to margins £265 inc delivery
Return of the Napoleonic Wars ( to Salisbury) Proof copy before letters from the family NORMAN HIRST published , 1895
Norman Hirst (1862-1956).Printmaker and painter, born in Liverpool, who in 1885 took up a two-year scholarship at Herkomer's School in Bushey, where he remained until 1895. Later lived on the south coast, notably at Seaford, Sussex. While in Bushey Hirst learned his engraving and mezzotint skills at the fine art printing studios of H T Cox, and after he moved he continued to use the studios for mezzotinting, at which he was an expert. His reputation was mainly as a mezzotint engraver of works by Gainsborough, Lawrence, Watteau and Romney, and in 1917 he was called as an expert witness in a notable court case in which an attribution was disputed. (Hirst's opinion that the work was not by Romney was eventually borne out.) Hirst was made an associate of the RE in 1931. Frost & Reed published his works Sea Melodies and Capture and Agnew The Mall and Gamme d'Amour. Showed extensively at RA, also at Fine Art Society, Abber Gallery and RI, but a lack of interest in original mezzotints after World War II prompted Hirst's executors to burn most of his studio collection. Some of what remained was exhibited in Three Bushey Artists by the Bushey Museum Trust in 1991. Landscape mezzotint engravings on india laid, all trial proofs before letters and titles, . . . Close cut to 4 cm from plate mark some soiling but rare dated in pencil £145 inc delivery
<
Original copperplate engraving
by the engraver and cartographer Pierre Van Der Aa
(1659-1733) published for the miniature edition of 'Estates of
Great Britain and Ireland'/"Les Délices De La Grand' Bretagne
Et De L'irlande.". London 1707 by James Beeverell engraved
plates and maps after Loggan, Kip, Slezer,etc. size to the
plate mark is 14 x 16cm most unmounted Pieter van der Aa was a
Leiden bookseller and publisher who published these mini
versions of Kip .These look stunning block framed in sets,
with central folds as issued for the first
edition £40 oddly a rarer plate
Longford in Wiltshire
by William ANGUS, [1752-1821]. from The Seats Of The Nobility and Gentry In Great Britain and Wales In a Collection of Select Views... Published Islington / London: W.Angus, 1787 oblong 4to. one of 63 copper engraved views, £30 unmounted scarce 20 x 16 cm plus borders x 2
Lacock Abbey 1
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history£12 . . marked
Lacock Abbey 2
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history£12 . . . marked
second edition @ £8x2
Longford castle
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and including the history £20 .
Longford in Wiltshire
by William ANGUS, [1752-1821]. from The Seats Of The Nobility and Gentry In Great Britain and Wales In a Collection of Select Views... Published Islington / London: W.Angus, 1787 oblong 4to. one of 63 copper engraved views, £30 unmounted scarce 20 x 16 cm plus borders x 2
Lacock Abbey 1
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history£12 . . marked
Lacock Abbey 2
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history£12 . . . marked
second edition @ £8x2
Longford castle
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and including the history £20 .
Longford castle
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history£12 . . .x2
Longleat
From a series of small steel engravings, uncoloured written by Neale. Drawn byJohn Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and including the history £20
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history£12 . . .x2
Longleat
From a series of small steel engravings, uncoloured written by Neale. Drawn byJohn Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and including the history £20
Longleat
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history£8 . . .
New park Devizes ( Roundway House )
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history£8 . . .
New park Devizes ( Roundway House )
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history
New park Devizes
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history£12 . . .x 2
Earle Stoke Park
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription betwe
en 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and including the history £20
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history£12 . . .x 2
Earle Stoke Park
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription betwe
en 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and including the history £20
Earle Stoke Park
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription betwe
en 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history £12 . . . x2
Corsham House 1 south
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history £12 . . .x2
Corsham House 3 North west
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history£12 . . .x2
Corsham House 2 Hall
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not >including the history£12 . .
Stonehenge
Published by F. Harwood of Fenchurch Street. Steel line engraving for SCENERY OF GREAT BRITAIN Published in London c.1841.Image Size 83 x 151mm slightly toned £12 x 2 avail
House of the Cantuarist and Almsmen
1526 From the The Gentleman's Magazine .The Gentleman's Magazine was a monthly magazine published in London in the 18th, 19th, and early 20th century. The magazine began publication with the January 1731 issue. Over time the magazine had various subtitles, including "monthly intelligencer" and "historical review". It restarted its volume numbering in 1868. It ceased publication in 1907. Size 12 x 21s+ cm dated 1800 £12
Marlborough
engraved and published by J Walker in "The Itinerant: A select collection of interesting and picturesque views, in Great Britain and Ireland".engraved and published by J Walker in "The Itinerant: A select collection of interesting and picturesque views, in Great Britain and Ireland". £20 rare with text some marking esp to title
£30 rare tinted mounted esp to title
Tottenham House
Aquatint with etching Published Jan 1st 1791, by A. Robertson & W. Faden (1750 to 1836) ", produced for The Great Road from London to Bath and Bristol. Robertson was a landscape painter and aquatint engraverSize: 11 x 19cm.mounted scarce tinted £20
Wilton House the Seat of the Earl of Pembroke
Copper engraving from The Modern Universal British Traveller; or A New Complete, and Accurate Tour through England, Wales, Scotland, and the Neighbouring Islands. [London: J. Cooke] [1779]. originally produced for the Cooke part-work publication "The Modern Universal British Traveller" (London 1779). Plate mark and good margins. Size 27.5 x 17 cms. £25
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription betwe
en 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history £12 . . . x2
Corsham House 1 south
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history £12 . . .x2
Corsham House 3 North west
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history£12 . . .x2
Corsham House 2 Hall
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not >including the history£12 . .
