from various editions :-
1.William Hogarth d. 1764. Sold a) Individual prints and sets.b)Folios..
. In 1764 the plates passed to Hogarth's wife, Jane .paper type a) Heavy
French laid paperb) Light French laid paper for popular shillling
prints. This cheaper paper crumbles as you watch and is VERY light
sensitive so in a sunny room go for Boydell editions. A few Cook edition
but much much cheaper take of the average £20 post and packing and
actually cheaper than ebay !
2.Jane Hogarth d. 1789.a) Individual prints and sets.b) Folios.On
her death in 1789 the plates passed to her cousin Mary Lewis who sold
them to the publisher John Boydell for a lifetime annuity of 250 pounds.
JH paper type (1764 - 89) a) Heavy French laid paper.b) Wove paper; used
mainly for smaller prints. 3.John Boydell a) 1790 Folio
containing 103 plates.b) 1794 Folio containing 107 plates.c) 1795 Folio
containing 110 plates.d) Boydell also sold individual sets and plates.
(paper type 1789 - 1818) a) Sheets of laid paper inherited from Jane
Hogarth.b) Variety of Laid papers.c) Wove paper with Whatman
watermark.d) Wove paper without watermark.The best version . .. original
plates upon better paper that will last 4.The plates were bought by the
publisher Baldwin, Cradock and Joy at the Boydell sale in 1818 "The
Works of William Hogarth" as published by Baldwin, Cradock and Joy
in 1822 with the original plates restored by James Heath, engraver to
His Majesty. The Heath edition was the last to print directly from
Hogarth's original engraved plates. All 'Hogarth' prints appearing after
this date are merely copies with either a recut plate or the 'engravers
version' 5.** Thomas Cook engraved this after Hogarth, as
illustrations in "Hogarth Restored. The Whole Works of the celebrated
William Hogarth". Published in 1806. Printed on wove paper In good
condition as per pics. The engravings were often re-aligned on the page
differing from the earlier Boydell Folio. We have a selection of these
Thomas Cook engravings after William Hogarth's paintings. These
engravings were executed and published by Cook between 1796-1803. They
are the same size as Hogarth's original engravings,but many difficult
areas are tranposed and people are often altered to be 'happier' etc.
The March to Finchley 1750-61
sold I have a lifetetime edition framed at the shop
Sigismonda (Mourning over the Heart of Guiscardo)
Stipple engraving by Benjamin Smith (British, active
1786-1833) for Boydell. Inscribed: From the Original Picture,
in the Collection of Ald. Boydell. / Painted by Willm. Hogarth. /
Engraved by Benjn. Smith. / Published June 4, 1795, by J & J.
Boydell, at No. 90, Cheapside; & at the Shakespeare Gallery,
Pall Mall. / Size of the Picture, 3 Ft. 3 ln. high, by 4 Ft. 2 ln.
long.,Image size . 41 x 44.6 cm. full margins mounted but sent
to USA rolled due to customs restrictions.The model for the
figure of Sigismunda was supposed to be Mrs. Hogarth and is a scarce
Boydell imprint much more common in later editions some very tiny
foxing £125 inc delivery
The Enraged Musician
Edition:Cook/ Thomas Cook engraved this after Hogarth, as
illustrations in "Hogarth Restored. The Whole Works of the
celebrated William Hogarth". Published in 1806. Printed on
wove paper In good condition as per pics. The engravings were often
re-aligned on the page differing from the earlier Boydell Folio.
These engravings were executed and published by Cook between
1796-1803. They are the same size as Hogarth's original engravings,
but are not from Hogarth's plates. Thus, they are earlier
engravings than the Heath edition, but they are Cook's
interpretation of Hogarth's works all sulky people are rendered
smiling which for those used to the earlier editions is quite odd
£75 inc delivery good borders soiled edges hidden by the mount.
water mark top left corner again traces of ex mushrooms would wash
out
"Bambridge on Trial for Murder by a Committee of the House of
Commons'"
Painted by William Hogarth, , ( but Heath edition, ca 1820-22) from
" The Works of William Hogarth" as published by Baldwin, Cradock and
Joy in 1822 with the original plates restored by James Heath,
engraver to His Majesty. The Heath edition was the last to print
directly from Hogarth's original engraved plates. All 'Hogarth'
prints appearing after this date are merely copies with either a
recut plate or the engravers version Size: approx. 25 1/4 x 19 1/4
inches (approx. 64.1 x 48.9 cm) £125 inc delivery good borders some
very slight soiling should be behind the mount Mark to right edge 8
cm from plate mark x 2
The Good samaritan
(Heath edition, ca 1820-22) from "The Works of William
Hogarth" as published by Baldwin, Cradock and Joy in 1822 with
the original plates restored by James Heath, engraver to His
Majesty. The Heath edition was the last to print directly from
Hogarth's original engraved plates. All 'Hogarth' prints appearing
after this date are merely copies with either a recut plate or the
engravers version Size: approx. 25 1/4 x 19 1/4 inches (approx. 64.1
x 48.9 cm) £85 inc delivery good borders some slight soiling should
be behind the mount Sheet size: approx. 19 x 25 1/4 inches. Edge
tears Frayed very shabby chic
To the Right Honble. Earl Onslow. This Plate representing the House
of Commons
The House of Commons in Sir Robert Walpole's Administration.
Interior during a session with designation of the notables. Stipple
by A. Fogg. Inscribed: Engraved by A. Fogg. historical Engraver. /
to his Royal Highness Prince Wm. Frederick. / London Published Novr.
1. 1803. by E. Harding, No. 100, Pall Mall, otherwise as below. 54.3
x 40.4 cm. Among those portrayed in the center the presiding Rt.
Hon. Arthur Onslow himself. At his side Robert Walpole, in the rows
in the middle distance further Sydney Godolphin, Sir Joseph Jekyl,
Colonel Onslow, Sir James Thornhill as well as at the table in front
Edward Stables Esq. and Mr. Aiskew as Clerk and Clerk Assistant of
House of Commons(Heath edition, ca 1820-22) from "The
Works of William Hogarth" as published by Baldwin, Cradock and
Joy in 1822 with the original plates restored by James Heath,
engraver to His Majesty. The Heath edition was the last to print
directly from Hogarth's original engraved plates. All 'Hogarth'
prints appearing after this date are merely copies with either a
recut plate or the engravers version Size: approx. 25 1/4 x 19 1/4
inches (approx. 64.1 x 48.9 cm) £95 inc delivery good borders some
slight soiling should be behind the mount Sheet size: approx. 19 x
25 1/4 inches. x 2 avail
To the Right Honble. Earl Onslow. This Plate representing the House
of Commons
£75 inc delivery good borders :Cook/ Thomas Cook engraved
this after Hogarth, as illustrations in "Hogarth Restored. The
Whole Works of the celebrated William Hogarth". Published in
1806.
Simon Lord Lovat.
