The Sadeler family were the
largest, and probably the most successful of the dynasties of
Flemish engravers that were dominant in Northern European
printmaking in the later 16th and 17th centuries, as both
artists and publishers. As with other dynasties such as the
Wierixes and Van de Passe family, the style of family members is
very similar, and their work often hard to tell apart in the
absence of a signature or date, or evidence of location.
Altogether at least ten Sadelers worked as engravers, in the
Spanish Netherlands, Germany, Italy, Bohemia and Austria.
Much of their best work was high quality reproductive prints of contemporary artists such as Bartholomeus Spranger (Aegidius II) or the Venetian Bassano family (Jan I and Rafael I), that were important in spreading the reputation and style of these artists. Aegidius Sadeler (sometimes written Egidius, or Gilles) was also a painter, and a leading Northern Mannerist engraver; the best of the dynasty.After moving to Cologne in childhood (c. 1579), then Munich (c. 1588), he trained in Antwerp, and went to Italy, working in Rome (1593), then back to Munich with his uncles Jan and Rafael in 1594, travelling with them to Verona, and probably Venice (1595–97). After a trip (apparently alone) to Naples he moved to Prague in 1597, where spent the rest of his life, mostly employed by Emperor Rudolf II.
The Baths of Caracalla Rome Plate 20
From Egidius Sadeler or Aegidius / Ægidio Sadeler; or Gilles Sadeler (1570 – 1629) was an engraver from the Southern Netherlands active at the court of Rudolf II, Holy Roman Emperor in Prague. Jean-François Daumont (Publisher) A set of fifty-two Views near Rome, entitled Vestigi delle Antichitd di Roma ( 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places') The set included the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. . Actually engravings of reduced copies of Du Pérac's Vestigi dell'antichità di ...Sadeler engraved reduced copies of Du Pérac's Vestigi dell'antichità di Roma plates. The plates in this edition are unsigned. In other later known editions the plates are signed: Marco Sadeler excudit or excud. Published in French with many engraved by Daumont . Size (17.3 x 28 cm) very minimal rt edge margin but an early edition from paper type Known editions are 1606 and also from G.Giacomo de Rossi, in 1660 £115 very very rare
Italian title from the only Library copy found isVestgij delle Terme di Antonino Caracalla, della parte di dentro quale era uno Atriolo, o ver cortille, con un coritore atorno sostenuto di coloûe per poter ivi passiagiare coperto, gli volti sui furono murate con pietre pomice, et lastricate di musaicha, li parieti furono incrostati di diverse pietre mischie, secono che se ne vede anco hoggi verstigij vogliono che a tempo di Papa Paulo III. fussero ritronati in detto cortille belissimi frag ti di statue et animali ch’erano antichamente tutto d’un pezzo, le quali Il Car.le Farnese a fatto drizzare oggidi nel suo Palazzo.
Thermae Caracallae
From Egidius Sadeler or Aegidius / Ægidio Sadeler; or Gilles Sadeler (1570 – 1629) was an engraver from the Southern Netherlands active at the court of Rudolf II, Holy Roman Emperor in Prague. Jean-François Daumont (Publisher) A set of fifty-two Views near Rome, entitled Vestigi delle Antichitd di Roma ( 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places') The set included the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. . Actually engravings of reduced copies of Du Pérac's Vestigi dell'antichità di ...Sadeler engraved reduced copies of Du Pérac's Vestigi dell'antichità di Roma plates. The plates in this edition are unsigned. In other later known editions the plates are signed: Marco Sadeler excudit or excud. Published in French with many engraved by Daumont . Size (17.3 x 28 cm) very minimal rt edge margin but an early edition from paper type Known editions are 1606 and also from G.Giacomo de Rossi, in 1660 £115 very very rare
Italian title from the only Library copy found is Vestigii delle Terme di Antonino Caracalla, dalla parte di fuora, che guarda verso mezzo giorno qualli furono incominciate da questo Imperatore, et Alessandro severo le forni, et orno furono situate alle radici del colle Aventino verso la regione de la Piscina publica et furono grandissime, bellissime, e’ben composte Archtetura, adornate di gran colonne, di varie pietre mischie,
Plate 24 Amphitheatre
>From Egidius Sadeler or Aegidius / Ægidio Sadeler; or Gilles Sadeler (1570 – 1629) was an engraver from the Southern Netherlands active at the court of Rudolf II, Holy Roman Emperor in Prague. Jean-François Daumont (Publisher) A set of fifty-two Views near Rome, entitled Vestigi delle Antichitd di Roma ( 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places') The set included the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. . Actually engravings of reduced copies of Du Pérac's Vestigi dell'antichità di ...Sadeler engraved reduced copies of Du Pérac's Vestigi dell'antichità di Roma plates. The plates in this edition are unsigned. In other later known editions the plates are signed: Marco Sadeler excudit or excud. Published in French with many engraved by Daumont . Size (17.3 x 28 cm) very minimal rt edge margin but an early edition from paper type Known editions are 1606 and also from G.Giacomo de Rossi, in 1660 £115 very very rare Italian title from the only Library copy found is Vestgii d’uno Amphiteatro nominato da gli Antichi Castrense, qual e’congiunto con le mura della citta, et dentro il monsterio di s.a Croce in Hierusalem, fu questo edifitio di forma ovale e, fatto tutto di terra cotta adornato di colonne di mezo rilevo, e’pilastri, d’opera Corinthia, dimostra molto Anticho a’ vedere la maniera del lavora fu anco molto picolo, a rispetto degli altri ch’eranno in Roma, oggidi se ne servono gli frati di sa Croce per giardino.
