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Italy 3.

Italy .






"Virgils House Brindisi
Original steel engraving by C Bertrand  from a picture by Werner  published in Picturesque Europe, about 1875. Steel engraving on heavy weight paper,Image size 16 x 18.5 cm plus borders, mounted £15




Veletri, near Rome
Original steel engraving drawn by P. Robins, engraved by J. Henshall. 1834.Image size  15.2x11cm.J. Henshall fl. 1828 - fl. 1850 Architectural &  landscape engraver  £10 unmounted x 3 one tinted state if pref



VIA SCELERATA, ROME.
Antique steel  engraving from Dudley Costello's "Piedmont and Italy: from the Alps to the Tiber". London, image size 16 x 11cm.1855.£15 unmounted x 2 + 1 tinted 




Convent of Il santo Cosinato Tivoli nr Rome
Original steel engraving drawn by J. D. Harding, engraved  by J. C. Varrall. 1846. Steel engraving. Fisher Son & co. London & Paris published in The Gallery of Engravings, 1846 Image size   14x10cm £10 unmounted x 3



Rome, View from Monte Testaccio
Drawn by  J.M.W.Turner from a sketch by Hakewill engraved  by J. Landseer. from ' A Picturesque tour of Italy from drawings made in 1816-1817'  published 1819 by John Murray , Albemarle St London PImage Size  216 x238 mm £35 rare untinted some age soiling to page edges weird view Returned as wrong address rare £30





Colle
 Engraved by Benjamin Thomas Pouncy 'B. T. Pouncy' from a pic by John Smith: from his travels through Italy proof engraving to India Paper published by John Emes, William Byrne & John Smith, London Faint water mark to bottom right corner rare £20 unmounted



Grotto of Posilipo / near Naples
Drawn by Hakewill engraved  by J. Landseer. from ' A Picturesque tour of Italy from drawings made in 1816-1817'  published 1819 by John Murray , Albemarle St London PImage Size  213x140 £55 rare




CASCADE AND TEMPLE OF THE SIBYL AT TIVOLI
Drawn by Hakewill engraved  by J. Landseer. from ' A Picturesque tour of Italy from drawings made in 1816-1817'  published 1819 by John Murray , Albemarle St London PImage Size  216 x238 mm £55 rare
 



The  Lady of Loretto,
18th century antique copper engraving labelled vol 2 pa 372 seems to be c 1750  foolscap page £25 unmounted
 



Bridge at Narni
Drawn by  J.M.W.Turner from a sketch by Hakewill engraved  by J. Landseer. from ' A Picturesque tour of Italy from drawings made in 1816-1817'  published 1819 by John Murray , Albemarle St London PImage Size  216 x238 mm £55 rare


James Hakewill (1781-1843) architectural draughtsman friend of Turner etc  who drew many of the Georgian new buildings such as Fonthill. Plate mark of these is almost to the edge of the page. ..  the sign of a richer artist many had a plate almsot the same size as the image in order to save funds
 



Sirmione
 A. Blaschnik del. (1823-1918) ; J. Riegel sc. ; Stich u. Druck d. Kunst-Anst. d. Oestr. Lloyd in Triest [Trieste] : Aquatint c  1860 in a deccorative border £20 unmounted



Tivoli presso Roma : Villa di Mecenate
 A. Blaschnik del. (1823-1918) ; J. Riegel sc. ; Stich u. Druck d. Kunst-Anst. d. Oestr. Lloyd in Triest [Trieste] : Aquatint c  1860 in a deccorative border £20 unmounted

 


 On Mount Vesuvius above Portia

  Engraved by Benjamin Thomas Pouncy 'B. T. Pouncy' from a pic by John Smith: from his travels through Italy proof engraving to India Paper published by John Emes, William Byrne & John Smith, London  rare £25 unmounted




Cuma

  Engraved by Benjamin Thomas Pouncy 'B. T. Pouncy' from a pic by John Smith: from his travels through Italy proof engraving to India Paper published by John Emes, William Byrne & John Smith, London  rare £25 unmounted