Seated portrait of the incredibly ugly, elderly, reprobate Jacobite
rebel Simon Fraser 12th Baron Lovat (1667-1747). At the invitation
of a Dr. Webster, Hogarth had travelled to The White Hart Inn, St.
Albans to draw the famous rebel who had halted there briefly while
on his way to trial in London, after the failure of the '45
Rebellion. Lovat was found guilty and executed on Tower Hill on
April 9th 1747, the last person to be beheaded in England. Hogarth
shows him here seated in a large, carved armchair, counting off on
his fingers the Highland chieftains whom he thought would fight
against the Hanoverian dynasty occupying the British throne(Heath
edition, ca 1820-22) from "The Works of William
Hogarth" as published by Baldwin, Cradock and Joy in 1822 with
the original plates restored by James Heath, engraver to His
Majesty. The Heath edition was the last to print directly from
Hogarth's original engraved plates. All 'Hogarth' prints appearing
after this date are merely copies with either a recut plate or the
engravers version Size: approx. 25 1/4 x 19 1/4 inches (approx. 64.1
x 48.9 cm) £105 inc delivery good borders some slight soiling should
be behind the mount Sheet size: approx. 19 x 25 1/4 inches. x
The Pool of Bethesda
Invented and Painted by William Hogarth Engraved by Ravenet and
Picot Published by John Boydell a) 1790 Folio containing 103
plates.b) 1794 Folio containing 107 plates.c) 1795 Folio containing
110 plates.d) Boydell also sold individual sets and plates. (paper
type 1789 - 1818) a) Sheets of laid paper inherited from Jane
Hogarth.b) Variety of Laid papers.c) Wove paper with Whatman
watermark.d) Wove paper without watermark.The best version . ..
original plates upon better paper that will last £125 cropped top
edge otherwise perfection
The Pool of Bethesda
(Heath edition, ca 1820-22) from "The Works of
William Hogarth" as published by Baldwin, Cradock and Joy in
1822 with the original plates restored by James Heath, engraver to
His Majesty. The Heath edition was the last to print directly from
Hogarth's original engraved plates. All 'Hogarth' prints appearing
after this date are merely copies with either a recut plate or the
engravers version Size: approx. 25 1/4 x 19 1/4 inches (approx. 64.1
x 48.9 cm) £95 inc delivery good borders some slight soiling
should be behind the mount Sheet size: approx. 19 x 25 1/4 inches
£95 edge tears etc also mark to one copy
right(shown) x 2 avail
The Rt Hon Henry Fox; Lord Holland from an original Portrait by
Hogarth The Rt Hon Ja Caulfield; Lord Charlemount of the Kingdom
of Ireland from an original Portrait by Hogarth £85 complete
sheet perfect . .Published by John Boydell a) 1790 Folio
containing 103 plates.b) 1794 Folio containing 107 plates.c) 1795
Folio containing 110 plates.d) Boydell also sold individual sets and
plates. (paper type 1789 - 1818) a) Sheets of laid paper inherited
from Jane Hogarth.b) Variety of Laid papers.c) Wove paper with
Whatman watermark.d) Wove paper without watermark.The best version .
.. original plates upon better paper that will last x 3 copies
The Rt Hon Henry Fox; Lord Holland from an original Portrait by
Hogarth The Rt Hon Ja Caulfield; Lord Charlemount of the Kingdom
of Ireland from an original Portrait by Hogarth William
Hogarth, Original Line Engraving, 1761 ( but Heath edition, ca
1820-22) from " The Works of William Hogarth" as published by
Baldwin, Cradock and Joy in 1822 with the original plates restored
by James Heath, engraver to His Majesty. The Heath edition was the
last to print directly from Hogarth's original engraved plates. All
'Hogarth' prints appearing after this date are merely copies with
either a recut plate or the engravers version Size: approx. 25 1/4 x
19 1/4 inches (approx. 64.1 x 48.9 cm) £75 inc delivery good
borders
Portrait of Charles Churchill (The Bruiser)"
(Heath edition, ca 1820-22) from "The Works of William
Hogarth" as published by Baldwin, Cradock and Joy in 1822 with
the original plates restored by James Heath, engraver to His
Majesty. The Heath edition was the last to print directly from
Hogarth's original engraved plates. All 'Hogarth' prints appearing
after this date are merely copies with either a recut plate or the
engravers version Size: approx. 25 1/4 x 19 1/4 inches (approx. 64.1
x 48.9 cm) £130 inc delivery good borders some slight soiling should
be behind the mount Sheet size: approx. 19 x 25 1/4 inches. In this
image the Cook edition has a palette rather than the mini
engraving His best engraving with the hardest working most
patient dog in Georgian England
£75 inc delivery good borders :Cook/ Thomas Cook engraved
this after Hogarth, as illustrations in "Hogarth Restored. The
Whole Works of the celebrated William Hogarth". Published in
1806.
. Dr. Benjamin Hoadly Lord Bishop of Winchester. The Right
Reverend Father in God. Prelate of the Most Noble Order of the
Garter.
By William Hogarth engraved by Baron 1published by John Boydell,
and published by Josiah Boydell, after William Hogarth stipple
engraving, published 2 April 1794 (1745)Published by John
Boydell a) 1790 Folio containing 103 plates.b) 1794 Folio
containing 107 plates.c) 1795 Folio containing 110 plates.d) Boydell
also sold individual sets and plates. (paper type 1789 - 1818) a)
Sheets of laid paper inherited from Jane Hogarth.b) Variety of Laid
papers.c) Wove paper with Whatman watermark.d) Wove paper without
watermark.The best version . .. original plates upon better paper
that will last £95 full page printed singly to the page not quite
the smirk of the Cook edition x 2
William Hogarth, Original Line Engraving, 1761 ( but Heath edition,
ca 1820-22) from " The Works of William Hogarth" as published by
Baldwin, Cradock and Joy in 1822 with the original plates restored
by James Heath, engraver to His Majesty. The Heath edition was the
last to print directly from Hogarth's original engraved plates. All
'Hogarth' prints appearing after this date are merely copies with
either a recut plate or the engravers version Size: approx. 25 1/4 x
19 1/4 inches (approx. 64.1 x 48.9 cm) £75 inc delivery good
borders
£55 inc delivery cut to 1cm from plate ie cropped x 3
Taste in High Life
William Hogarth, Original Line Engraving, 1761 ( but Heath edition,
ca 1820-22) from " The Works of William Hogarth" as published by
Baldwin, Cradock and Joy in 1822 with the original plates restored
by James Heath, engraver to His Majesty. The Heath edition was the
last to print directly from Hogarth's original engraved plates. All
'Hogarth' prints appearing after this date are merely copies with
either a recut plate or the engravers version Size: approx. 25 1/4 x
19 1/4 inches (approx. 64.1 x 48.9 cm) £125 inc delivery good
borders mounted
Taste in High Life
£55 inc delivery good borders :Cook/ Thomas Cook engraved
this after Hogarth, as illustrations in "Hogarth Restored. The
Whole Works of the celebrated William Hogarth". Published in
1806.Condition isues repaired tears base and left mainly in margin
out of image so will frame fine
William Hogarth Self Portrait <
Edition:Cook/ Thomas Cook engraved this after Hogarth, as
illustrations in "Hogarth Restored. The Whole Works of the
celebrated William Hogarth". Published in 1806. Printed on
wove paper In good condition as per pics. The engravings were often
re-aligned on the page differing from the earlier Boydell Folio.