Plate 11 Palatine Hill
From Egidius Sadeler or Aegidius / Ægidio Sadeler; or Gilles Sadeler (1570 – 1629) was an engraver from the Southern Netherlands active at the court of Rudolf II, Holy Roman Emperor in Prague. Jean-François Daumont (Publisher) A set of fifty-two Views near Rome, entitled Vestigi delle Antichitd di Roma ( 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places') The set included the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. . Actually engravings of reduced copies of Du Pérac's Vestigi dell'antichità di ...Sadeler engraved reduced copies of Du Pérac's Vestigi dell'antichità di Roma plates. The plates in this edition are unsigned. In other later known editions the plates are signed: Marco Sadeler excudit or excud. Published in French with many engraved by Daumont . Size (17.3 x 28 cm) very minimal rt edge margin but an early edition from paper type Known editions are 1606 and also from G.Giacomo de Rossi, in 1660 £115 very very rare Italian title from the only Library copy found is Vestgij et parte del monte Palatino della parte verso levante che risguarda il Coelio. A. ve dimostra parte della casa d’Augusto. B. uno Nichio grande che era in mezzo del’Atrio o vero cortile Palatino. C. il loco dove erano le scale per montare in detta casa o vero Palazzo nel quale non molti giorni sons si cavorono bellissimi fragmenti di marmor che ornanano la facciata di detta scala. D. un pezzo d’Aquadoto per il quale veniva l’aqua Claudia per servitio detto Palazzo et di tutto il monte.
plate 18 The Antoniana
From Egidius Sadeler or Aegidius / Ægidio Sadeler; or Gilles Sadeler (1570 – 1629) was an engraver from the Southern Netherlands active at the court of Rudolf II, Holy Roman Emperor in Prague. Jean-François Daumont (Publisher) A set of fifty-two Views near Rome, entitled Vestigi delle Antichitd di Roma ( 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places') The set included the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. . Actually engravings of reduced copies of Du Pérac's Vestigi dell'antichità di ...Sadeler engraved reduced copies of Du Pérac's Vestigi dell'antichità di Roma plates. The plates in this edition are unsigned. In other later known editions the plates are signed: Marco Sadeler excudit or excud. Published in French with many engraved by Daumont . Size (17.3 x 28 cm) very minimal rt edge margin but an early edition from paper type Known editions are 1606 and also from G.Giacomo de Rossi, in 1660 £115 very very rarenItalian title from the only Library copy found is Vestgij di pitura, scultura, stucchi, e’mosaicha, le volte furono murate con pietre pomice per esser piu legiere e dar manco pesa all’edificio oggidi questo luoco e’spogliato, di tutti gli adornamenti sopradetti, et non vi si vede altro che mura di matone, che danno notitia della grandezza e’bellezza di asso il vulgo lo chiamo oggi L’antoniana
Plate 26 Baths of Diocletian
From Egidius Sadeler or Aegidius / Ægidio Sadeler; or Gilles Sadeler (1570 – 1629) was an engraver from the Southern Netherlands active at the court of Rudolf II, Holy Roman Emperor in Prague. Jean-François Daumont (Publisher) A set of fifty-two Views near Rome, entitled Vestigi delle Antichitd di Roma ( 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places') The set included the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. . Actually engravings of reduced copies of Du Pérac's Vestigi dell'antichità di ...Sadeler engraved reduced copies of Du Pérac's Vestigi dell'antichità di Roma plates. The plates in this edition are unsigned. In other later known editions the plates are signed: Marco Sadeler