Stonehenge
Published by F. Harwood of Fenchurch Street. Steel line engraving for SCENERY OF GREAT BRITAIN Published in London c.1841.Image Size 83 x 151mm slightly toned £12 x 2 avail
House of the Cantuarist and Almsmen
1526 From the The Gentleman's Magazine .The Gentleman's Magazine was a monthly magazine published in London in the 18th, 19th, and early 20th century. The magazine began publication with the January 1731 issue. Over time the magazine had various subtitles, including "monthly intelligencer" and "historical review". It restarted its volume numbering in 1868. It ceased publication in 1907. Size 12 x 21s+ cm dated 1800 £12
Marlborough
engraved and published by J Walker in "The Itinerant: A select collection of interesting and picturesque views, in Great Britain and Ireland".engraved and published by J Walker in "The Itinerant: A select collection of interesting and picturesque views, in Great Britain and Ireland". £20 rare with text some marking esp to title
£30 rare tinted mounted esp to title
Tottenham House
Aquatint with etching Published Jan 1st 1791, by A. Robertson & W. Faden (1750 to 1836) ", produced for The Great Road from London to Bath and Bristol. Robertson was a landscape painter and aquatint engraverSize: 11 x 19cm.mounted scarce tinted £20
Wilton House the Seat of the Earl of Pembroke
Copper engraving from The Modern Universal British Traveller; or A New Complete, and Accurate Tour through England, Wales, Scotland, and the Neighbouring Islands. [London: J. Cooke] [1779]. originally produced for the Cooke part-work publication "The Modern Universal British Traveller" (London 1779). Plate mark and good margins. Size 27.5 x 17 cms. £25
View of Wilton in Wiltshire
the Seat of the Rt Hon the Earl of Pembroke
Copper engraving from> England Displayedc.1769.A copper engraved view displayed within a frame border. [1770].. Originally produced for the part-work publication "England Displayed" (London 1769-1770). Copper line engraving on paper. Engraved surface 173 x 270mm (approx. 6-3/4" x 10-5/8").this print is unmounted £15 clipped to image by an idiot
St Johns Devizes**
From Architectutal Antiquities of Britain 1808 s by John Britton (1771&1857), English antiquary and topographer and E. W. Brayley. The two friends wrote part of Beauties of England and Wales (18 vol., in 25, 1801&endash;15) image 11 x 16cm app. image size is the actual picture size all are reasonably close cut as he printed large pics to small paper unmounted at £25 mtd
St Johns Devizes** 2
From Architectutal Antiquities of Britain 1808 s by John Britton (1771&;1857), English antiquary and topographer and E. W. Brayley. The two friends wrote part of Beauties of England and Wales (18 vol., in 25, 1801&endash;15) image 11 x 16cm app. image size is the actual picture size all are reasonably close cut as he printed large pics to small paper unmounted at £25
MIER (Mere !)CHURCH** .
Antique engraved print from Beauties of England & Wales by John Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £1 0. . . x 6
also £5 coloured mounted seconds
New Park** ( Roundway House )
Devizes - seat of Thomas Grimston Estcourt, MP for the town - a view from the deer-park. Antique engraved print from Beauties of England & Wales by John Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 tinted or plain state if pref
second printing non proof at £10
The Interior of Malmesbury Cross
Antique steel engraved print from Architectural ANTIQUITIES OF Great Britain by John Britton (1771. .1857), English antiquary and topographer Published by M A Nutall, 19 Southampton Street, Covent Garden, London.Approx. 11 x 8 inches A4 dated 1819 unmounted t £18 A4+ x 2
Malmesbury Abbey Church Inner .
Antique engraved print from Beauties of England & Wales by John Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 . x 2
MALMESBURY ABBEY
by Daniel King d. 1664. was a pupil of W.Hollar,-Originally from William Dugdale, Monasticon Anglicanum 1st edn [in Latin] 1655 with engravings mainly by Wenceslaus Hollar and Daniel King. Many of the engravings were reprinted in Daniel King, The Cathedrall and Conventuall Churches of England and Wales, 1672; so from either of these unframed £40
Copper engraving from> England Displayedc.1769.A copper engraved view displayed within a frame border. [1770].. Originally produced for the part-work publication "England Displayed" (London 1769-1770). Copper line engraving on paper. Engraved surface 173 x 270mm (approx. 6-3/4" x 10-5/8").this print is unmounted £15 clipped to image by an idiot
St Johns Devizes**
From Architectutal Antiquities of Britain 1808 s by John Britton (1771&1857), English antiquary and topographer and E. W. Brayley. The two friends wrote part of Beauties of England and Wales (18 vol., in 25, 1801&endash;15) image 11 x 16cm app. image size is the actual picture size all are reasonably close cut as he printed large pics to small paper unmounted at £25 mtd
St Johns Devizes** 2
From Architectutal Antiquities of Britain 1808 s by John Britton (1771&;1857), English antiquary and topographer and E. W. Brayley. The two friends wrote part of Beauties of England and Wales (18 vol., in 25, 1801&endash;15) image 11 x 16cm app. image size is the actual picture size all are reasonably close cut as he printed large pics to small paper unmounted at £25
MIER (Mere !)CHURCH** .
Antique engraved print from Beauties of England & Wales by John Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £1 0. . . x 6
also £5 coloured mounted seconds
New Park** ( Roundway House )
Devizes - seat of Thomas Grimston Estcourt, MP for the town - a view from the deer-park. Antique engraved print from Beauties of England & Wales by John Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 tinted or plain state if pref
second printing non proof at £10
The Interior of Malmesbury Cross
Antique steel engraved print from Architectural ANTIQUITIES OF Great Britain by John Britton (1771. .1857), English antiquary and topographer Published by M A Nutall, 19 Southampton Street, Covent Garden, London.Approx. 11 x 8 inches A4 dated 1819 unmounted t £18 A4+ x 2
Malmesbury Abbey Church Inner .