These engravings were executed and published by Cook between
1796-1803. They are the same size as Hogarth's original engravings,
but are not from Hogarth's plates. Thus, they are earlier
engravings than the Heath edition, but they are Cook's
interpretation of Hogarth's works all sulky people are rendered
smiling which for those used to the earlier editions is quite odd
£85 inc delivery good borders no defects
The Sleeping Congregation (1736)
Painted by William Hogarth, ( but Heath edition, ca 1820-22) from
" The Works of William Hogarth" as published by Baldwin, Cradock
and Joy in 1822 with the original plates restored by James Heath,
engraver to His Majesty. The Heath edition was the last to print
directly from Hogarth's original engraved plates. All 'Hogarth'
prints appearing after this date are merely copies with either a
recut plate or the engravers version Size: approx. 270 x 210
mm. £95 inc delivery good borders recut by Hogarth in 1762 this
image is smaller than many
Moses Brought Before Pharaoh's Daughter,
‘And the child grew & she brought him unto Pharaoh's daughter
& he became her son. And she called his name Moses.|From the
Original Painting in The Foundling Hospital Engrav'd by Will.m.
Hogarth & Luke Sullivan.| Published as the Act directs Feb.ry
5 1752’ first published in 1752 as a companion to ‘Paul
before Felix’Painted by William Hogarth, Original Line Engraving,
( but Heath edition, ca 1820-22) from " The Works of William
Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the
original plates restored by James Heath, engraver to His Majesty.
The Heath edition was the last to print directly from Hogarth's
original engraved plates. All 'Hogarth' prints appearing after
this date are merely copies with either a recut plate or the
engravers version Size: approx. 25 1/4 x 19 1/4 inches (approx.
64.1 x 48.9 cm) £110 inc delivery good borders
Shrimps! (also known as The Shrimp Girl)
Engraved/Etched by Francesco Bartolozzi after an original sketch
in oil by William Hogarth,Original Copperplate Stipple
Engraving/Etching Painted by William Hogarth, Original Line
Engraving, ( but Heath edition, ca 1820-22) from " The Works of
William Hogarth" as published by Baldwin, Cradock and Joy in 1822
with the original plates restored by James Heath, engraver to His
Majesty. The Heath edition was the last to print directly from
Hogarth's original engraved plates. All 'Hogarth' prints appearing
after this date are merely copies with either a recut plate or the
engravers version Size: approx. 25 1/4 x 19 1/4 inches (approx.
64.1 x 48.9 cm) £110 inc delivery good borders x 2
John Wilkes
Painted by William Hogarth, Original Line Engraving, ( but Heath
edition, ca 1820-22) from " The Works of William Hogarth" as
published by Baldwin, Cradock and Joy in 1822 with the original
plates restored by James Heath, engraver to His Majesty. The Heath
edition was the last to print directly from Hogarth's original
engraved plates. All 'Hogarth' prints appearing after this date
are merely copies with either a recut plate or the engravers
version Size: approx. 25 1/4 x 19 1/4 inches (approx. 64.1 x 48.9
cm) £95 inc delivery good borders
Henry VIII introducing Anne Boleyn at Court
(Heath edition, ca 1820-22) from "The Works of
William Hogarth" as published by Baldwin, Cradock and Joy in
1822 with the original plates restored by James Heath, engraver to
His Majesty. The Heath edition was the last to print directly from
Hogarth's original engraved plates. All 'Hogarth' prints appearing
after this date are merely copies with either a recut plate or the
engravers version Size: approx. 25 1/4 x 19 1/4 inches (approx.
64.1 x 48.9 cm) £95 inc delivery good borders some slight soiling
should be behind the mount Sheet size: approx. 19 x 25 1/4 inches.
x 2
Hyman and Cupid, The Stage-Coach or The Country Inn Yard, and View
of Ranby's House, three plates one sheet
The House of Commons in Sir Robert Walpole's Administration.
Interior during a session with designation of the notables.
Stipple by A. Fogg. Inscribed: Engraved by A. Fogg. historical
Engraver. / to his Royal Highness Prince Wm. Frederick. / London
Published Novr. 1. 1803. by E. Harding, No. 100, Pall Mall,
otherwise as below. 54.3 x 40.4 cm. Among those portrayed in the
center the presiding Rt. Hon. Arthur Onslow himself. At his side
Robert Walpole, in the rows in the middle distance further Sydney
Godolphin, Sir Joseph Jekyl, Colonel Onslow, Sir James Thornhill
as well as at the table in front Edward Stables Esq. and Mr.
Aiskew as Clerk and Clerk Assistant of House of Commons(Heath
edition, ca 1820-22) from "The Works of William
Hogarth" as published by Baldwin, Cradock and Joy in 1822
with the original plates restored by James Heath, engraver to His
Majesty. The Heath edition was the last to print directly from
Hogarth's original engraved plates. All 'Hogarth' prints appearing
after this date are merely copies with either a recut plate or the
engravers version Size: approx. 25 1/4 x 19 1/4 inches (approx.
64.1 x 48.9 cm) £105 inc delivery good borders x 2
Garrick
(Heath edition, ca 1820-22) from "The Works of
William Hogarth" as published by Baldwin, Cradock and Joy in
1822 with the original plates restored by James Heath, engraver to
His Majesty. The Heath edition was the last to print directly from
Hogarth's original engraved plates. All 'Hogarth' prints appearing
after this date are merely copies with either a recut plate or the
engravers version Size: approx. 25 1/4 x 19 1/4 inches (approx.
64.1 x 48.9 cm) £115 inc delivery good borders mounted
"Hudibras"
Hudibras meets the Skimmington
(plate 12) Edition:Cook/ Thomas Cook engraved this after
Hogarth, as illustrations in "Hogarth Restored. The Whole Works
of the celebrated William Hogarth". Published in 1806.
Printed on wove paper In good condition as per pics. The
engravings were often re-aligned on the page differing from the
earlier Boydell Folio. These engravings were executed and
published by Cook between 1796-1803. They are the same size as
Hogarth's original engravings, but are not from Hogarth's
plates. Thus, they are earlier engravings than the Heath edition,
but they are Cook's interpretation of Hogarth's works all sulky
people are rendered smiling which for those used to the earlier
editions is quite odd £85 inc delivery good borders no defects
"Hudibras"
The Committee (plate 9)
Hudibras Triumphant (plate 10)
(Cook edition, 1796-1803) Edition:Cook/ Thomas Cook
engraved this after Hogarth, as illustrations in "Hogarth
Restored. The Whole Works of the celebrated William Hogarth".
