George Cuitt. .



George Cuitt

George Cuitt (1779-1854) The Younger . After showing in early life a talent for drawing, he was helped by Sir Laurence Dundas of Aske, who sent him to Rome, where he studied for six years. On his return he settled at Richmond, where he painted both landscapes and portraits but settled later in Chester. He etched old buildings esp castles and abbeys in Yorkshire, Chester and North Wales. Cuitt studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and with the ruins covered with thick vegetation. He etched several series of studies in the early 19th century. These were also collected and published together under the title of 'Wanderings and Pencillings amongst the ruins of Olden Times'in 1848. These are Etchings from his book on Yorkshire Abbeys all large plate mounted and matted full page with full margins etc " Views of Old Buildings in Chester and Yorkshire Abbeys " , 1834 .Those shown unmounted are from the same plates but from the 1848 publication "Wanderings and Pencillings " ie second edition and are £25 each





Old Butcher's Shop , Chester
From George Cuitt (1779-1854)Lettered below the image with the title, and 'Drawn and Etched by G. Cuitt.'. Lettered 'Plate 60' top right. From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner the ruins are covered with thick vegetation originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page




St Michael's Porch Chester
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 . . mounted



The Abbey Gate , Chester
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page . . .2 copies one mounted



Bridge Street, Chester
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page



The Cloister's, Chester Cathedral, St Werbergh's
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page foxing in biorder well away from image


South Porch, Chester Cathedral, St Werbergh's
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page x 2


Western Entrance , Chester Cathedral, St Werbergh's

From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " " sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page


St John's Church , Chester
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings "" sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page . . .2 copies one mounted


Old House Watergate Street , Chester
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings "" sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page


Timber Framed House Watergate Street , Chester
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page


From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings "sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page



Gateway of Caernarvon Castle
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page



Gateway of Caernarvon Castle
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation  etched 1834 from the first edition folio where they are printed to India paper laid to rag paper sizes approx.255 x 310mm to 390 x 280mm, £40 unmounted full page





Eagle Tower, Caernarvon Castle
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page



Gateway of Denbigh Castle From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page


Gateway of Denbigh Castle
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation  etched 1834 from the first edition folio where they are printed to India paper laid to rag paper sizes approx.255 x 310mm to 390 x 280mm, £40 unmounted full page



Welsh Hovels at Hollywell
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page


Hovels in Wales
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page


Watermills at Machynlleth , Wales
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page


Watermills at Machynlleth , Wales
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation  etched 1834 from the first edition folio where they are printed to India paper laid to rag paper sizes approx.255 x 310mm to 390 x 280mm, £40 unmounted full page



Watermills at Machynlleth , Wales
From George Cuitt (1779-1854)etched 1834 from the first edition folio where they are printed to india paper laid to rag paper sizes approx.255 x 310mm to 390 x 280mm, £20 mounted half page




St Winifred's Well, Holywell
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page


St Winifred's Well, Holywell
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation  etched 1834 from the first edition folio where they are printed to India paper laid to rag paper sizes approx.255 x 310mm to 390 x 280mm, £40 unmounted full page



Kenilworth castle Warwickshire
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 unmounted full page




Cloisters Fountains Abbey
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 all inc unmounted full page



Tower Kirkstall Abbey
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 all inc unmounted full page


Tower & Chimney Kirkstall Abbey
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation  etched 1834 from the first edition folio where they are printed to India paper laid to rag paper sizes approx.255 x 310mm to 390 x 280mm, £40 all inc unmounted full page


West Window & doorway Kirkstall Abbey
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings "sizes approx.255 x 310mm to 390 x 280mm, £25 all inc unmounted full page


Nave Kirkstall Abbey
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 all inc unmounted full page


Refectory Kirkstall Abbey
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 all inc unmounted full page


Chapter House Kirkstall Abbey
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 all inc unmounted full page


Kirkham Priory gateway
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 all inc unmounted full page


Kirkham Priory gateway
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation  etched 1834 from the first edition folio where they are printed to India paper laid to rag paper sizes approx.255 x 310mm to 390 x 280mm, £40 all inc unmounted full page


St Mary's Abbey York
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 all inc unmounted full page


Easby Abbey
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £25 all inc unmounted full page

Wensley Mill
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation  etched 1834 from the first edition folio where they are printed to India paper laid to rag paper  sizes approx.255 x 310mm to 390 x 280mm, £25 all inc unmounted full page foxed


Frontespiece
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation Originally engraved 1834 from the same plates but from the 1848 publication "Wanderings and Pencillings " sizes approx.255 x 310mm to 390 x 280mm, £10 all inc unmounted full page


Riveaux
From George Cuitt (1779-1854) engraved 1834 sizes approx.255 x 310mm to 390 x 280mm, £15 all inc mounted full page
Reject copy close cut under mount


Interior of the Nave Kirkstall Abbey
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation  etched 1834 from the first edition folio where they are printed to India paper laid to rag paper sizes approx.255 x 310mm to 390 x 280mm, £40 all inc mounted full page


Doorway Kirkstall Abbey,
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation  etched 1834 from the first edition folio where they are printed to India paper laid to rag paper  sizes approx.255 x 310mm to 390 x 280mm, £40 all inc mounted full page


Kirkham Priory Gateway
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation  etched 1834 from the first edition folio where they are printed to India paper laid to rag paper  sizes approx.255 x 310mm to 390 x 280mm, £40 all inc mounted full page


The Refectory Kirkstall Abbey
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation  etched 1834 from the first edition folio where they are printed to India paper laid to rag paper  sizes approx.255 x 310mm to 390 x 280mm, £40 all inc mounted full page




Easby Abbey, nr Richmond
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation  etched 1834 from the first edition folio where they are printed to India paper laid to rag paper  sizes approx.255 x 310mm to 390 x 280mm, £40 all inc mounted full page


The Tower Kirkstall Abbey, 2
From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation  etched 1834 from the first edition folio where they are printed to India paper laid to rag paper  sizes approx.255 x 310mm to 390 x 280mm, £40 all inc mounted full page


St Mary's York ,
  From George Cuitt (1779-1854) . From 'Wanderings and Pencillings amongst the ruins of Olden Times', 1848, a compilation of Cuitt's etchings from the early 19th century. Cuitt was a draughtsman and etcher of old buildings especially castles and abbeys in Yorkshire, Chester and North Wales. He studied Piranesi's etchings of Rome and it is clear how much his style is influenced by Piranesi in subject matter and in the manner many  ruins are covered with thick vegetation  etched 1834 from the first edition folio where they are printed to India paper laid to rag paper sizes approx.255 x 310mm to 390 x 280mm, £40 all inc mounted full page
 

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