  Lake Albano
 Italy. Original steel engraving drawn by JMW. Turner, engraved by R. Wallis. from The London literary gazette and journal of belles lettres, arts 1808 rare £15. 14x9cm




Well at Manduria
  Steel Engraving by Chas Heath/Charles Theodosius Heath (1 March 1785 – 18 November 1848)  Drawn and edited by  Richard Keppel CRAVEN,from  A Tour Through the Southern Provinces of the Kingdom of Naples. To which is subjoined a Sketch of the Immediate Circumstances attendingthe Late Revolution. London, 1821; .Unmounted tinted £15
 



Colosseum at Rome by Moonlight
Engraved by W.B Cooke from a Sketch by Lewis  c.1840.Engraving from Rome, and its surrounding scenery; / illustrated with engravings by W. B. Cooke, from drawings by eminent artists: accompanied by literary sketches, by H. Noel Humphreys 240 x 190mm.  . Some age soiling  Steel engraved  print on card £20

print on card £12 same but clipped page smaller border



Radicofani

Engraved from a pic by  Brockendon by J.B.Allen published Blackie and Co Edinburgh larger plate £15




view of Trajan's Column at Rome

Antique copper engraving  c 1780 cannot trace anywhere sorry £20 unmounted





the Basilica of St. John Lateran
(Basilica di San Giovanni in Laterano)

Engraved from a pic by  Brockendon by J.B.Allen published Blackie and Co Edinburgh larger plate £15



La Riccia
Published 1819. engraving and etching ... b.c. "Eth'd by S. Middiman"; inscr. b.r. "Engrav'd by John Pye"; inscr. b.c. "La Riccia / Publish'd as the act directs March 1 1819 by John Murray, Albemerle Str. London. Unmounted £20




Rome
Rome from the farnesean gardens / drawn by J.M.W.Turner ; J.Hakewill ; engraved by J.Le Keux ; Published by John Murray  1820'  £25




Maecenas' Villa at Tivoli
 From the Original Picture by Wilson in The National Gallery. Steel Engraving. Original steel engraving. Engraved by R. Brandard £12



 Temple of Mars Ultor, Rome
Original antique steel engraving, drawn by S. Prout, from The Tourist in Italy by Thomas Roscoe engraved by Woolnorth.Published by Jennings and Chaplin /Fenner & Stears  1830. Image size  14 x 9.5 cm . unmounted. £15 x 4




 Colonade of St Peter's, Rome
Original antique steel engraving, drawn by S. Prout, from The Tourist in Italyby Thomas Roscoe engraved by Woolnorth.Published by Jennings and Chaplin /Fenner & Stears  1830. Image size  14 x 9.5 cm . unmounted. £15
 
 



  Rome
Original antique steel engraving, drawn by S. Prout, from The Tourist in Italy by Thomas Roscoe engraved by Wimore.Published by Jennings and Chaplin /Fenner & Stears  1830. Image size  14 x 9.5 cm . unmounted. £15 x 2





 Convent of the Vallambrosa
Original antique steel engraving, drawn by S. Prout, from The Tourist in Italy vol 2 by Thomas Roscoe engraved by Wimore.Published by Jennings and Chaplin /Fenner & Stears  1832. Image size  14 x 9.5 cm . unmounted. £15 x 2
 



 Fiesole
Original antique steel engraving, drawn by Harding  from The Tourist in Italy vol 2 by Thomas Roscoe engraved by Wimore.Published by Jennings and Chaplin /Fenner & Stears  1832. Image size  14 x 9.5 cm . unmounted. £15 x 2



Bridge of Augustus at Narni
Original antique steel engraving, drawn by S. Prout, from The Tourist in Italy by Thomas Roscoe engraved by Redway.Published by Jennings and Chaplin /Fenner & Stears  1830. Image size  14 x 9.5 cm . unmounted. £15 x 2




Gensano
Original antique steel engraving, drawn by S. Prout, from The Tourist in Italy vol 2 by Thomas Roscoe engraved by Wimore.Published by Jennings and Chaplin /Fenner & Stears  1832. Image size  14 x 9.5 cm . unmounted. £15 