Published in 1806. Printed on wove paper In good condition as
per pics. The engravings were often re-aligned on the page
differing from the earlier Boydell Folio. These engravings were
executed and published by Cook between 1796-1803. They are the
same size as Hogarth's original engravings, but are not
from Hogarth's plates. Thus, they are earlier engravings than
the Heath edition, but they are Cook's interpretation of
Hogarth's works all sulky people are rendered smiling which for
those used to the earlier editions is quite odd £85 inc delivery
good borders no defects x 2 copies
Hudibras vanquish'd by Trussa (plate 5)
Hudibras in Tribulation (plate 6)(Cook edition, 1796-1803)
Edition:Cook/ Thomas Cook engraved this after Hogarth,
as illustrations in "Hogarth Restored. The Whole Works of the
celebrated William Hogarth". Published in 1806. Printed on
wove paper In good condition as per pics. The engravings were
often re-aligned on the page differing from the earlier Boydell
Folio. These engravings were executed and published by Cook
between 1796-1803. They are the same size as Hogarth's original
engravings, but are not from Hogarth's plates. Thus,
they are earlier engravings than the Heath edition, but they are
Cook's interpretation of Hogarth's works all sulky people are
rendered smiling which for those used to the earlier editions is
quite odd £85 inc delivery good borders no defects .Taken from
the Celebrated POEM of HUDIBRAS. Wrote by Mr. SAMUEL BUTLER.
Exposing the Villany and Hypocricy of those TIMES. Invented and
Engraved on Twelve COPPER PLATES, by William Hogarth." x 2
copies
"Boys Peeping at Nature" "Subscription Ticket to Harlot's
Progress" Sarah malcolm
Painted by William Hogarth, ( but Heath edition, ca
1820-22) from " The Works of William Hogarth" as published by
Baldwin, Cradock and Joy in 1822 with the original plates
restored by James Heath, engraver to His Majesty. The Heath
edition was the last to print directly from Hogarth's original
engraved plates. All 'Hogarth' prints appearing after this date
are merely copies with either a recut plate or the engravers
version Size: approx. 270 x 210 mm. £85 inc delivery good
borders recut by Hogarth in 1762 this image is smaller than many
"Boys Peeping at Nature" "Subscription Ticket to Harlot's
Progress" Sarah malcolm
Thomas Cook engraved this after Hogarth, as illustrations in
"Hogarth Restored. The Whole Works of the celebrated William
Hogarth". Published in 1806. Printed on wove paper In good
condition as per pics. Image size: 17 7/8 x 14 7/8 inches. Plate
size: 19 7/16 x 15 15/16 inches. Sheet size: 23 x 17 7/8 inches.
half sheet and as per pic. . on Woven rag paperWhole page clean
and perfect. . . the folds on the dress differ £75
the Royal Masquerade Somerset House
Painted by William Hogarth, Edition: Cook (Published June 1st.
1803), by G. & J. Robinson, Paternoster Row, London.,
otherwise as above. 44.2 x 55.5 cm. Cook's version present here
therefore supposedly the earliest representation in print and
included in the complete edition of Hogarth's works. oddly not
attributed to Cook so possibly an early edition excellent
condition £85 inc delivery good borders no defects
"Hudibras"
Hudibras' First Adventure (plate 3)
Hudibras Catechiz'd (plate 4)
(Cook edition, 1796-1803) Edition:Cook/ Thomas Cook
engraved this after Hogarth, as illustrations in "Hogarth
Restored. The Whole Works of the celebrated William Hogarth".
Published in 1806. Printed on wove paper In good condition as
per pics. The engravings were often re-aligned on the page
differing from the earlier Boydell Folio. These engravings were
executed and published by Cook between 1796-1803. They are the
same size as Hogarth's original engravings, but are not
from Hogarth's plates. Thus, they are earlier engravings than
the Heath edition, but they are Cook's interpretation of
Hogarth's works all sulky people are rendered smiling which for
those used to the earlier editions is quite odd £85 inc delivery
good borders no defects x 2 copies
"Bambridge on Trial for Murder by a Committee of the House of
Commons'"
Painted by William Hogarth, Edition: Cook (Published June 1st.
1803), by G. & J. Robinson, Paternoster Row, London.,
otherwise as above. 44.2 x 55.5 cm. Cook's version present here
therefore supposedly the earliest representation in print and
included in the complete edition of Hogarth's works. oddly not
attributed to Cook so possibly an early edition excellent
condition £85 inc delivery good borders no defects
"Hudibras"
Frontispiece (plate I)
Sr. Hudibras (plate 2)
(Cook edition, 1796-1803) Edition:Cook/ Thomas Cook
engraved this after Hogarth, as illustrations in "Hogarth
Restored. The Whole Works of the celebrated William Hogarth".
Published in 1806. Printed on wove paper In good condition as
per pics. The engravings were often re-aligned on the page
differing from the earlier Boydell Folio. These engravings were
executed and published by Cook between 1796-1803. They are the
same size as Hogarth's original engravings, but are not
from Hogarth's plates. Thus, they are earlier engravings than
the Heath edition, but they are Cook's interpretation of
Hogarth's works all sulky people are rendered smiling which for
those used to the earlier editions is quite odd £85 inc delivery
good borders no defects Taken from the Celebrated POEM of
HUDIBRAS. Wrote by Mr. SAMUEL BUTLER. Exposing the Villany and
Hypocricy of those TIMES. Invented and Engraved on Twelve COPPER
PLATES, by William Hogarth
Sancho Thomas Cook engraved this after Hogarth, as illustrations
in "Hogarth Restored. The Whole Works of the celebrated William
Hogarth". Published in 1806. Printed on wove paper In good
condition as per pics. Image size: 17 7/8 x 14 7/8 inches. Plate
size: 19 7/16 x 15 15/16 inches. Sheet size: 23 x 17 7/8 inches.
half sheet and as per pic. . on Woven rag paper Whole page clean
and perfect £45 inc delivery
Martin Folkes 1802 print by Thomas Cook Edition:Cook/ Thomas
Cook engraved this after Hogarth, as illustrations in "Hogarth
Restored. The Whole Works of the celebrated William Hogarth".
Published in 1806. Printed on wove paper In good condition as
per pics. The engravings were often re-aligned on the page
differing from the earlier Boydell Folio. These engravings were
executed and published by Cook between 1796-1803. They are the
same size as Hogarth's original engravings, but are not
from Hogarth's plates. Thus, they are earlier engravings than
the Heath edition, but they are Cook's interpretation of
Hogarth's works all sulky people are rendered smiling which for
those used to the earlier editions is quite odd £85 inc delivery
good borders no defects x 3
Paul before Felix. The trial against the apostle Paul before
Felix, the Roman procurator of Judaea. Prosecutor is the
lawyer Tertullus. sheet 1 a of two sheets. Engravings by Thomas Cook
(c. 1744 - London 1818). 1799 and 1803 resp. Inscribed: Painted
by Wm. Hogarth and Design'd and scratch'd in the true Dutch
taste by W. Hogarth. resp. / Engrave(')d by T. Cook, Thomas Cook
engraved this after Hogarth, as illustrations in "Hogarth
Restored. The Whole Works of the celebrated William Hogarth".
