William Henry.Pyne The Costume
of Great Britain. London. William Miller. 1804 & 1808 Folio
[11.5 x 15.5 ins mounted and matted price includes delivery
etc]. from a set of 60 ORIGINAL HAND COLOURED ENGRAVED PLATES,
(AQUATINT),. The first edition was published in 1804 with
uncoloured back ground.The second edition 1808 had a partial
coloured background and the third edition was in full colour . .
. Pyne's plates portray a diversity of trades, occupations and
services. All classes are represented from the most elevated
ranks to the lowest labourer. Considerable attention is paid to
each trade, giving a valuable record of British society on the
eve of the Industrial revolution. William Henry Pyne is
generally known as an etcher, landscape painter and author of
literature. Pyne combines all three of his talents to produce a
charming account which invites the reader to experience the many
aspects of early nineteenth century Britain. Pyne exhibits
costumes ranging from clergy and military dress to those of milk
maids and coal shovellers. Pictured against the beautifully
drawn and colored backgrounds, the figures come to life in their
contemporary settings. Contemporary of such great character
artists as Thomas Rowlandson and George Cruikshank, W.H. Pyne,
in the wardrobes and dress represented here, allows us to see
the manners, habits and lifestyle during the early 1800's. also
at base of page The Costume of Yorkshire (1885) illustrated by
George Walker included here as large aquatints of trades
** As with all larger items much
cheaper at the shop**
Locks and Canals
Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects 1824 later ed
Stage Coaches
1823 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
Basket Makers and Cooper
1804 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
Domestic Employment
1804 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
Lime Kilns / Lime Burners
1804 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
Collieries 1804 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
Iron making Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
Tanning pl1 1 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
Paviours Making
Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects x2
Milling Pl 1 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
Cottagers pl 1 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects x2
Fire engines pl 1 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
Farriers Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
Slaughter Houses
1807 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects. x2 1807
Miscellanous pl 6 1804
Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects. x2
Itinerant Musicians; Shoe Black; Chestnuts seller Washerwoman 1805
Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
Trucks pl 1 1802
Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
Coast Scenes pl 1 1804
Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects.
Collieries 1805
Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects.
Cottagers pl 2 1807
Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
Rope making 1 1807
Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
Miscellaneous 1802
Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
Timber Wagons pl 1 1804
Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
A Lady and Gentleman in Summer Dress
Charles Hamilton Smith Esq. (1776-1859) (after)I.A. Atkinson (engraver)R. & D. Havell, J. Hill (aquatinters)from The Ancient Costume of Englandpublished by Colnaghi & Co., London: c. 1811-1818.Hand-colored engraving and aquatint 14.5 x 10 inches plus border and title framed and glazedCharles Hamilton Smith (1776-1859) was an artist, illustrator, soldier and spy. He served as a British Army officer during the Napoleonic Wars seeing some active service, but spending most of his career in the British Isles in various staff positions. Smith was also a self-taught artist, and an extremely prolific one -- by his own estimation he produced over 38,000 drawings over the years. Most of these were of non-military subjects, however over 1,400 were uniform studies, with another 3,000 containing accurate drawings of soldiers. He is also known for his Costume of the Army of the British Empire, originally published between 1812 and 1814. £125 delivered/ £85 collect. . .included here for ease
Boatbuilding The Costume of Yorkshire, Illustrated in a Series of Forty Engravings, Being Facsimiles of Original Drawings, With Descriptions in English and French. London: Printed by T.Bensley, Bolt Court, Fleet Street, for Longman, Hurst, Rees, Orme, and Brown Paternoster Row; Ackermann, Strand; and Robinson, Son, & Holdsworth, Leeds. originally 1814.These are from the 1885 edition still folio aquatints £45 each inc
The Ruddle Pit The Costume of Yorkshire, Illustrated in a Series of Forty Engravings, Being Facsimiles of Original Drawings, With Descriptions in English and French. London: Printed by T.Bensley, Bolt Court, Fleet Street, for Longman, Hurst, Rees, Orme, and Brown Paternoster Row; Ackermann, Strand; and Robinson, Son, & Holdsworth, Leeds. originally 1814.These are from the 1885 edition still folio aquatints £45 each inc
Woodmen 1824
Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects
Statuary plate 1 / Sculptors
1823 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defectspictured through cellophane
Sheep Shearing
1804 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects pictured through cellophane