Antique engraved print from Beauties of England & Wales by John Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 . x 2
MALMESBURY ABBEY
by Daniel King d. 1664. was a pupil of W.Hollar,-Originally from William Dugdale, Monasticon Anglicanum 1st edn [in Latin] 1655 with engravings mainly by Wenceslaus Hollar and Daniel King. Many of the engravings were reprinted in Daniel King, The Cathedrall and Conventuall Churches of England and Wales, 1672; so from either of these unframed £40
Malmesbury Cross2
. Antique engraved print from Beauties of England & Wales by John Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 .tintedx 2
MALMSBURY ABBEY PL 1**
Antique copper line engraved print by various artists/engravers Published by Samuel Hooper London, Printed by C. Clarke, for Francis GROSE (c.1731 . .1791) from THE ANTIQUITIES OF ENGLAND AND WALES , first published in 1772/3. and Image minimum from 18 x13 cm £12 unmounted . .. x 3
Malmesbury Abbey Doorway
Antique steel engraved print from Architectural ANTIQUITIES OF Great Britain by John Britton (1771. .1857), English antiquary and topographer Published by M A Nutall, 19 Southampton Street, Covent Garden, London.Approx. 11 x 8 inches A4 dated 1819 unmounted £20 A4+ x 2
MALMSBURY ABBEY PL 2
Antique copper line engraved print by various artists/engravers Published by Samuel Hooper London, Printed by C. Clarke, for Francis GROSE (c.1731 . .1791) from THE ANTIQUITIES OF ENGLAND AND WALES , first published in 1772/3. and Image minimum from 18 x13 cm £12 unmounted . . . .x 4
MALMSBURY ABBEY PL 3
Antique copper line engraved print by various artists/engravers Published by Samuel Hooper London, Printed by C. Clarke, for Francis GROSE (c.1731 . .1791) from THE ANTIQUITIES OF ENGLAND AND WALES , first published in 1772/3. and Image minimum from 18 x13 cm £12 unmounted . . x 5
MALMSBURY ABBEY Cross
Antique copper line engraved print by various artists/engravers Published by Samuel Hooper London, Printed by C. Clarke, for Francis GROSE (c.1731 . .1791) from THE ANTIQUITIES OF ENGLAND AND WALES , first published in 1772/3. and Image minimum from 18 x13 cm £12 unmounted . . .x 4
Salisbury Cathedral"
by Rock & Co published in 1853.Lithograph in sepia tones 32 x 21 cm plus borders and title £30 pic done through plastic sorry
Longleat House
after the kip/Knyff viewAntique steel engraved print from Architectural ANTIQUITIES OF Great Britain by John Britton (1771. .1857), English antiquary and topographer Published by M A Nutall, 19 Southampton Street, Covent Garden, London.Approx. 11 x 8 inches A4 dated 1819 unmounted at £18 A4 .x 2
Cross at Stourhead
Antique steel engraved print from Architectural ANTIQUITIES OF Great Britain by John Britton (1771. .1857), English antiquary and topographer Published by M A Nutall, 19 Southampton Street, Covent Garden, London.Approx. 11 x 8 inches A4 dated 1819 unmounted t £20 A4+
more Stourhead X on Somerest page
St John's Church Devizes
Antique copper line engraved print by Shepherd G drawn by Rawle Size 115 x 159 mm. published 1821 by John Britton (1771. .1857), English antiquary and topographer who inluded it in Beauties of Wiltshire vol 3, Scarce £20
Malmesbury Church
Antique copper line engraved print by Shepherd G drawn by Rawle Size 115 x 159 mm. published 1821 by John Britton (1771. .1857), English antiquary and topographer who inluded it in Beauties of Wiltshire vol 3, Scarce £20
The Stone Cross at Great Bedwyn Antique engraved print published 1816 The Antiquarian Itinerary, comprising Specimens of Architecture, monastic, castellated and domestic Author: J S Storer:copperplate and wood engravings. Image size 14 x 21cm £10 x 2
Stonehenge
from Clapperton's Stonehenge hand-book : containing the opinions of the most eminent writers on the origin and object of that mysterious monument of antiquity, Stonehenge, on Salisbury Plain : commencing its history by Camden, from 1600, and continued in chronological order to 1849, by Inigo Jones pub 1858 in Salisbury RARE sold only in Salisbury but creased litho £40
Stourhead
From a series of small steel engravings, uncoloured written by Neale. Drawn by John Preston Neale and engraved by various artists. Published, as later reprints from the same plates which are printed directly onto the paper.Size of Plate : 12 x 16.5 cm Paper size : 24.5 x 30.5 cm unmounted and not including the history £8. . . .
Longleat
Original antique copper engraving from Universal Magazine or 'The Ladys Magazine' . The Magazine, was published as a joint venture between the bookseller John Coote and publisher John Wheble later sold to George Robinson and John Roberts between (1770 - 1800). rare £15 ragged base
Bradford on Avon
Steel line Engraving from Westall and Francis produced for the part-work series "Great Britain Illustrated" (published London 1828-1830). Engravings are mostly by Edward Finden or Edward Francis (fl.1828-1830) after Westall's drawings . Engraved surface 10 x 15 cm plus borders unmounted
£12 tinted
Compton Park - The Seat of Charles Penruddocke. Esq. Sepia coloured lithograph by Augustus Butler, published by Stannard and Dixon, London, 6 January 1855.Full page size 16.5cm by 10.5cm. unmounted slight foxing mark to tree left £20 x 3
Malmesbury Abbey m .
Engraved for the The New British Traveller, or a Complete Modern Universal Display of Great Britain and Ireland.. The whole puyblished under the immediate inspection of George Augustus Walpoole Assisted by ...Printed for Alex Hogg at the Kings Arms No 16 Paternoster-Row 1784 £10 . . . x 4
St Thomas's Church Salisbury
One of 23 etched illustrations from ' Old and New Sarum or Salisbury', by R. Benson and H. Hatcher . Published 1843 by John Bowyer Nichols & Son, London . Inspired by Sir Richard Colt Hoare's, The History of Modern Wiltshire, even though published 5 years after Hoare's death. £20
Longleat
published in Francis Orpen Morris's, A Series of Picturesque Views of Seats of the Noblemen & Gentlemen of Great Britain and Ireland Mounted..., in 1884. The straightforward but thoroughly attractive plates were drawn by Alexander Francis Lydon (1836-1917) and printed from colored woodblocks by the Baxter process by Benjamin Fawcett (1808-1893) of Driffield, Yorkshire unmounted £15
Old Council House salisbury
Antique copper line engraved print by various artists/engravers Published by Samuel Hooper London, Printed by C. Clarke, for >Francis GROSE (c.1731 . .1791) from THE ANTIQUITIES OF ENGLAND AND WALES , first published in 1772/3. and Image minimum from 18 x13 cm £12 unmounted . . untinted
Fishey Bridge
Cricklade or Salisbury acc to book ?
Eisey Bridge in other pics close cut etc Aquatint with etching Published Jan 1st 1791, by A. Robertson & W. Faden (1750 to 1836) ", produced for The Great Road from London to Bath and Bristol. Robertson was a landscape painter and aquatint engraverSize: 11 x 19cm. unmounted scarce £12
Fisherton de la Mer Church
One of 23 etched illustrations from ' Old and New Sarum or Salisbury', by R. Benson and H. Hatcher . Published 1843 by John Bowyer Nichols & Son, London . Inspired by Sir Richard Colt Hoare's, The History of Modern Wiltshire, even though published 5 years after Hoare's death.