Published in 1806. Printed on wove paper In good condition as
per pics.Image size 41 x 54 cm Sheet size: 23 x 17 7/8 inches.
All full sheet and as per pic £85
Paul Before Felix Burlesqued. Design'd & Etch'd in the
rediculous manner of Rembrant. London , This courtroom satire was originally intended by Hogarth to
be the subscription ticket for Paul Before Felix and Moses
Brought to Pharoah’s Daughter however, this engraving
soon became so popular that Hogarth decided to sell it as a
separate print. The rage for Rembrandt’s etchings reached
England in 1750-1, and fakes were soon being offered to the
London art market Painted by William Hogarth, Edition:
Cook (Published June 1st. 1803),Original Line Engraving, ( but
Heath edition, ca 1820-22) from " The Works of William Hogarth"
as published by Baldwin, Cradock and Joy in 1822 with the
original plates restored by James Heath, engraver to His
Majesty. The Heath edition was the last to print directly from
Hogarth's original engraved plates. All 'Hogarth' prints
appearing after this date are merely copies with either a recut
plate or the engravers version Size: approx. 25 1/4 x 19 1/4
inches (approx. 64.1 x 48.9 cm)
Paul before Felix. The trial against the apostle Paul before
Felix, the Roman procurator of Judaea. Prosecutor is the
lawyer Tertullus. "And as he reasoned of righteousness, temperance, and
Judgment to come,Felix trembled.'
Painted by William Hogarth, Edition: Cook (Published June 1st.
1803),Original Line Engraving, ( but Heath edition, ca 1820-22)
from " The Works of William Hogarth" as published by Baldwin,
Cradock and Joy in 1822 with the original plates restored by
James Heath, engraver to His Majesty. The Heath edition was the
last to print directly from Hogarth's original engraved plates.
All 'Hogarth' prints appearing after this date are merely copies
with either a recut plate or the engravers version Size: approx.
25 1/4 x 19 1/4 inches (approx. 64.1 x 48.9 cm)
Paul before Felix.‘And as he reasoned of righteousness,
temperance, and Judgment to come, Felix trembled.|Engraved by
W.m. Hogarth from his Original Painting in Lincoln's Inn Hall,
& publish'd as the Act directs,Feb.5.1752.|Plate2’
Painted by William Hogarth, Edition: Cook (Published June 1st.
1803),Original Line Engraving, ( but Heath edition, ca 1820-22)
from " The Works of William Hogarth" as published by Baldwin,
Cradock and Joy in 1822 with the original plates restored by
James Heath, engraver to His Majesty. The Heath edition was the
last to print directly from Hogarth's original engraved plates.
All 'Hogarth' prints appearing after this date are merely copies
with either a recut plate or the engravers version Size: approx.
25 1/4 x 19 1/4 inches (approx. 64.1 x 48.9 cm) £285 inc
delivery good borders SOLD as the set Hogarth's original painting for this was executed in 1748 for
Lincoln's Inn, where it still hangs. His assistant Luke
Sullivan was first called upon to make an engraving after it,
based on a drawing by Hogarth (in reverse to the painting) now
in a private Scottish collection . Hogarth introduced in it
several changes to the composition, and then set the resulting
print aside as unsatisfactory. It was later issued with the
same publication date as Hogarth's own engraving
Head studies from cartoons at Hampton Court
Painted by William Hogarth, ( but Heath edition, ca 1820-22)
from " The Works of William Hogarth" as published by Baldwin,
Cradock and Joy in 1822 with the original plates restored by
James Heath, engraver to His Majesty. The Heath edition was the
last to print directly from Hogarth's original engraved plates.
All 'Hogarth' prints appearing after this date are merely copies
with either a recut plate or the engravers version Size:
approx. 270 x 210 mm. £115 inc delivery good
The Invasion - England - plate 1+ 2: originally 1756
Edition:Cook/ Thomas Cook engraved this after Hogarth,
as illustrations in "Hogarth Restored. The Whole Works of the
celebrated William Hogarth". Published in 1806. Printed on
wove paper In good condition as per pics. The engravings were
often re-aligned on the page differing from the earlier Boydell
Folio. These engravings were executed and published by Cook
between 1796-1803. They are the same size as Hogarth's original
engravings, but are not from Hogarth's plates. Thus,
they are earlier engravings than the Heath edition, but they are
Cook's interpretation of Hogarth's works all sulky people are
rendered smiling which for those used to the earlier editions is
quite odd good borders soiled edges hidden by the
mount. £130 pair
1.In the foreground a French monk sharpens his executioner's
axe. In front of him are implements of torture, a statue of St.
Anthony and a 'Plan pour un Monastere dans Black Friars a
Londre'. With such items he is preparing to convert the British
to Catholicism. Behind him is a grouping of French soldiers,
representing such states as starvation and fanaticism. One
better dressed soldier (perhaps an officer) roasts frogs on his
sword and points to the flag behind him which contains the
words, 'Vengeance et le Bon Bier et Bon Beuf de Angletere'.
Behind them is an inn bearing the name on the sign, 'Soup Meagre
a la Sabot Royal'. In the background women plough the fields
while there husbands are forced to board a ship at the point of
a lance.
2. This scene is set at the sign of William the Brave, Duke of
Cumberland, who is mounted on a proud charger. On a table out of
doors, a buttock of beef invites attention. The soldier has laid
his sword across the batter, and the sailor has placed his
pistols over a tankard of strong beer. The paper lying on the
table is the celebrated national song " Rule Britannia".
Published at the outbreak of a 7 year war with France. The scene
is England, outside an inn: The Duke of Cumberland, allusion to
the last time the French tried to invade England. A grenadier is
painting the King of France, gallows in hand, sword in another.
Evening
Edition:Cook/ Baron engraved this after Hogarth, as
illustrations in "Hogarth Restored. The Whole Works of the
celebrated William Hogarth". Published in 1806. Printed on wove
paper In good condition as per pics. The engravings were often
re-aligned on the page differing from the earlier Boydell Folio.
These engravings were executed and published by Cook between
1796-1803. They are the same size as Hogarth's original
engravings, but are not from Hogarth's plates. Thus, they are
earlier engravings than the Heath edition, but they are Cook's
interpretation of Hogarth's works all sulky people are rendered
smiling which for those used to the earlier editions is quite
odd £85 inc delivery good borders soiled edges hidden by the
mount. CONDITION ISSUES:- loss in margin/plate area right
margin, page cut to plate mark some soiling (deceased mushroom
variety) top right light toning
The Four Times of Day, Hogarth takes us on a humorous walking
tour through four areas of the city. The viewer journeys from
Covent Garden, famous for its market, coffee houses and
brothels, to Soho and its French/Huguenot community, to the
aspirant bourgeoisie of Islington and finally to the taverns and
Freemason lodges of Charing Cross, an area historically
associated with the English Civil War and its
political repercussions.