Martigny
Original antique steel engraving, drawn by S. Prout, from The Tourist in Italy by Thomas Roscoe engraved by Redway.Published by Jennings and Chaplin /Fenner & Stears  1830. Image size  14 x 9.5 cm . unmounted. £15 some marking  but a proof copy to india paper




  Pompeii, Paintings  of the temple of Bachus
Steel Engraving by Chas Heath/Charles Theodosius Heath (1 March 1785 – 18 November 1848) Published Feb 1. 1819/20, by Rodwell & Martin, New Bond Street Image size 15 x 21 cm  From 'Pompeiana : the topography, edifices, and ornaments of Pompeii (1821) .Unmounted quality plates £15




  Pompeii, paintings of the temple of Bachus 2
Steel Engraving by Chas Heath/Charles Theodosius Heath (1 March 1785 – 18 November 1848) Published Feb 1. 1819/20, by Rodwell & Martin, New Bond Street Image size 15 x 21 cm  From 'Pompeiana : the topography, edifices, and ornaments of Pompeii (1821) .Unmounted quality plates £15




Pompeii, paintings of the temple of Bachus 3
Steel Engraving by Chas Heath/Charles Theodosius Heath (1 March 1785 – 18 November 1848) Published Feb 1. 1819/20, by Rodwell & Martin, New Bond Street Image size 15 x 21 cm  From 'Pompeiana : the topography, edifices, and ornaments of Pompeii (1821) .Unmounted quality plates £15




Pompeii, View of the temple west Side of the Forum
Steel Engraving by Chas Heath/Charles Theodosius Heath (1 March 1785 – 18 November 1848) Published Feb 1. 1819/20, by Rodwell & Martin, New Bond Street Image size 15 x 21 cm  From 'Pompeiana : the topography, edifices, and ornaments of Pompeii (1821) .Unmounted quality plates £15



Vic Varo Near Tivoli
Original antique steel engraving, drawn by Harding, from The Tourist in Italy by Thomas Roscoe engraved by Wilmore.Published by Jennings and Chaplin /Fenner & Stears  1830. Image size  14 x 9.5 cm . unmounted. £15 




Civita Castellana
Original antique steel engraving, drawn by S. Prout, from The Tourist in Italy by Thomas Roscoe engraved by Redway.Published by Jennings and Chaplin /Fenner & Stears  1830. Image size  14 x 9.5 cm . unmounted. £15 
 




  Pompeii,View of the back of the Theatre
Steel Engraving by Chas Heath/Charles Theodosius Heath (1 March 1785 – 18 November 1848) Published Feb 1. 1819/20, by Rodwell & Martin, New Bond Street Image size 15 x 21 cm  From 'Pompeiana : the topography, edifices, and ornaments of Pompeii (1821) .Unmounted quality plates £15










***

Vue générale de la Ville de Rome
  Vue d'Optique by Louis-Joseph Mondhare (1734-1799) In the eighteenth and nineteenth centuries there were many popular speciality establishments in Paris, Augsburg and London which produced optical viewing devices and special engravings to be viewed through them. In the 18th century the optical print or vue optique came into existence, whose exaggerated converging lines were intended to produce the optical illusion of deep recession. The viewing devices for which these perspective prints were produced consisted of a lens and a mirror, this requiring the use of reversed or mirror-image pictures Contemporary handcoloured engraving, so called 'Vue d" Optique' or optical print or 'perspective view'. Published by Mondhare, Paris ca. 1770. Size: 34 x 39 cm £185 inc delivery mount is mucky so sent non uk sans mount




Italy 3
Original steel engraving with surrounding pics of local life . . . you could tint if wished. Bookplate originates from: 'Verldshistoriskt Album, innehallande Femhundra Teckningar ofver Jordens skilde Lander och Folk'  aka "World History  Album, containing Five Hundred Drawings of  the different countries and people "( published Stockholm, 1857). Size  overall size is ca. 38 x 33 cm.  image size is ca. 31.5 x 27.5 cm.  Unmounted    inc delivery £45 light  marking in the extreme margins delivered