Masonry plate 1
1804 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects pictured through cellophane
Gipsies
1804 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects pictured through cellophane
markets 1822 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defectspictured through cellophane
Travellers reposing Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects pictured through cellophane
Shooting plate 1 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defectspictured through cellophane
Pedlars Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects pictured through cellophane
woodmen Plate 2 SUNNED Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects pictured through cellophane
Games skittles bowls etc Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defectspictured through cellophane
Post Chaises plate 1 Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects pictured through cellophane
Washing Laundry Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects pictured through cellophane
Bird catching Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects pictured through cellophane
Knife Grinders
Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects pictured through cellophane 1807
sawing
Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects pictured through cellophane
Butchers
Aquatint by William Henry Pyne from the The Costume of Great Britain. Published in London by William Miller.from 1804. Image Folio 11.5 x 15.5 ins .The first edition was published in 1804 with uncoloured back ground.The second edition 1808 had a partial coloured background and the third edition was in full colour . £45 each mounted and matted all are free none are laid down all without defects. pictured through cellophane
The Judge
.from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life..Folio 11.5 x 15.5 ins . . . £55 mounted but surface soiling ( dusty)
Life Boatmen Plate 55
.from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life..Folio 11.5 x 15.5 ins . . . £40 unmounted repair to page x 4
Royal Barge Plate 44
.from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life..Folio 11.5 x 15.5 ins . . . £50 unmounted x 2
State Coach Plate 56
.from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life..Folio 11.5 x 15.5 ins . . . £50 unmounted not as picx 2 £25 unmounted mucky page shown
State Coach / 2 Plate 51
.from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life..Folio 11.5 x 15.5 ins . . £35 unmounted mucky page shown
Grass Roller, Plate 40
.from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life..Folio 11.5 x 15.5 ins . . £40 unmounted a few soiling marks to page . £50 unmounted not as per pic
The Waggoner Plate 38
Stage wagon, 1805. A large heavily-laden wagon pulled by a team of 8 horses passing a milestone. The wagon has wide roller wheels designed to give a smoother passage over difficult roads and, supposedly, to damage the road surface less. . . .from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life..Folio 11.5 x 15.5 ins . . . £50 unmounted x 3
The Guilty / The Stocks/Pillory Plate 30
from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life..Folio 11.5 x 15.5 ins . . . unmounted water mark to page margin(larger page edition) @ £50 unmounted plus 2 unmounted
Coal Heavers / Colliers /Miners Plate 13
from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life..Folio 11.5 x 15.5 ins £50 inc unmounted x 2
A Bishop from The Costume of Great Britain Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour Acid-Free double Matting Sold with Original Descriptive Pages fixed to verso.Folio [11.5 x 15.5 ins Each plate bears imprint, " Published by William Miller Albemarle Street Jan. 1 1805." £65 inc unmounted no text £50 inc x 2
Highland Piper pl 60 from The Costume of Great Britain Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour Acid-Free double Matting Sold with Original Descriptive Pages fixed to verso.Folio [11.5 x 15.5 ins Each plate bears imprint, " Published by William Miller Albemarle Street Jan. 1 1805." " £50 inc unmounted without text
£65 inc with text and mounted
Tanning from The Costume of Great Britain Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour Acid-Free double Matting Sold with Original Descriptive Pages fixed to verso. Each plate bears imprint, " Published by William Miller Albemarle Street Jan. 1 1805."Folio 11.5 x 15.5 ins £65 inc x 2
unmounted sans description @£50 x 2
Brewers from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour Acid-Free double Matting Sold with Original Descriptive Pages fixed to verso.Folio Each plate bears imprint, " Published by William Miller Albemarle Street Jan. 1 1805." [11.5 x 15.5 ins £65 inc
The Roundabout from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour Acid-Free double Matting Sold with Original Descriptive Pages fixed to verso.Folio [11.5 x 15.5 ins £65 inc
Wool Winder from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour Acid-Free double Matting Sold with Original Descriptive Pages fixed to verso.Folio [11.5 x 15.5 ins £65 inc
Knife Grinder from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour Acid-Free double Matting Sold with Original Descriptive Pages fixed to verso.Folio [11.5 x 15.5 ins £65 inc
Guy Fawkes from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour Acid-Free double Matting Sold with Original Descriptive Pages fixed to verso.Folio [11.5 x 15.5 ins £65 inc x 2. . .