excudit or excud. Published in French with many engraved by Daumont . Size (17.3 x 28 cm) very minimal rt edge margin but an early edition from paper type Known editions are 1606 and also from G.Giacomo de Rossi, in 1660 £115 very very rare Italian title from the only Library copy found is Vestigij delle Therme di Dioclitiano dalla parte di fuori qual riguarda verso Libecchio et Roma; queste furono incominiciate da Massimiano imperatore dopo la morte del qual Dioclitiano le fece finire poi Constantino et Massimiano suoi figlioli, le adornorono di bellissime statue di stucchi di pitture et tanto li pavimenti come le mura di porfidi serpentini et Plate 26
plate 50 Chateau at Libussa
From Egidius Sadeler or Aegidius / Ægidio Sadeler; or Gilles Sadeler (1570 – 1629) was an engraver from the Southern Netherlands active at the court of Rudolf II, Holy Roman Emperor in Prague. Jean-François Daumont (Publisher) A set of fifty-two Views near Rome, entitled Vestigi delle Antichitd di Roma ( 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places') The set included the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. . Actually engravings of reduced copies of Du Pérac's Vestigi dell'antichità di ...Sadeler engraved reduced copies of Du Pérac's Vestigi dell'antichità di Roma plates. The plates in this edition are unsigned. In other later known editions the plates are signed: Marco Sadeler excudit or excud. Published in French with many engraved by Daumont . Size (17.3 x 28 cm) very minimal rt edge margin but an early edition from paper type Known editions are 1606 and also from G.Giacomo de Rossi, in 1660 £115 very very rare Italian title from the only Library copy found is . . del castello Vissehrad quale da Libussa figliuola minore di crocco secondo Principe della Bohemia, sopra ad una rupe precipitosa et imminente alla destra ripa del fiume Multavia che quivi apunto commincia. bagnare le sponde et. lito della Nova citta di Praga, estrutto, et di mura quadre cinto per alquanti secoli servi per sedia de seguenti Principi et Re di essa Bohemia, sino che da Carlo IV fosse edificata la Real corte et poi da Vladislao munito il colle di Santo Vinculao ove hoggidi perpetua. Fu questo castello nel 1420 da Ziscone et suoi adherenti totalmente rovinato onde adesso non serve ad altro ch’a giardini.
Ponte Sisto Plate 38
From Egidius Sadeler or Aegidius / Ægidio Sadeler; or Gilles Sadeler (1570 – 1629) was an engraver from the Southern Netherlands active at the court of Rudolf II, Holy Roman Emperor in Prague. Jean-François Daumont (Publisher) A set of fifty-two Views near Rome, entitled Vestigi delle Antichitd di Roma ( 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places') The set included the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. . Actually engravings of reduced copies of Du Pérac's Vestigi dell'antichità di ...Sadeler engraved reduced copies of Du Pérac's Vestigi dell'antichità di Roma plates. The plates in this edition are unsigned. In other later known editions the plates are signed: Marco Sadeler excudit or excud. Published in French with many engraved by Daumont . Size (17.3 x 28 cm) very minimal rt edge margin but an early edition from paper type Known editions are 1606 and also from G.Giacomo de Rossi, in 1660 £115 very very rare Italian title from the only Library copy found is . . Vestitgij del circo di Caracalla vicino alla via Appia et chiesa di S. Bastiano il quale serviva anticamente a celebrare feste, et altri diversi giuochi la sua lunghezza e’canne 223. La Larghezza 33 1/2 oggidi questo luoco e'un prato al segno .A. era un tempio di marte secondo li vestgij ch’e si vede.