 


A Cyyclopian Gate at Signi ( Signa /Florence ?)
John Izard Middleton (1785-1849) was born just outside of Charleston, South Carolina to the prominent family of Mary and Arthur (signer of the declaration of Independence) Middleton. What little is known about John Izard Middleton is fascinating to say the least. Indeed 19th century American author, social critic and art professor Charles Eliot Norton dubbed Middleton “the first American Classical Archaeologist.” John Izard Middleton was born at Middleton Place Plantation nestled on the banks of the Ashley River near Charleston, North Carolina in the year 1785. Between the years 1808-1809 Middleton compiled a group of detailed sketches for the purpose of publishing a folio-sized book which he did in 1812 under the title “Grecian Remains in Italy: A Description of Cyclopian Walls, and Roman Antiquities. With Topographical and Picturesque Views of Ancient Latium.”Full page aquatint full borders  some creasing £165 folio sized



Nr Rome ?? Rustics in a street by a ruined arch
  Franz Edmund Weirotter, (Innsbruck 1730 – Vienna 1771). Nr Rome. Etching. Inscribed: F. E. Weirotter fecit / 7. 14.3 x 19.4 cm.
Probably from 12-sheet set  “Second Suite of Regions and Fragments of Old Buildings”, dedicated to the imperial and royal secretary of the exterior and interior affairs George Prince of Starhemberg. –  Numbered 6 to left edge so resumably image 6 from whichever of the folios ie 1st or 2nd Framed/Glazed unopened  very light toning only  £95 inc delivery




Dichiaratione della presente figura per la costruttione della galera by Vincenzo Coronelli, /Roman Galley
[1692]
From : Atlante Veneto, in which is contained the Descrittione geographical, historical, religious, secular and political degl'imperii, kingdoms, provinces and states of the universe, their division and borders, by the adding of all countries re-discovered them, increased many tables no longer published. Work and study of the Father Master Coronelli ... In 1692 Venetia ("ATLAS / VENETO, / In which contains / LA Descrittione / Geographical, Historical, Sacred, Profane, and / Politics, / Degl'mperij, Kingdoms, Provinces, and States / UNIVERSE, / Their Division, and Borders, / on adding all of them re-discovered countries, / Increased Geographical tables of many, no longer published. / WORK AND STUDY / MASTER OF THE FATHER / CORONELLI MIN. CONVENT. / Cosmographer of the Venetian Republic, and / Professor of Geography / At the University of Venetia / Use / ACADEMY OF Cosmografica ARGONAUTI / TOMO In The Venetia 1692 ") / Atlante Veneto, nel quale si contiene la descrittione geografica, storica, sacra, profana e politica degl'imperii, regni, provincie e stati dell'universo, loro divisione e confini, coll'aggiunta di tutti li paesi nuovamente scoperti, accresciuto di molte tavole non più pubblicate. Opera e studio del Padre Maestro Coronelli...In Venetia 1692.
Vincenzo Coronelli (August 16, 1650 – December 9, 1718) was a Franciscan monk, cosmographer, cartographer, publisher, and encyclopedist known in particular for his atlases and globes. He spent most of his life in Venice. Stupidly rare  elevations of a n early looks to be Roman Galley . Full page but a stain to the right which will mount out or clean I can get this done here but will take about 4 weeks (a  slow / busy restorer) £185 inc delivery  also included on navy page




  "Vestigi del Settizonio di Seuero Imperatore, detto la Scola di Vergilio in Romany"
 part 2 of his Roman sequence. 23 x 30 cm. £250 c 1660

  Gabriel Perelle, (1604 - 1677)An eminent French designer and engraver, Gabriel Perelle received instructions in painting, etching and engraving from Daniel Rabel. His first published etchings bear the date of 1635. For the following thirty years Perelle created a large number of superbly crafted etchings of landscapes and views. Gabriel Perelle's last etchings date from around 1665. After that time he was commissioned by the King of France to draw maps and military plans.
  Although he engraved designs after the work of other masters, such as, Poussin, Paul Bril, Asselyn and Silvestre, most of Perelle's graphic oeuvre (including this original example) was both designed and engraved by his hand. And interestingly, even with his topographical views, Perelle frequently embellished his compositions with imaginary ruins and other objects. Thus Perelle's etched views are also Utopian landscapes of the mind. This price is delivered framed and glazed  much cheaper collected