Pit Ticket:The Cockpit
by William Hogarth, Original Line Engraving, 1761 ( but Heath
edition, ca 1820-22) from " The Works of William Hogarth" as
published by Baldwin, Cradock and Joy in 1822 with the original
plates restored by James Heath, engraver to His Majesty. The Heath
edition was the last to print directly from Hogarth's original
engraved plates. All 'Hogarth' prints appearing after this date are
merely copies with either a recut plate or the engravers version
Size: approx. 25 1/4 x 19 1/4 inches (approx. 64.1 x 48.9 cm) £185
inc delivery good borders. rarer plate
FOUR STAGES OF CRUELTY Set of 4 plates
Each print depicts a different stage in the life of the
fictional Tom Nero. Beginning with the torture of a dog as a child
in the First stage of cruelty, Nero progresses to beating his horse
as a man in the Second stage of cruelty, and then to robbery,
seduction, and murder in Cruelty in perfection. Finally, in The
reward of cruelty, he receives what Hogarth warns is the inevitable
fate of those who start down the path Nero has followed: his body is
taken from the gallows after his execution as a murderer and is
mutilated by surgeons in the anatomical theatre. wiki
by William Woollett & William Hogarth, Original Line Engraving,
1761 ( but Heath edition, ca 1820-22) from " The Works of William
Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the
original plates restored by James Heath, engraver to His Majesty.
The Heath edition was the last to print directly from Hogarth's
original engraved plates. All 'Hogarth' prints appearing after this
date are merely copies with either a recut plate or the engravers
version Size: approx. 25 1/4 x 19 1/4 inches (approx. 64.1 x 48.9
cm) £395 inc delivery good borders.
Royal Masquerade Somerset House 1761
(William Hogarth, Original Line Engraving, 1761 ( but Heath edition,
ca 1820-22) from " The Works of William Hogarth" as published by
Baldwin, Cradock and Joy in 1822 with the original plates restored
by James Heath, engraver to His Majesty. The Heath edition was the
last to print directly from Hogarth's original engraved plates. All
'Hogarth' prints appearing after this date are merely copies with
either a recut plate or the engravers version Size: approx. 25 1/4 x
19 1/4 inches (approx. 64.1 x 48.9 cm)
Frontispiece to Taylor's Perspective
by William Woollett & William Hogarth, Original Line Engraving,
1761 ( but Heath edition, ca 1820-22) from " The Works of William
Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the
original plates restored by James Heath, engraver to His Majesty.
The Heath edition was the last to print directly from Hogarth's
original engraved plates. All 'Hogarth' prints appearing after this
date are merely copies with either a recut plate or the engravers
version Size: approx. 25 1/4 x 19 1/4 inches (approx. 64.1 x 48.9
cm) £130 inc delivery good borders some very slight soiling Mark to
right edge 8 cm from plate mark
The Distressed Poet /Distrest
Original Line Engraving, 1761 ( but Heath edition, ca 1820-22) from
" The Works of William Hogarth" as published by Baldwin, Cradock and
Joy in 1822 with the original plates restored by James Heath,
engraver to His Majesty. The Heath edition was the last to print
directly from Hogarth's original engraved plates. All 'Hogarth'
prints appearing after this date are merely copies with either a
recut plate or the engravers version Size: approx. 25 1/4 x 19 1/4
inches (approx. 64.1 x 48.9 cm) £125 inc delivery good borders some
very slight soiling in margin mounted
The Distressed Poet /Distrest
£85 inc delivery good borders :Cook/ Thomas Cook engraved
this after Hogarth, as illustrations in "Hogarth Restored. The
Whole Works of the celebrated William Hogarth". Published in
1806.
"Sarah Malcolm"
Thomas Cook engraved this after Hogarth, as illustrations in
"Hogarth Restored. The Whole Works of the celebrated William
Hogarth". Published in 1806. Printed on wove paper In good condition
as per pics. Image size: 17 7/8 x 14 7/8 inches. Plate size: 19 7/16
x 15 15/16 inches. Sheet size: 23 x 17 7/8 inches. half sheet and as
per pic. . on Woven rag paperWhole page clean and perfect. . . the
folds on the dress differ £35 page
"Columbus Breaking the Egg"
Original copperplate engraving (Heath edition, 1822)y William
Hogarth (Heath edition, 1820-22)The plates were bought by the
publisher Baldwin, Cradock and Joy at the Boydell sale in 1818 "The
Works of William Hogarth" as published by Baldwin, Cradock and
Joy in 1822 with the original plates restored by James Heath,
engraver to His Majesty. The Heath edition was the last to print
directly from Hogarth's original engraved plates. All 'Hogarth'
prints appearing after this date are merely copies with either a
recut plate or the 'engravers version' £25 part page
"Columbus Breaking the Egg" + "Receipt for the Election
Prints
"
Original copperplate engraving (Heath edition, 1822)y William
Hogarth (Heath edition, 1820-22)The plates were bought by the
publisher Baldwin, Cradock and Joy at the Boydell sale in 1818 "The
Works of William Hogarth" as published by Baldwin, Cradock and
Joy in 1822 with the original plates restored by James Heath,
engraver to His Majesty. The Heath edition was the last to print
directly from Hogarth's original engraved plates. All 'Hogarth'
prints appearing after this date are merely copies with either a
recut plate or the 'engravers version' £65 full page better
copies
"Receipt for the Election Prints"
Original copperplate engraving (Heath edition, 1822)y William
Hogarth (Heath edition, 1820-22)The plates were bought by the
publisher Baldwin, Cradock and Joy at the Boydell sale in 1818 "The
Works of William Hogarth" as published by Baldwin, Cradock and
Joy in 1822 with the original plates restored by James Heath,
engraver to His Majesty. The Heath edition was the last to print
directly from Hogarth's original engraved plates. All 'Hogarth'
prints appearing after this date are merely copies with either a
recut plate or the 'engravers version' £25 part page
Altar-piece at St. Clement's
Original copperplate engraving (Heath edition, 1822)y William
Hogarth (Heath edition, 1820-22)The plates were bought by the
publisher Baldwin, Cradock and Joy at the Boydell sale in 1818 "The
Works of William Hogarth" as published by Baldwin, Cradock and
Joy in 1822 with the original plates restored by James Heath,
engraver to His Majesty. The Heath edition was the last to print
directly from Hogarth's original engraved plates. All 'Hogarth'
prints appearing after this date are merely copies with either a
recut plate or the 'engravers version' £20 part page
Tailpiece, or The Bathos.