Plate 40 catratact
From Egidius Sadeler or Aegidius / Ægidio Sadeler; or Gilles Sadeler (1570 – 1629) was an engraver from the Southern Netherlands active at the court of Rudolf II, Holy Roman Emperor in Prague. Jean-François Daumont (Publisher) A set of fifty-two Views near Rome, entitled Vestigi delle Antichitd di Roma ( 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places') The set included the Castel Sant'Angelo, Colosseum, Trajan's Forum, various Arches, Temples, Thermal baths, Mausoleum and Bridges. . Actually engravings of reduced copies of Du Pérac's Vestigi dell'antichità di ...Sadeler engraved reduced copies of Du Pérac's Vestigi dell'antichità di Roma plates. The plates in this edition are unsigned. In other later known editions the plates are signed: Marco Sadeler excudit or excud. Published in French with many engraved by Daumont . Size (17.3 x 28 cm) very minimal rt edge margin but an early edition from paper type Known editions are 1606 and also from G.Giacomo de Rossi, in 1660 £115 very very rare Italian title from the only Library copy found is . Cataratta overo luocho stretto et precipitoso per la caduta del fiume Aniene hora Teverone, il quale passando per mezo le solve scende poi gionto a Tivoli molto strabocchevolmente da gl’alti giuogi di quelle montagne nella soggetta valle ove per un pezzo part nascondendosi parte travagliandosi sotto o tra certi scogli allagando prima la pianura sgombra al fine le sue acque nello Tevere Plate 40
Herculaneum Ercolano Fresco with Putti
These prints show frescoes etc in the ruins of Herculaneum which was totally buried in superheated pyroclastic ash and lava during the eruption of Mt. Vesuvius in 79AD and forgotten until 1710 . In 1738 Carl von Bourbon, the king of Naples, started an excavation of the area which continues Engraved by F. Morghen after C.Nelli. Copper etching from "Raccolta di Pitture d'Ercolano", a collection of prints which was published between the years 1752 - 1762. A very attractive series, Prints were made depicting frescos and artifacts excavated in Herculaneum. Below most images are the words "Palmo Romano" and "Palmo Napolitano" with a measurement shown for each size of the palm of the hand. This was an antique Italian measurement system Image s 32.5 x 17.5 cm Page 46 x 31.5 cm . Mounted £65 inc delivery * soft crease to side and vertical crease in image* pic taken through cellophane sorry
Description of the baths of Titus: or collection of paintings found in the ruins of the baths of this emperor and engraved under the direction of Mr. Ponce ... Published and drawn by Fortuné Barthélemy de Felice (1723-1789 ) Paris 1786. Hand coloured engravings after designs by Goumas, Petit, Carlonni, Chateau, Binet and Le Fevre, each approx. 260 x 240mm, One of the features of the baths of Titus were mural designs executed by the artist Famullus, both al fresco and al stucco. Before the baths fell into decline and ruin due to exposure to the elements the designs were copied by Nicholas Ponce and published in Paris in “Description des bains de Titus” in 1786
Giovanni Battista PASSERI, (1694-1780) hand coloured engravings from 'Picturae Etruscorum in Vasculis nunc primum in unum collectae' published in Rome by J. Zempel, 1767-1770-1775. Giovanni Battista Passeri (1694-1780) was a noted archaeologist and antiquary to the Grand Duke of Tuscany.
Classical Italian scene with Lion
Engraved by Bartolozzi. Not as labelled c 1720 as he would have had to engrave at 6 yrs old. Francesco Bartolozzi RA (Florence, 21 September 1727 – 7 March 1815, Lisbon) was an Italian engraver, whose most productive period was spent in London. Central crease as issued Mounted £65 inc delivery
Nella Basilica Vaticana Sopra Il Sepolcro Di Urbano VIII Classical Italian scene from Vatican
Classical Italian Architectural detail by Bernini from Vatican antique copper engraving unmounted £65 inc delivery some light soiling copper engraving c 1730 Can be washed first if wished simply ask .. no charge
Invenzione di Ciro Ferri Classical Italian Cartouche
Classical Italian Architectural detail from Vatican antique copper engraving unmounted £65 inc delivery some light soiling copper engraving c 1730
Sula Fontana Nella Piazza Della Rotonda Classical Italian Cartouche
Classical Italian Architectural detail by Filippo Barigioni from Vatican antique copper engraving unmounted £65 inc delivery some light soiling copper engraving c 1730
Set of seven Classical Italian Scenes
Classical Italian Architectural and mythological depictions from antique copper engraving unmounted £225 inc delivery set some water marks out of image behind mount Looks to be a restrike pre 1730 of earlier work all unsigned. Marked by eralier shop at £145 each. All in decorative mounts one with an mark from the back/dent
Greco-Roman c1750 hand painted engraving from an English edition of de Montfaucon
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20 each
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CONDITION ISSUES:- All have marks to the margins due to paper age plus stored by an idiot who did not wrap them. They will mount superbly and look good block framed and the image is shown in full as adamage is in the margins . . . hence cheap !