Fisherton Church
One of 23 etched illustrations from ' Old and New Sarum or Salisbury', by R. Benson and H. Hatcher . Published 1843 by John Bowyer Nichols & Son, London . Inspired by Sir Richard Colt Hoare's, The History of Modern Wiltshire, even though published 5 years after Hoare's death.
St Edmunds . . now the Art Centre
One of 23 etched illustrations from ' Old and New Sarum or Salisbury', by R. Benson and H. Hatcher . Published 1843 by John Bowyer Nichols & Son, London . Inspired by Sir Richard Colt Hoare's, The History of Modern Wiltshire, even though published 5 years after Hoare's death. £20
Salisbury Cathedral/The Muniment Room .
. One of 23 etched illustrations from ' Old and New Sarum or Salisbury', by R. Benson and H. Hatcher . Published 1843 by John Bowyer Nichols & Son, London . Inspired by Sir Richard Colt Hoare's, The History of Modern Wiltshire, even though published 5 years after Hoare's death. £20 tinted
SALISBURY View from Clarendon park Old Council House
£20 1790 from the The Gentleman's Magazine .The Gentleman's Magazine was a monthly magazine published in London in the 18th, 19th, and early 20th century. The magazine began publication with the January 1731 issue. Over time the magazine had various subtitles, including "monthly intelligencer" and "historical review". It restarted its volume numbering in 1868.
SALISBURY. Halle's hall New Canal..now the Odeon ! .
. One of 23 etched illustrations from ' Old and New Sarum or Salisbury', by R. Benson and H. Hatcher . Published 1843 by John Bowyer Nichols & Son, London . Inspired by Sir Richard Colt Hoare's, The History of Modern Wiltshire, even though published 5 years after Hoare's death. £20 . .
Stoke park 2
Antique engraved print from Beauties of England & Wales byJohn Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of Wiltshire image 11 x 16cm images printed close to edge of page unmounted £12
Salisbury from the Avon, Harnham Bridge
Proof copy before letters from the family AFTER JOHN CONSTABLE, NORMAN HIRST published by Leggatt Brothers, 82 Cheapside, 1903 50.2 x 61 cm.
Norman Hirst (1862-1956).Printmaker and painter, born in Liverpool, who in 1885 took up a two-year scholarship at Herkomer's School in Bushey, where he remained until 1895. Later lived on the south coast, notably at Seaford, Sussex. While in Bushey Hirst learned his engraving and mezzotint skills at the fine art printing studios of H T Cox, and after he moved he continued to use the studios for mezzotinting, at which he was an expert. His reputation was mainly as a mezzotint engraver of works by Gainsborough, Lawrence, Watteau and Romney, and in 1917 he was called as an expert witness in a notable court case in which an attribution was disputed. (Hirst's opinion that the work was not by Romney was eventually borne out.) Hirst was made an associate of the RE in 1931. Frost & Reed published his works Sea Melodies and Capture and Agnew The Mall and Gamme d'Amour. Showed extensively at RA, also at Fine Art Society, Abber Gallery and RI, but a lack of interest in original mezzotints after World War II prompted Hirst's executors to burn most of his studio collection. Some of what remained was exhibited in Three Bushey Artists by the Bushey Museum Trust in 1991. Landscape mezzotint engravings on india laid, all trial proofs before letters and titles, Stunning some minor soiling to margins £265 inc delivery
Return of the Napoleonic Wars ( to Salisbury) Proof copy before letters from the family NORMAN HIRST published , 1895
Norman Hirst (1862-1956).Printmaker and painter, born in Liverpool, who in 1885 took up a two-year scholarship at Herkomer's School in Bushey, where he remained until 1895. Later lived on the south coast, notably at Seaford, Sussex. While in Bushey Hirst learned his engraving and mezzotint skills at the fine art printing studios of H T Cox, and after he moved he continued to use the studios for mezzotinting, at which he was an expert. His reputation was mainly as a mezzotint engraver of works by Gainsborough, Lawrence, Watteau and Romney, and in 1917 he was called as an expert witness in a notable court case in which an attribution was disputed. (Hirst's opinion that the work was not by Romney was eventually borne out.) Hirst was made an associate of the RE in 1931. Frost & Reed published his works Sea Melodies and Capture and Agnew The Mall and Gamme d'Amour. Showed extensively at RA, also at Fine Art Society, Abber Gallery and RI, but a lack of interest in original mezzotints after World War II prompted Hirst's executors to burn most of his studio collection. Some of what remained was exhibited in Three Bushey Artists by the Bushey Museum Trust in 1991. Landscape mezzotint engravings on india laid, all trial proofs before letters and titles, . . . Close cut to 4 cm from plate mark some soiling but rare dated in pencil £145 inc delivery
Cunetio Map / Mildenhall /Wiltshire 1724 Plate 11 vol 2
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £40 inc delivery
Sorbiodonum Old Sarum 1724 Plate 63 vol 2
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £20 4 GRUBBY in margins
Oldbury Camp in Wiltshire Plate 42 vol 2
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £40 inc delivery
Leucomagus View of Great Bedwin + Wansdike Wiltshire Plate 64 vol 2
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £40 inc delivery
View from Harnham Hill in 1723 Wiltshire Plate 67 vol 2
sold
An Archdruids Barrow / West Kennet Long Barrow (Opposite Silbury)
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £40 inc delivery
View of the Cell of the Celtic Temple at Abury 1721 / The Cove of the Northern Temple / Avebury Barn
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £40 inc delivery
Rundway Hill 18 July 1723 / Roundway Hill Devizes
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £40 inc delivery
Continuation of the Kennet Avenue
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £20
The Hakpen or head of the snake
Stuckeley believed that the Sanctuary was the 'head' or 'Hakpen' of a huge ceremonial 'snake' formed across the landscape of West Kennet