one unmounted water mark to page margin( mount area) @ £50 plus 2 okay but unmounted
Highland Shepherd from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour Acid-Free double Matting Sold with Original Descriptive Pages fixed to verso.Folio [11.5 x 15.5 ins £65 inc one mounted x 2 unmounted state if pref
Bill Sticker from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour Acid-Free double Matting Sold with Original Descriptive Pages fixed to verso.Folio [11.5 x 15.5 ins £65 inc
Fishermen at a capstan
from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour Folio [11.5 x 15.5 ins £65 inc . . . one unmounted water mark to page margin @ £40
The Lottery Wheel from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour Acid-Free double Matting Sold with Original Descriptive Pages fixed to verso.Folio [11.5 x 15.5 ins £65 inc x 2 x 2 unmounted sans description @£50 x 2 unmounted creased so will need mounting closer in @ £30
A Brickmaker from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour Acid-Free double Matting Sold with Original Descriptive Pages fixed to verso.Folio [11.5 x 15.5 ins
£50 inc unmounted no text
The Waterman from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour Acid-Free double Matting Sold with Original Descriptive Pages fixed to verso.Folio [11.5 x 15.5 ins £65 inc
The Wardmote Inquest aka Weights and Measures from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour .Folio [11.5 x 15.5 ins . . . . £20 some surface abrasion unmounted . £50 unmounted x 3 av.minor flaws
Yeoman of the Kings Guard, from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour .Folio [11.5 x 15.5 ins . . . . £50 unmounted inc delivery
Female Shrimper
from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour .Folio [11.5 x 15.5 ins . . . . £40 unmounted inc delivery mk in sky would remove and some surface soiling to left
Smithfield Drover/ Farm Market Scene
from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour .Folio [11.5 x 15.5 ins . . . . £50 unmounted inc delivery
Church Beadle
from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour .Folio [11.5 x 15.5 ins . . . . £50 unmounted inc delivery x 4
Rabbit Selling Woman
from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour .Folio [11.5 x 15.5 ins . . . . £50 unmounted inc delivery
Slaughterman
from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour .Folio [11.5 x 15.5 ins . . . . £50 unmounted inc delivery x 3
Admiral in Full Uniform
from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour .Folio [11.5 x 15.5 ins . . . . £50 unmounted inc delivery x 4 creased at £30
Knight of the Garter
from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour .Folio [11.5 x 15.5 ins . . . . £50 unmounted inc delivery mk in sky/mount area
Refuse Collector
from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour .Folio [11.5 x 15.5 ins . . . . £50 unmounted inc delivery x 3
General Officer on Horseback
from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour .Folio [11.5 x 15.5 ins . . . . £50 unmounted inc delivery
Peer of the Realm
from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour .Folio [11.5 x 15.5 ins . . . . £50 unmounted inc delivery
Speaker of the House
from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour .Folio [11.5 x 15.5 ins . . . . £50 unmounted inc delivery
Dragoon from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour .Folio [11.5 x 15.5 ins . . . . £30 unmounted inc delivery some soiling Judge from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour .Folio [11.5 x 15.5 ins . . . . £50 unmounted inc delivery
Herald
from "The Costume of Great Britain"Hand-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain. The book included 60 full-page paintings of professional and working-class men and women and scenes from everyday life.Original colour .Folio [11.5 x 15.5 ins . . . . £50 unmounted inc delivery
The Market Woman England plate 44
from a later small edition of "The Costume of Great Britain"H and-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain Page Size 16 x 23 cm some surface soiling £12
The Beadle England plate 46
from a later small edition of "The Costume of Great Britain"H and-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain Page Size 16 x 23 cm some surface soiling £12
The Baker England plate 39
from a later small edition of "The Costume of Great Britain"H and-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain Page Size 16 x 23 cm some surface soiling £12
The Postman England plate 24
from a later small edition of "The Costume of Great Britain"H and-coloured Copper Plate Engravings by William Pyne . . the son of a weaver, born in London in 1769. In 1805, the publisher, William Miller, commissioned him to write and illustrate The Costume of Great Britain Page Size 16 x 23 cm some surface soiling £12 filthy top corner