 
Primorum XII Caess Genealogiarum Stemmarum Consanguinatatum Affinatum Q Vera Delinatio
 ie descent of the Caesar's shown by their coins
Published by Giovanni Giacomo de Rossi/ Iacob. de Rubeis/  Script reads Giovanni Iacomo de Rubeis on right 'Io Iacob de Rubeis formis Romae ad Temp S M de Pace'   He was born 1627 in Rome. He inherited the most important printing press in Rome in the 17th century from his father Giuseppe (1570-1639). His major work the atlas "Mercurio Geografico" was published from 1690 till 1714 in Rome. He died in 1691. Stunninngly rare as to why. . . no idea but on two sheets no damage great for a numismatist or office weird but rare £185 pair delivered double folio x 2



Carte Genealogique des Rois de Naples  de Sicile et de Hongrie issus"

by   Henry Abraham Chatelain An elaborate family tree depicting the ruling houses of Naples and Sicily and their alliances, with historical remarks, embellished with  coats of arms and maps of Sicily and Naples. From Chatelain's monumental 7 volume Atlas Historique.Published in Amsterdam . . .  1720. Zacharie Chatelain (d.1723) was the father of Henri Abraham (1684-1743) and Zacharie Junior (1690-1754).  They worked as a partnership publishing the Atlas Historique, Ou Nouvelle Introduction A L’Histoire … under several different Chatelain imprints, depending on the Chatelain family partnerships at the time of publication.  The atlas was published in seven volumes between 1705 and 1720, with a second edition appearing in 1732.  The maps were accompanied by information pertaining to cosmography, geography, history, chronology, genealogy, topography, heraldry, and costume of the world.
The maps in the Atlas Historique were mainly based on those of the French cartographer, Guillaume De L’Isle, but were presented by the Chatelains in an encyclopaedic form.  The accompanying text is in French and often is printed in two columns on the page with maps and other illustrations interspersed.  Each map and table is numbered consecutively within its volume and all maps bear the privileges of the States of Holland and West-Friesland.Excellent condition £120 inc delivery





Pompeii Excavation of the Quarter of the Theatres etc
Antique  Steel Engraving by G.Cooke   Published Feb 1. 1819/20, by Rodwell & Martin, New Bond Street Image size 15 x 26.5 cm  plus text and borders  From Pompeiana : the topography, edifices, and ornaments of Pompeii (1821) .Unmounted quality plates £25,  folds as issued

Veduta della Chiesa e Piazza di S. Maria Novella con la festa della Corsa de' Cocchi
by  Giuseppe Zocchi (Fiesole 1716/7 – Florence 1767)  the most important exponent of Florentine vedute painting. Part of a "selection" of views of Florence drawn by Giuseppe Zocchi produced by the press of the Florentine printer Giuseppe Allegrini,  were commissioned for and financed by  Marquis Andrea Gerini,  dedicated to Maria Teresa of Austria .The original plates of the Scelta di XXIV Vedute immediately underwent two further printings in Florence, by Giuseppe Bouchard, in 1754 and in 1757. A posthumous edition was also printed by Giuseppe Zocchi’s brother Cosimo, again in Florence, around 1770 from the paper age it is one of these printings not the later ones . . . on laid paper.