Original Date: March 3, 1764. Medium: Etching and
engraving; only state Edition:Cook/ Thomas Cook
engraved this after Hogarth, as illustrations in "Hogarth Restored.
The Whole Works of the celebrated William Hogarth". Published in
1806. Printed on wove paper In good condition as per pics. The
engravings were often re-aligned on the page differing from the
earlier Boydell Folio. These engravings were executed and published by
Cook between 1796-1803. They are the same size as Hogarth's original
engravings, but are not from Hogarth's plates. Thus, they are
earlier engravings than the Heath edition, but they are Cook's
interpretation of Hogarth's works all sulky people are rendered
smiling which for those used to the earlier editions is quite odd £55
inc delivery watermark page base as in pic will frame less
noticeable**his last work, The Bathos, is also one of his
darkest, steeped in melancholy, self-doubt and fatalism. **
Credulity, Superstition and Fanaticism
. It ridicules secular and religious credulity, and lampoons the
exaggerated religious "enthusiasm" of the Methodist movement.
Edition:Cook/ Thomas Cook engraved this after Hogarth, as
illustrations in "Hogarth Restored. The Whole Works of the
celebrated William Hogarth". Published in 1806. Printed on wove
paper In good condition as per pics. The engravings were often
re-aligned on the page differing from the earlier Boydell Folio. These
engravings were executed and published by Cook between 1796-1803. They
are the same size as Hogarth's original engravings, but are not
from Hogarth's plates. Thus, they are earlier engravings than the
Heath edition, but they are Cook's interpretation of Hogarth's works
all sulky people are rendered smiling which for those used to the
earlier editions is quite odd £55 inc delivery plate mark tears ie
printed too hard one edge tearleft in margin
Enthusiasm Delineated
Isaac Mills was commissioned by John Ireland to
engrave a copy of Hogarth's original Enthusiasm Delineated. The
work, a satire on the emphatic and emotionally-charged nature of
Methodist preaching, was also intended to address recent discussion
of the subject of 'enthusiasm' in art after a publication by
Reynolds. Hogarth's plate was never published, perhaps owing to
concerns amongst his friends in the clergy that the print might be
seen by many as an attack on religion more generally. As a result,
Hogarth dramatically reworked the plate and issued it instead as
'Credulity, Superstition, & Fanaticism: A Medley.' . It
ridicules secular and religious credulity, and lampoons the
exaggerated religious "enthusiasm" of the Methodist movement. Scarce Edition:Isaac Mills after William Hogarth
[Published Novr. 12th. 1795 by John Ireland (Author of Hogarth
Illustrated) No. 3 Poets Corner, Palace Yard, & for Messrs
Boydell, Cheapside, & Shakespeare Gallery Pallmall] Isaac Mills
(fl. 1795) was a London-based engraver, known for a reproduction of
Hogarth's Enthusiasm Delineated, as well as a portrait of the author
and Hogarth-admirer, John Ireland. £105 inc delivery marked as
shown would wash
Analysis of Beauty Plate 1
The Analysis of Beauty was a book written by William
Hogarth (18th century English painter, satirist, and writer) and
published in 1753, which describes Hogarth's theories of visual beauty
and grace in a manner accessible to the common man of his day.This
print depicts a statuary yard in which Hogarth has collected the
various artifacts he wishes to comment on. The scene is believed to
have been inpired by Socrates' discussion of beauty stimulated by the
art objects in the yard of his friend Clito; the dialogue was
translated from Xenophon's Memorabilia by Dr. Morell, a
friend of the engraver. The yard contains the dignified classical
sculptures known to the age with a miscellaneous and often comical
assortment of modern art objects. In the center stands the Medicean
Venus. To the right are statues of Julius Caesar hanging from a pulley
and Apollo Belvedere. A short, overdressed Brutus stands on one side
of Apollo over the falling Caesar; on the other side another
overdressed figure clad as a judge sits with his foot on the head of a
cherub. A second putto with a gallows in its hand cries at the judge's
feet.The Laocoön stands behind the Venus; on either side of the Venus
lie a graceful sphinx and the satyr Silenus reclining on a wineskin.
In the foreground rests "Michaelangelo's torso" by "Apollonius, son of
Nestor." Beneath the Farnese Hercules a dancing master attempts to
correct the posture of Antinous. Under two statuettes of Isis is
another Hercules. The boot and the anatomical sketches of the three
legs are balanced by the highly symmetrical figures (by Albrecht Dürer
and G. P. Lomazzo) on the right.
Edition:Cook/ Thomas Cook engraved this after
Hogarth, as illustrations in "Hogarth Restored. The Whole Works
of the celebrated William Hogarth". Published in 1806. Printed
on wove paper In good condition as per pics. The engravings were
often re-aligned on the page differing from the earlier Boydell
Folio. These engravings were executed and published by Cook between
1796-1803. They are the same size as Hogarth's original engravings,
but are not from Hogarth's plates. Thus, they are earlier
engravings than the Heath edition, but they are Cook's
interpretation of Hogarth's works all sulky people are rendered
smiling which for those used to the earlier editions is quite odd
£85 inc delivery some soiling to page edges and on good rag paper
for a change
"The Innkeeper's Wife & Daughter taking Care of Don after being
beaten and bruised."
"The Funeral of Chyrstom & Marcella vindicating herself."
"The unfortunate Knight of the Rock meeting Don Quixote."
"Don Quixote releases the Galley Slaves."
"The Curate & Barber disguising themselves to convey Don Quixote
Home."
"Don Quixote seizes the Barber's Bason for Mambrino's Helmet."
Don Quixote 6 Plates on 3 folio sheets
(Heath edition, 1820-22)Sheet size: approx. 25 1/4x 18 3/4 inchesThe
plates were bought by the publisher Baldwin, Cradock and Joy at the
Boydell sale in 1818 "The Works of William Hogarth" as
published by Baldwin, Cradock and Joy in 1822 with the original
plates restored by James Heath, engraver to His Majesty. The Heath
edition was the last to print directly from Hogarth's original
engraved plates. All 'Hogarth' prints appearing after this date are
merely copies with either a recut plate or the 'engravers version'
£225 the set inc delivery.. The Cook edition has them under each
other and slightly smaller
"Six Tickets" Etched by Joseph Haynes
Published by John Boydell a) 1790 Folio containing 103
plates.b) 1794 Folio containing 107 plates.c) 1795 Folio containing
110 plates.d) Boydell also sold individual sets and plates. (paper
type 1789 - 1818) a) Sheets of laid paper inherited from Jane
Hogarth.b) Variety of Laid papers.c) Wove paper with Whatman
watermark.d) Wove paper without watermark.The best version . ..
original plates upon better paper that will last £95 page crease
right of page also another copy perfect
"Six Tickets" Etched by Joseph Haynes
(Heath edition, 1820-22)Sheet size: approx. 25 1/4x 18 3/4 inchesThe
plates were bought by the publisher Baldwin, Cradock and Joy at the
Boydell sale in 1818 "The Works of William Hogarth" as
published by Baldwin, Cradock and Joy in 1822 with the original
plates restored by James Heath, engraver to His Majesty. The Heath
edition was the last to print directly from Hogarth's original
engraved plates. All 'Hogarth' prints appearing after this date are
merely copies with either a recut plate or the 'engravers version'
£125 the set inc delivery..