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £20
The Tail of the snake
Stuckeley believed that the Sanctuary was the 'head' or 'Hakpen' of a huge ceremonial 'snake' formed across the landscape of West Kennet
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £40 inc delivery
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £40 inc delivery
View of the Kist Vaen in Clatford Bottom / Devils Den, Clatford
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £20 inc delivery toned paper
The Kist Vaen in Clatford Bottom from the Northwest / Devils Den, Clatford
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £40 inc delivery
Kist Vaen / In Cornwall + Monkton ( Winterbourne Monkton nr Avebury)
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £40 inc delivery
A Group of Barrows upon Overton HJill/ above Beckington / Avebury
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £20 inc delivery toned paper
A Celtic Temple at Winterburn 22 Aug 1723
Antique copper engraving by William Stukeley and various engravers Page size 38 x 24 cm. . The book was entitled "Itinerarium curiosum. Or, an account of the antiquitys and remarkable curiositys in nature or art, observ'd in travels thro' Great Brittan." published in 1724 . William Stukeley, included his observations of Roman and pre Roman, Celtic sites etc showing walls, floors, walls , houses etc remaining at that date so useful for archaeologists William Stukeley (7 November 1687 – 3 March 1765) was an English antiquarian, influential on the later development of archaeology, he pioneered the scholarly investigation of the prehistoric monuments of Stonehenge and Avebury in Wiltshire. These books are rarely broken £40 inc delivery
Salisbury
Antique copper engraved plate from "The Itinerant: A Select Collection of Interesting and Picturesque Views in Great Britain and Ireland", one of 180 half-page plates engraved by John Walker after, among others, Turner, Girtin and Sandby, folio page 42.8 x 26 cm Engraved surface 127 x 168mm. Published by John Walker in 1799. When Framing recommend fold text behind mount left whole page in case needed to repair a book Basically a Copperplate Magazine extended version with more information dated 1799 £35 unmounted tinted including delivery. Image shown item is complete in page of text
Salisbury
Antique copper engraved plate from "The Itinerant: A Select Collection of Interesting and Picturesque Views in Great Britain and Ireland", one of 180 half-page plates engraved by John Walker after, among others, Turner, Girtin and Sandby, folio page 42.8 x 26 cm Engraved surface 127 x 168mm. Published by John Walker in 1799. When Framing recommend fold text behind mount left whole page in case needed to repair a book Basically a Copperplate Magazine extended version with more information dated 1799 £35 unmounted tinted including delivery. Image shown item is complete in page of text
Stonehenge from Camden
Original copperplate/ wood
engraving by William Camden (1551-1623) Lettering to base
in Latin and english A. Stones called Corsestones,
Weighing 12 tunne, carrying in height 24. foote; in bredth,
7-foote; in compasse, 16. B. Stones named, Cronetts, of 6. or 7.
tunne weight. C. A place, where mens bones are digged up. the
rarest pre 1620 mounted £60 inc with text to verso Stonehenge
from 1610 edition of Camden’s Britannia. Attributed to William
Kip One of the most important engravings in the 1610 edition is
this splendid one of Stonehenge, found on page 252 in the
Wiltshire (the Belge) chapter. A gentleman in Elizabethan attire
points towards the ruins, which appear less tumbled than the
depiction on the frontispiece. The key gives us the dimensions
and weights of the uprights and lintels of the great stones, as
well as indicating a site where human remains were found. The
first ever image of Stonehenge appeared in the 1600 edition.
missing
Wilton House
Original copperplate engraving by the famous engraver and cartographer Pierre Van Der Aa (1659-1733) published for the miniature edition of Estates of Great Britain and Ireland. London c1727 by James Beeverell. size to the plate mark is 5.1/2 x 6.1/2 inches or (14 x 16cm) mounted Pieter van der Aa was a Leiden bookseller and publisher.size 13 x 17 cm £40
Longleat
Original copperplate engraving by the famous engraver and cartographer Pierre Van Der Aa (1659-1733) published for the miniature edition of Estates of Great Britain and Ireland. London c1727 by James Beeverell. size to the plate mark is 5.1/2 x 6.1/2 inches or (14 x 16cm) mounted Pieter van der Aa was a Leiden bookseller and publisher.size 13 x 17 cm £40
A view of malmesbury Abbey in Wiltshire
Original copperplate engraving from 'A new display of the beauties of England; : or A description of the most elegant or magnificent public edifices, royal palaces, noblemen's and gentlemen's seats, and other curiosities, natural or artificial' published in 1773-1776 by Robert Goadby two volumes with three editions published between 1773 and 1777, followed by a new and enlarged edition £18 mounted
A view of malmesbury Abbey in Wiltshire unmounted £12
Bowood
Aquatint with etching Published Jan 1st 1791, by A. Robertson & W. Faden (1750 to 1836) ", produced for The Great Road from London to Bath and Bristol. Robertson was a landscape painter and aquatint engraverSize: 11 x 19cm. unmounted scarce £18 x 3
BOWOOD Park
. Antique engraved print from Beauties of England & Wales by John Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 . . . x 2
Malmesbury Abbey
Antique copper line engraved print by J Ryland and Benjamin Ralph, engraver. (fl) 1763-1775. first published in 1764. originally produced for "England Illustrated, or, a Compendium of the Natural History, Geography, Topography, and Antiquities Ecclesiastical and Civil, of England and Wales" .Published in London by R. & J. Dodsley, 1764 : 1764.. Engraved surface minimum 90 x 125mm unmounted vignette in text page£10 RARE x 2
Salisbury
. Antique engraved print from Beauties of England & Wales by John Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 .