Facciata del Duomo di Siena ..elevation of cathedral facade

 by Abbé Lelio Cosatti 1677-1748C. artist,architect and draftsman. Italian, active 18th cent. , with various figures at bottom, between floor plan at left and interior perspective at right; engraved Italian text; "Lelio Cosatti Patritius Senensis ... delineatum incidi curavit;"Lelius Cosatti Patritius senensis in sui erga Patriam amoris argumentum magnificum Templum a sé delineatum incidii curavit MDCCIX". Maximilianus Limpach sculp. Romae"]. Published 1719 probably at the Vatican  in Rome as a record , 48 x 70.1 cm plus margins.   Maximilian Joseph Limpach was a Czech engraver born in Prague, active in the early 18th century.  He worked in Rome for the Vatican printshop where he produced various series of large folio architectural engravings  £525  inc delivery . . .
very rare detailed engraving  light age toning to cream small crease base left and right would gently steam and press unusually still whole page



NERO'S GOLDEN PALACE.
  c.1740. Copper engraving  by J.Blundell, published . Copper engraved print . Uncoloured. Perfection folds as issued no staining full borders. A clean crisp impression. Size: 39.5 x 27 cm. (15½ x 10½ inches) Nero's vast palace in Rome, built after the fire of AD65. The  palace was legendary, and  responsible for Nero's unpopularity. When the palace was pulled down, the lake at its centre became the site of the Colosseum. The palace was buried until the Middle Ages, when artists such as Raphael and Michaelangelo has themselves lowered into it by rope to admire the 30,000 metres of frescoes.  £220 inc




TRAJAN'S COLUMN. PL. 17.
From the Views of The Remains of Ancient Buildings in Rome and its. Vicinity. c. 1820/1844..  Hand colored  Lithograph  by M Dubourg (1779–1863)  ie NOT AN AQUATINT looks identical when framed .£65 inc postage...31 X 23 cm  plus title .and full margins






TEMPLE OF PALLAS. PL. 22.
From the Views of The Remains of Ancient Buildings in Rome and its. Vicinity. c. 1820/1844..  Hand colored  Lithograph  by M Dubourg (1779–1863)  ie NOT AN AQUATINT looks identical when framed .£65 inc postage...31 X 23 cm  plus title .and full margins



PONTE LUGANO PLATE 11
From the Views of The Remains of Ancient Buildings in Rome and its. Vicinity. c. 1820/1844..  Hand colored  Lithograph  by M Dubourg (1779–1863)  ie NOT AN AQUATINT looks identical when framed .£65 inc postage...31 X 23 cm  plus title .and full margins



Grotto of Egeria
From the Views of The Remains of Ancient Buildings in Rome and its. Vicinity. c. 1820/1844..  Hand colored  Lithograph  by M Dubourg (1779–1863)  ie NOT AN AQUATINT looks identical when framed .£65 inc postage...31 X 23 cm  plus title .and full margins




Italy Map
 By Keith Johnston, F.R.S.E. Engraved & printed by W. & A.K. Johnston, Edinburgh. William Blackwood & Sons, Edinburgh & London, (1861) Size 49 x 59 cm Fom 'The royal atlas of modern geography, exhibiting, in a series of entirely original and authentic maps, the present condition of geographical discovery and research in the several countries, empires, and states of the world by Alexander Keith Johnston ... With a special index to each map. William Blackwood and Sons, Edinburgh and London. MDCCCLXI.' £ 40 inc delivery




SARDAIGNE, SICILE, ISLE DE MALTE.
A copper engraved map of Southern Italy, Sicily, Sardinia and Malta, produced by the French cartographer Janvier, published circa 1770. Measures 305 x 450 mm. Centrefold as issued. £105 inc delivery




"Italy  " by Thomas Jefferys
Antique map by  Thomas Jefferys (1719-1771 ), Geographer to King George III.  Originally produced for an edition of Thomas Salmon, "A New Geographical and Historical Grammar".London : Published in   London by Thomas Salmon 1762. Later hand colour full margins  Copper line engraving on paper. Later hand colour. Engraved surface 184 x 197mm (approx. 7-1/4" x 7-3/4"). Folds as issued ,  £25 inc delivery DAMAGED loss to centre creases to right edge




Convent of La Santa Trinita
Original antique steel engraving, drawn by S. Prout, from The Tourist in Italy vol 2 by Thomas Roscoe engraved by Wimore.Published by Jennings and Chaplin /Fenner & Stears  1832. Image size  14 x 9.5 cm . unmounted. £15