Many are signed by Lorenzo Roccheggiani, Italian fl.pre1817
Bassorialievo rappresentante Dacia /
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20 each
Lica servo di Ercole
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20 Browning of base left corner
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Terza Tavola della Muse Etrusche
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20 Browning of base left corner
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each
Triton + Mercury
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20 Browning of base left corner
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Ram + Offerings
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
paler Browning of base left corner water mark base right
Le Vittoria conduce un Eroe al Tempio
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
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Libitinario
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
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Anniversaria Funzione Domestica
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
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Elena Rapito
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
paler Browning of base left corner water mark base right
Compagnie che Piangono
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
paler Browning of base left corner water mark base right
Faune
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
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Seconda Tavola
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
paler Browning of base left corner water mark base right
Dalla breve dichiarazirone . .
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
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la presente Tavola
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
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Armed men
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
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La notissima favola
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
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Diana
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
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Pastore
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
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La Meglie
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
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Sacrifice
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £10
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Amore Condetto
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
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Goats
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £20
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Etruscans
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £10
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Romans + etruscans Pl 77
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
Romans + Etruscans 9
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15 printers crease
Romans + Etruscans 47
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
Romans + Etruscans 63
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
Romans + Etruscans 32
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
Romans + Etruscans 106
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
Romans + Etruscans 97
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £215
Romans + Etruscans 92
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
Romans + Etruscans 70
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
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Romans + Etruscans 100
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £10
foxing at base
Romans + Etruscans 3
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
Romans + Etruscans 97b
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
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Romans + Etruscans 40
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
Romans + Etruscans 55
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
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Romans + Etruscans 119
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
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Romans + Etruscans ch
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
Romans + Etruscans 20
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
Romans + Etruscans 3
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
Romans + Etruscans 2
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
Romans + Etruscans 4
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
Romans + Etruscans 1
Antique hand painted classical engraving originally an illustration from and English edition of a book using images of Greek and Roman statues from 'L'antiquité expliquée et representée en figures'; (published Paris, 1719-1724) by Dom Bernard de Montfaucon, (1655 – 1741), a French Benedictine monk. He was an astute scholar who founded the discipline of palaeography, He is regarded as one of the founders of modern archaeology. Each plate contains one or more engravings of various classical artifacts, events, buildings, etc. . This is ascribed on the page in pencil to Ayloffe but NOT from any of his known works and the paper etc dates to c1750. Impressions Folio approx. 12¾x7¾, on sheets approx. 17½x11½. £15
Pars postica eiusdem Vasis
Etruscan Vases from Picturae Etruscorum Vasculis 1775. Copper engraving originally by Giovanni Battista Passeri (d1679). born in Rome and the 'antiquary' to the Grand Duke of Tuscany. The engravings were published almost a hundred years after Passeri's death by the Monaldini .Most folio sized £45 inc delivery mark as shown in paic <
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in Museo Barberino
Etruscan Vases from Picturae Etruscorum Vasculis 1775. Copper engraving originally by Giovanni Battista Passeri (d1679). born in Rome and the 'antiquary' to the Grand Duke of Tuscany. The engravings were published almost a hundred years after Passeri's death by the Monaldini .Most folio sized £45 inc delivery
Mediolani in Museo March Peraltae
Etruscan Vases from Picturae Etruscorum Vasculis 1775. Copper engraving originally by Giovanni Battista Passeri (d1679). born in Rome and the 'antiquary' to the Grand Duke of Tuscany. The engravings were published almost a hundred years after Passeri's death by the Monaldini .Most folio sized £45 inc delivery
In Museo Monasteriii Cassinensium Catanae
Etruscan Vases from Picturae Etruscorum Vasculis 1775. Copper engraving originally by Giovanni Battista Passeri (d1679). born in Rome and the 'antiquary' to the Grand Duke of Tuscany. The engravings were published almost a hundred years after Passeri's death by the Monaldini .Most folio size £45 inc delivery