Farley Church / Farleigh Hungerford
Aquatint with etching Published Jan 1st 1791, by A. Robertson & W. Faden (1750 to 1836) ", produced for The Great Road from London to Bath and Bristol. Robertson was a landscape painter and aquatint engraverSize: 11 x 19cm. unmounted scarce £20
Malmesbury Abbey
From: Views of English Abbeys and Cathedrals 1829. Dimensions: 204 x 287 mm1815 Great South Entrance" by John Coney published 1818. old tint shown through cellophane £25 inc delivery
Wilton
Sepia aquatint on paper based on an image found in an Italian manuscript published by Mawman as the "Travels of Cosmo the Third, Grand Duke of Tuscany, through England, during the Reign of King Charles the Second (1669)" (but published in this form London 1821). The work was a number of views "as delineated at that period by artists in the suite of Cosmo". Published London by J. Mawman, 1821..Image 16 x 26cm £45 mega rare
Burford Lodge near Box Hill by Allom and Prior unmounted £8
CHARLTON HOUSE
Antique engraved print from From a series of 84 copper engravings, uncoloured as sold by William Watts (1752 - 1851) from The Seats of the Nobility and Gentry, in a Collection of the most interesting & Picturesque Views, January 1st, 1779, Size oblong 205 x 270 mm .Similar to Sandby whose pupil Watts had been , about palaces of the English nobility. Many of the prints taken from drawings by Paul and Thomas Sandby. £20mtd x 2
Chapel Plaster
Wiltshire Front View 1835 Gents magazine untinted 3 miles SW of Corsham, in Wilts. It was, in the Romish times, a resting place of pilgrims on the way to Glastonbury Abbey £12 untinted
CHARLTON HOUSE
** From' Views of Seats' written by & drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper......image 8 x13 cm app unmountedEngraved by 1)Matthews 1829 . £20
second printing non proof at £12 x 2
COUNCIL HOUSE SALISBURY
** Antique engraved print from Francis GROSE (c.1731-1791) THE ANTIQUITIES OF ENGLAND AND WALES was first published in 1772/3 .image 10x 16 cm app £12 This building was burnt just after this engraving . . the modern building was built around the remains x 3
Foulstone Church Salisbury
One of 23 etched illustrations from ' Old and New Sarum or Salisbury', by R. Benson and H. Hatcher . Published 1843 by John Bowyer Nichols & Son, London . Inspired by Sir Richard Colt Hoare's, The History of Modern Wiltshire, even though published 5 years after Hoare's death. £10. 2 copies
CHARLTON HOUSE
** Engraver SMITH Drawn by HEARNE from Architectutal Antiquities of Britain 1808 s by John Britton (1771&;1857), English antiquary and topographer and E. W. Brayley. The two friends wrote part of Beauties of England and Wales (18 vol., in 25, 1801&endash;15) image 11 x 16cm app. image size is the actual picture size all are reasonably close cut as he printed large pics to small paper unmounted at £24mtd x 2
/VIEW OF CHARLTON HOUSE ** Engraver WATTS Drawn by HEARNE
Antique engraved print from From a series of 84 copper engravings, uncoloured as sold by William Watts (1752 - 1851) from The Seats of the Nobility and Gentry, in a Collection of the most interesting & Picturesque Views, January 1st, 1779, Size oblong 205 x 270 mm .Similar to Sandby whose pupil Watts had been , about palaces of the English nobility. Many of the prints taken from drawings by Paul and Thomas Sandby. tinted £20
Charlton House
. Antique engraved print from Beauties of England & Wales by John Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 . . . 2 x copies + 2 tinted state if pref
Bowood/it
published by J Walker in "The Itinerant: A select collection of interesting and picturesque views, in Great Britain and Ireland".engraved and published by J Walker in "The Itinerant: A select collection of interesting and picturesque views, in Great Britain and Ireland". £12 rare
Perspective View of the Cathedral Church of Salisbury
Engraver THORNTON from The Modern Universal British Traveller; or A New Complete, and Accurate Tour through England, Wales, Scotland, and the Neighbouring Islands.[London: J. Cooke] [1779]. originally produced for the Cooke part-work publication "The Modern Universal British Traveller" (London 1779).
Plate mark and good margins. Size 27.5 x 17 cms. full page ...half plate plate A5 unmounted £10. . .2 copies
The brass in Tisbury Church
The ONLY engraving done of TisburyEngraving mounted and matted due to size. From 'The History of Modern Wiltshire' edited, published for Sir Richard Colt Hoare who contributed significantly to the 11 volumes (1822–1844) and used extensive work of others. The ‘History of Modern Wiltshire,’ was left unfinished at the time of Hoare's death, now consists of fourteen parts, usually bound in six vols, large folio, . It deals only with the southern portion of the county. In this branch of the work Hoare was associated with the Rev. John Offer and others, including Lord Arundell, Richard Harris, Henry Wansey, Charles Bowles, William Henry Black, George Matcham, LL.D., and Henry Hatcher. These are stupidly rare and are amongst the best large scale engravings of Wiltshire £45 inc delivery / cheaper collected
Brickworth + Cowfield
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £65 inc delivery / cheaper collected
Monument to Sir Richard Grobham
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £65 inc delivery / cheaper collected Aquatint
version
Great Durnford
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £48 inc delivery / cheaper collected
Little Longford Church
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £48 inc delivery / cheaper collected
Lord Hungerford
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £48 inc delivery / cheaper collected
Steeple langford plate 2
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £48 inc delivery / cheaper collected
Wilton Seat of the earl of Pembroke Porch by Holbein
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £55 inc delivery / cheaper collected
Steepleford Church
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £48 inc delivery / cheaper collected
Winterbourne + Berwick Church
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £48 inc delivery / cheaper collected
Zeals
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £55 inc delivery / cheaper collected
Warminster Church
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £55 inc delivery / cheaper collected
smaller than others
Westbury Church
Engraving mounted and matted
due to size. From 'The History of Modern Wiltshire'
edited, published for Sir Richard Colt Hoare who
contributed significantly to the 11 volumes (1822–1844)
and used extensive work of others. The ‘History of Modern
Wiltshire,’ was left unfinished at the time of Hoare's
death, now consists of fourteen parts, usually bound in six
vols, large folio, . It deals only with the southern
portion of the county. In this branch of the work Hoare was
associated with the Rev. John Offer and others, including Lord
Arundell, Richard Harris, Henry Wansey, Charles Bowles, William
Henry Black, George Matcham, LL.D., and Henry Hatcher. These are
stupidly rare and are amongst the best large scale engravings of
Wiltshire £55 inc delivery / cheaper collected
Wilton House
Original copperplate engraving by the engraver and cartographer Pierre Van Der Aa (1659-1733) published for the miniature edition of 'Estates of Great Britain and Ireland'/"Les Délices De La Grand' Bretagne Et De L'irlande.". London 1707 by James Beeverell engraved plates and maps after Loggan, Kip, Slezer,etc. size to the plate mark is 14 x 16cm most unmounted Pieter van der Aa was a Leiden bookseller and publisher who published these mini versions of Kip .These look stunning block framed in sets, with central folds as issued for the first edition £30
Original copperplate engraving by the engraver and cartographer Pierre Van Der Aa (1659-1733) published for the miniature edition of 'Estates of Great Britain and Ireland'/"Les Délices De La Grand' Bretagne Et De L'irlande.". London 1707 by James Beeverell engraved plates and maps after Loggan, Kip, Slezer,etc. size to the plate mark is 14 x 16cm most unmounted Pieter van der Aa was a Leiden bookseller and publisher who published these mini versions of Kip .These look stunning block framed in sets, with central folds as issued for the first edition £30
Westbury Church
anon small rare @10
Stourhead Church
> Antique sepia aquatint small but rare 110 x 156 mm Engraved by Clark I 1815 £15
Tower at Stanton St Quintin + Cromlech @ Marlborough
from the The Gentleman's Magazine .The Gentleman's Magazine was a monthly magazine published in London in the 18th, 19th, and early 20th century. The magazine began publication with the January 1731 issue. Over time the magazine had various subtitles, including "monthly intelligencer" and "historical review". It restarted its volume numbering in 1868. It ceased publication in 1907. dated 1816 £15 . . x 2
Ancient Porch Salisbury /Actually
Bell Tower from the Cathedral now in Bourne Hill
Antique engraved print published 1816
The Antiquarian Itinerary, comprising Specimens of Architecture,
monastic, castellated and domestic Author: J S Storer:copperplate
and wood engravings. Image size 14 x 21cm £10
Cross at Steeple Aston ( = village
lock up)
Antique engraved print published
1816 The Antiquarian Itinerary, comprising Specimens of
Architecture, monastic, castellated and domestic Author: J S
Storer:copperplate and wood engravings. Image size 14 x 21cm £10
The Priory ar Kingston St
Michael
From the The Gentleman's
Magazine .The Gentleman's Magazine was a monthly magazine
published in London in the 18th, 19th, and early 20th century.