"The Weighing House"
"Two Frontispieces to Tristram Shandy"
(Heath edition, 1820-22)Sheet size: approx. 25 1/4x 18 3/4 inchesThe
plates were bought by the publisher Baldwin, Cradock and Joy at the
Boydell sale in 1818 "The Works of William Hogarth" as
published by Baldwin, Cradock and Joy in 1822 with the original
plates restored by James Heath, engraver to His Majesty. The Heath
edition was the last to print directly from Hogarth's original
engraved plates. All 'Hogarth' prints appearing after this date are
merely copies with either a recut plate or the 'engravers version'
£85 page x 3
Masquerades and Operas - Burlington Gate
Altar-piece at St. Clement's
Published by John Boydell a) 1790 Folio containing 103
plates.b) 1794 Folio containing 107 plates.c) 1795 Folio containing
110 plates.d) Boydell also sold individual sets and plates. (paper
type 1789 - 1818) a) Sheets of laid paper inherited from Jane
Hogarth.b) Variety of Laid papers.c) Wove paper with Whatman
watermark.d) Wove paper without watermark.The best version . ..
original plates upon better paper that will last £95 page this
ismage is the Heath version the Boydell has them in reverse order
Masquerades and Operas - Burlington Gate
Altar-piece at St. Clement's
(Heath edition, 1820-22)Sheet size: approx. 25 1/4x 18 3/4 inchesThe
plates were bought by the publisher Baldwin, Cradock and Joy at the
Boydell sale in 1818 "The Works of William Hogarth" as
published by Baldwin, Cradock and Joy in 1822 with the original
plates restored by James Heath, engraver to His Majesty. The Heath
edition was the last to print directly from Hogarth's original
engraved plates. All 'Hogarth' prints appearing after this date are
merely copies with either a recut plate or the 'engravers version'
£85 inc delivery
"Some Principal Inhabitants of the Moon: Royalty, Episcopacy and
Law"
and
"Masquerade Ticket"
(Heath edition, 1820-22)Sheet size: approx. 25 1/4x 18 3/4 inchesThe
plates were bought by the publisher Baldwin, Cradock and Joy at the
Boydell sale in 1818 "The Works of William Hogarth" as
published by Baldwin, Cradock and Joy in 1822 with the original
plates restored by James Heath, engraver to His Majesty. The Heath
edition was the last to print directly from Hogarth's original
engraved plates. All 'Hogarth' prints appearing after this date are
merely copies with either a recut plate or the 'engravers version'
£95 page x 2
"Characters and Caricaturas" and "Battle of the Pictures"
by William Hogarth (Heath edition, 1820-22)Sheet size: approx. 25
1/4x 18 3/4 inchesThe plates were bought by the publisher Baldwin,
Cradock and Joy at the Boydell sale in 1818 "The Works of
William Hogarth" as published by Baldwin, Cradock and Joy in
1822 with the original plates restored by James Heath, engraver to
His Majesty. The Heath edition was the last to print directly from
Hogarth's original engraved plates. All 'Hogarth' prints appearing
after this date are merely copies with either a recut plate or the
'engravers version' £95 page .
Lawyer at Work
Hogarth, . Untitled Legal print of Judge and Lawyers. Painted by
William Hogarth (Heath edition, 1820-22)Sheet size: approx. 25 1/4x
18 3/4 inchesThe plates were bought by the publisher Baldwin,
Cradock and Joy at the Boydell sale in 1818 "The Works of
William Hogarth" as published by Baldwin, Cradock and Joy in
1822 with the original plates restored by James Heath, engraver to
His Majesty. The Heath edition was the last to print directly from
Hogarth's original engraved plates. All 'Hogarth' prints appearing
after this date are merely copies with either a recut plate or the
'engravers version' £95 page . Last of the large plate
prints. Classical Hogarth engraving depicting a fully robed Judge at
his desk surrounded by lawyers and maidens one prominently pregnant
and a child playing with a dog. Extended rhyming ditty at base :
'Here Justice triumphs in his Elbow Chair . . . His Office Shelves
and Parish Laws are graced. Not published in his lifetime. . x 2
D
"Debates on Palmistry"
"The Stay Maker"
Painted by William Hogarth (Heath edition, 1820-22)Sheet size:
approx. 25 1/4x 18 3/4 inchesThe plates were bought by the publisher
Baldwin, Cradock and Joy at the Boydell sale in 1818 "The Works
of William Hogarth" as published by Baldwin, Cradock and Joy
in 1822 with the original plates restored by James Heath, engraver
to His Majesty. The Heath edition was the last to print directly
from Hogarth's original engraved plates. All 'Hogarth' prints
appearing after this date are merely copies with either a recut
plate or the 'engravers version' £125 page of the pair x 2
"Frontispiece and Tail Piece to the Artist's Catalogue" Painted by William Hogarth (Heath edition, 1820-22)Sheet size:
approx. 25 1/4x 18 3/4 inchesThe plates were bought by the publisher
Baldwin, Cradock and Joy at the Boydell sale in 1818 "The Works
of William Hogarth" as published by Baldwin, Cradock and Joy
in 1822 with the original plates restored by James Heath, engraver
to His Majesty. The Heath edition was the last to print directly
from Hogarth's original engraved plates. All 'Hogarth' prints
appearing after this date are merely copies with either a recut
plate or the 'engravers version' £75 page of the pair x 2 copies
"Receipt for March to Finchley"
"The Farmer's Return"
by William Hogarth (Heath edition, 1820-22)Sheet size: approx.
25 1/4x 18 3/4 inchesThe plates were bought by the publisher
Baldwin, Cradock and Joy at the Boydell sale in 1818 "The Works
of William Hogarth" as published by Baldwin, Cradock and Joy
in 1822 with the original plates restored by James Heath, engraver
to His Majesty. The Heath edition was the last to print directly
from Hogarth's original engraved plates. All 'Hogarth' prints
appearing after this date are merely copies with either a recut
plate or the 'engravers version' £85 page of the pair x 3
"Receipt for March to Finchley"
"The Farmer's Return"
by William Hogarth (Heath edition, 1820-22)Sheet size: approx.
25 1/4x 18 3/4 inchesThe plates were bought by the publisher
Baldwin, Cradock and Joy at the Boydell sale in 1818 "The Works
of William Hogarth" as published by Baldwin, Cradock and Joy
in 1822 with the original plates restored by James Heath, engraver
to His Majesty. The Heath edition was the last to print directly
from Hogarth's original engraved plates. All 'Hogarth' prints
appearing after this date are merely copies with either a recut
plate or the 'engravers version' £85 page of the pair v2
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