  Pompeii, Tomb of Scaurus
Steel Engraving by Chas Heath/Charles Theodosius Heath (1 March 1785 – 18 November 1848) Published Feb 1. 1819/20, by Rodwell & Martin, New Bond Street Image size 15 x 21 cm  From 'Pompeiana : the topography, edifices, and ornaments of Pompeii (1821) .Unmounted quality plates £15





  Pompeii, Restoration o0f the Atrium in the House of Pansa
Steel Engraving by Chas Heath/Charles Theodosius Heath (1 March 1785 – 18 November 1848) Published Feb 1. 1819/20, by Rodwell & Martin, New Bond Street Image size 15 x 21 cm  From 'Pompeiana : the topography, edifices, and ornaments of Pompeii (1821) .Unmounted quality plates £15




  Pompeii, Tetrastyle Cavaedium in the House South of the Basilica

Steel Engraving by Chas Heath/Charles Theodosius Heath (1 March 1785 – 18 November 1848) Published Feb 1. 1819/20, by Rodwell & Martin, New Bond Street Image size 15 x 21 cm  From 'Pompeiana : the topography, edifices, and ornaments of Pompeii (1821) .Unmounted quality plates £15





  Pompeii, Side of a Room
Steel Engraving by Chas Heath/Charles Theodosius Heath (1 March 1785 – 18 November 1848) Published Feb 1. 1819/20, by Rodwell & Martin, New Bond Street Image size 15 x 21 cm  From 'Pompeiana : the topography, edifices, and ornaments of Pompeii (1821) .Unmounted quality plates £15



  Pompeii, Remains of the Greek temple
Steel Engraving by Chas Heath/Charles Theodosius Heath (1 March 1785 – 18 November 1848) Published Feb 1. 1819/20, by Rodwell & Martin, New Bond Street Image size 15 x 21 cm  From 'Pompeiana : the topography, edifices, and ornaments of Pompeii (1821) .Unmounted quality plates £15




  Pompeii, View in the Court of the Temple of Isis
Steel Engraving by Chas Heath/Charles Theodosius Heath (1 March 1785 – 18 November 1848) Published Feb 1. 1819/20, by Rodwell & Martin, New Bond Street Image size 15 x 21 cm  From 'Pompeiana : the topography, edifices, and ornaments of Pompeii (1821) .Unmounted quality plates £15



  Pompeii, View in the Greek Theatre looking Towards the Scene
Steel Engraving by Chas Heath/Charles Theodosius Heath (1 March 1785 – 18 November 1848) Published Feb 1. 1819/20, by Rodwell & Martin, New Bond Street Image size 15 x 21 cm  From 'Pompeiana : the topography, edifices, and ornaments of Pompeii (1821) .Unmounted quality plates £15




  Pompeii, Restoration of the North End of the Forum
Steel Engraving by Chas Heath/Charles Theodosius Heath (1 March 1785 – 18 November 1848) Published Feb 1. 1819/20, by Rodwell & Martin, New Bond Street Image size 15 x 21 cm  From 'Pompeiana : the topography, edifices, and ornaments of Pompeii (1821) .Unmounted quality plates £15




  Pompeii, View of the temple of Bachus
Steel Engraving by Chas Heath/Charles Theodosius Heath (1 March 1785 – 18 November 1848) Published Feb 1. 1819/20, by Rodwell & Martin, New Bond Street Image size 15 x 21 cm  From 'Pompeiana : the topography, edifices, and ornaments of Pompeii (1821) .Unmounted quality plates £15




  Pompeii, View of the temple of Bachus looking Towards vesuvius
Steel Engraving by Chas Heath/Charles Theodosius Heath (1 March 1785 – 18 November 1848) Published Feb 1. 1819/20, by Rodwell & Martin, New Bond Street Image size 15 x 21 cm  From 'Pompeiana : the topography, edifices, and ornaments of Pompeii (1821) .Unmounted quality plates £15




related links

Italy page 1 inc maps
Italy page 2


see also Rossini + Piranesi





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