The magazine began publication with the January 1731 issue. Over
time the magazine had various subtitles, including "monthly
intelligencer" and "historical review". It restarted its volume
numbering in 18681800 £18 grubby
Hartham Park nr Corsham
Antique engraved print from
Beauties of England & Wales byJohn
Britton (1771. .1857), English antiquary and topographer
and E. W. Brayley. The friends wrote most of Beauties of England
and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images
printed close to edge of page unmounted £15. . .
Dinton House (Phipps House)
Antique engraved print from
Beauties of England & Wales byJohn
Britton (1771. .1857), English antiquary and topographer
and E. W. Brayley. The friends wrote most of Beauties of
England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm
images printed close to edge of page unmounted £20. . .
Wilton House
Engraver WALLIS Drawn by NEALE From' Views of Seats' written by & drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper......image 8 x13 cm app unmountedEngraved by 1) Matthews 1829 . £40 set two pics etc
Malmsbury Abbey Church
From Architectutal Antiquities of Britain 1808 s by John Britton (1771&;1857), English antiquary and topographer and E. W. Brayley. The two friends wrote part of Beauties of England and Wales (18 vol., in 25, 1801&endash;15) image 11 x 16cm app. image size is the actual picture size all are reasonably close cut as he printed large pics to small paper unmounted at £25 mtd
ST SAMPSONS CHURCH AT CRICKLADE**
. Antique engraved print from Beauties of England & Wales byJohn Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 . . .
TOTTENHAM Park **
From' Views of Seats' written by & drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper......image 8 x13 cm app unmountedEngraved by 1)Matthews 1829 . £20
Corsley Church
published by Richard Elliott Warminster litho by J Grieve pic by N whitlock 19 x 14cm rare £20
Oaksey House
From the The Gentleman's Magazine .The Gentleman's Magazine was a monthly magazine published in London in the 18th, 19th, and early 20th century. The magazine began publication with the January 1731 issue. Over time the magazine had various subtitles, including "monthly intelligencer" and "historical review". It restarted its volume numbering in 1868. It ceased publication in 1907. dated 1806 Gentlemans magazine £20 . . 2 copies
CHILTON LODGE*
* Antique engraved print from Beauties of England & Wales byJohn Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 . . x.tinted some mounted
VIEW OF CORSHAM HOUSE
/Engraver WATTS Drawn by HEARNE Antique engraved print from From a series of 84 copper engravings, uncoloured as sold by William Watts (1752 - 1851) from The Seats of the Nobility and Gentry, in a Collection of the most interesting & Picturesque Views, January 1st, 1779, Size oblong 205 x 270 mm .Similar to Sandby whose pupil Watts had been , about palaces of the English nobility. Many of the prints taken from drawings by Paul and Thomas Sandby. £20
CORSHAM HOUSE
Antique engraved print from Beauties of England & Wales byJohn Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 . . . tinted or untinted state if pref
£15 mtd better
CORSHAM HOUSE
From' Views of Seats' written by & drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper......image 8 x13 cm app unmountedEngraved by 1)Matthews 1829 . £20 CORSHAM HOUSE
From' Views of Seats' written by & drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper......image 8 x13 cm app unmountedEngraved by 1)Matthews 1829 . £12 sans history marking in the margin
CORSHAM HOUSE
House of the Cantuarist and Almsmen
1526 >& Stratford House, Old sarum From the The Gentleman's Magazine .The Gentleman's Magazine was a monthly magazine published in London in the 18th, 19th, and early 20th century. The magazine began publication with the January 1731 issue. Over time the magazine had various subtitles, including "monthly intelligencer" and "historical review". It restarted its volume numbering in 18681800 £18 x 2.. double image plate
Lacock Abbey Antique engraved print from Beauties of England & Wales byJohn Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 . . .
St Joseph's Church ' Devizes From Architectural Antiquities of Great Brtain by John Britton (1771 -1857), English antiquary and topographer unmounted at £18 A4+
Draicot House
also Draycot House was home of Sir James Long at Cerne Aquatint with etching Published Jan 1st 1791, by A. Robertson & W. Faden (1750 to 1836) ", produced for The Great Road from London to Bath and Bristol. Robertson was a landscape painter and aquatint engraverSize: 11 x 19cm.mounted scarce
£20
DEVIZES ST James CHURCH**
Antique engraved print from Beauties of England & Wales byJohn Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 .x 2
DEVIZES for..
.....COPPERPLATE MAGAZINE by John WALKER, engraver and printseller, 16, Rosomon Street, Clerkenwell 1795-1802H. S. of William Walker, engraver q.v. Exhibited Royal Academy 1796-1800. Landscape engraver and draughtsman. Finished many of his father's plates. Publ. Copperplate magazine 1792-1803. Most of the plates in this engraved by him.1801perfect copy £30 the larger ful page earlier version dated 1800
DEVIZES
DEVIZES ST James CHURCH*Antique engraved print from Beauties of England & Wales byJohn Britton (1771. .1857), English antiquary and topographer and E. W. Brayley. The friends wrote most of Beauties of England and Wales (18 vol., in 25, 1801 . .15) image 11 x 16cm images printed close to edge of page unmounted £12 .
DEVIZES
Engraver WALKER Drawn by BRITTON 1802 /COPPERPLATE MAGAZINE 1802 Bowood/it published by J Walker in "The Itinerant: A select collection of interesting and picturesque views, in Great Britain and Ireland".engraved and published by J Walker in "The Itinerant: A select collection of interesting and picturesque views, in Great Britain and Ireland". £>20 . . 2 copies
Walford
Aquatint with etching Published Jan 1st 1791, by A. Robertson & W. Faden (1750 to 1836) ", produced for The Great Road from London to Bath and Bristol. Robertson was a landscape painter and aquatint engraverSize: 11 x 19cm. unmounted scarce £8
EARL STOKE Park**
Engraver WALLIS Drawn by NEALE From' Views of Seats' written by & drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper......image 8 x13 cm app unmountedEngraved by 1)Matthews 1829 . £20
Eisey Bridge** Cricklade Aquatint with etching Published Jan 1st 1791, by A. Robertson & W. Faden (1750 to 1836) ", produced for The Great Road from London to Bath and Bristol. Robertson was a landscape painter and aquatint engraverSize: 11 x 19cm. unmounted scarce £20 x 2
Everley / Old Church** Drawn by P Crocker.Engraved Hollis 1820's/ very large plate £50pair
Everley / New Church Drawn by P Crocker.Engraved Hollis 1820's/ very large plate £50pr
Froxfield Aquatint with etching Published Jan 1st 1791, by A. Robertson & W. Faden (1750 to 1836) ", produced for The Great Road from London to Bath and Bristol. Robertson was a landscape painter and aquatint engraverSize: 11 x 19cm. unmounted scarce £20
Compton House Aquatint with etching Published Jan 1st 1791, by A. Robertson & W. Faden (1750 to 1836) ", produced for The Great Road from London to Bath and Bristol. Robertson was a landscape painter and aquatint engraverSize: 11 x 19cm. unmounted scarce £18 x 2
LACOCK ABBEY ** Cloisters£15
LITTTLECOT
Aquatint with etching Published Jan 1st 1791, by A. Robertson & W. Faden (1750 to 1836) ", produced for The Great Road from London to Bath and Bristol. Robertson was a landscape painter and aquatint engraverSize: 11 x 19cm. unmounted scarce £20
Longford
in Wiltshire the Seat of the Earl of Radnor after Claude Nattes by William ANGUS, [1752-1821]. from The Seats Of The Nobility and Gentry In Great Britain and Wales In a Collection of Select Views... Published Islington / London: W.Angus, 1787 oblong 4to. one of 63 copper engraved views, £35 unmounted scarce 20 x 16 cm plus borders x 3
£35 mounted and tinted vscarce
LONGLEAT
** Great Hall..large plate lithograph £25
The fore front of Longford House
which is situate about Two miles from the City of New Sarum in the County of Wilts . . . . .etc £8 from the Builder 1878
LONGLEAT
** From' Views of Seats' written by & drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper......image 8 x13 cm app unmountedEngraved by 1)Matthews 1829 . £20
LITTTLECOT Park**
Engraver WALLIS Drawn by NEALE From' Views of Seats' written by & drawn by John Preston Neale and engraved by various artists. Published, as PROOFS by subscription between 1812 and 1825 in six large volumes printed upon Onion Skin paper then mounted and cased within the larger volume. NOT the later reprints from the same plates which are printed directly onto the paper......image 8 x13 cm app unmountedEngraved by 1)Matthews 1829 . £12 x 2
copy no history but proof at £8 x 2
Lediard Tregoze now Lydiard Tregoze
Engraver WOOLNOTH from Beauties of England & Wales by John Britton (1771&endash;1857), English antiquary and topographer and E. W. Brayley. The two friends wrote part of Beauties of England and Wales (18 vol., in 25, 1801&endash;15) image 11 x 16cm app. image size is the actual picture size all are reasonably close cut as he printed large pics to small paper unmounted at £12 . .
MELKSHAM **
Steel line Engraving from Westall and Francis produced for the part-work series "Great Britain Illustrated" (published London 1828-1830). Engravings are mostly by Edward Finden or Edward Francis (fl.1828-1830) after Westall's drawings . Engraved surface 10 x 15 cm plus borders£8 x 6 +
tinted £10
Labourers Cottage ,Longford castle
New Reading Room,Longford castle £5 from the Builder 1893
South View of Erlestoke Park seat ofWatson Taylor esq
Lithograph c 1800 by G E Madley Wellington St the Strand . . for some reason corners clipped £15
LUDGERSHALL CASTLE **
Lutgershall castle
Antique copper line engraved print by various artists/engravers Published by Samuel Hooper London, Printed by C. Clarke, for Francis GROSE (c.1731 . .1791) from THE ANTIQUITIES OF ENGLAND AND WALES , first published in 1772/3. and Image minimum from 18 x13 cm £12 unmounted . x 4
Interior of Malmesbury Abbey Church
Antique steel engraved print from Architectural ANTIQUITIES OF Great Britain by John Britton (1771. .1857), English antiquary and topographer Published by M A Nutall, 19 Southampton Street, Covent Garden, London.Approx. 11 x 8 inches A4 dated 1819 unmounted £18 A4+
Maiden Bradley SW
from the The Gentleman's Magazine .The Gentleman's Magazine was a monthly magazine published in London in the 18th, 19th, and early 20th century. The magazine began publication with the January 1731 issue. Over time the magazine had various subtitles, including "monthly intelligencer" and "historical review". It restarted its volume numbering in 1868. It ceased publication in 1907. dated 1816 £15 . . x 2 also tinted state if pref